All the films from all the editions, including those subsequently removed, presently totalling 1167. An easy way of seeing how…
Woody Allen's New Comedy Hit
The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Film #3 of Florin's Recommendations
“I feel like we're in a Noel Coward play. Someone should be making martinis.”
Isaac Davies is the typical Woody Allen character, an underachieving intellectual who is not confident enough to do what he wants to do in life, someone who is living a romantically –and of course sexually- problematic life and seems to struggle with the endless complexities of human relationships, someone who has always been one step away from achieving success but the fear of rejection and the lack of confidence have kept him from reaching greatness and happiness, an individual who is desperately searching for the meaning of life in a time and place where things- thanks to modernization- are changing so…
From the stunning opening sequence with the familiar wail of 'Rhapsody in Blue', Woody Allen guides us round the nooks and crannies of his home city. His fractured voiceover introduces the city as one of the main characters; as complex, loveable and frustrating as the movie's human populous.
He introduces other cities this way in his later, 'European tour' movies, but he only ever gives us a tourist's picture postcard of the likes of London, Barcelona and Paris. Here, it is intensely personal. He is one tiny cell of New York's lifeblood, and New York flows similarly in his veins.
Take the famous shot from the poster: as self-absorbed, neurotic, inconsistent and maddeningly burdened with First-World problems Isaac, Mary and…
Manhattan is the type of comedy I like: neurotically simple simple, romantic, charming and fresh, never falling into unreasonable clichés while telling its story. Everything seems to work in this film, from the delicious dialogue which makes cultural references without exaggerating to its lovely direction. Beautifully shot in black and white, Manhattan is Woody Allen's love letter to New York, his beloved city, which he thought that was the perfect background for this story, and, god, he was right. The film is about a divorced television writer, who has ambitions to become a novel writer. He's a neurotic underachieving intellectual who's always changing his mind about love and who does not know what to do with his life. As always,…
Woody Allen turns in another mostly romantic comedy with "Manhattan." A film about a man swinging between two relationships, "Manhattan" is full of wit and enough bite and subtle authenticism to make it stand out where other Allen comedies come off as artificial.
Like 1977's "Annie Hall," 1979's "Manhattan" is less about plot and more about characters and their idiosyncracies. Allen casts himself in the lead as a neurotic nebbish who can not decide between a 17-year-old girl and his best friend's mistress. Allen's protagonist bears an arrested arc, leaving love's lessons unlearned and changes unmade. The rest of the cast is filled out by a refreshingly real Diane Keaton as Allen's adult paramour, Muriel Hemingway as Allen's teen crush,…
“Chapter One. He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat—oh, I love this. New York was his town, and it always would be.”
Is life fundamentally sweet or sour? Depends on your point of view, I suppose. You get a new job, make a new friend, fall in love—life is honeyed and worth living. You lose that job, have a falling out with that friend, fall out of love—life is curdled and should be thrown out. The funny thing is, those circumstances don’t parcel themselves out discretely. They tend to coexist. You get a promotion but have a fight with your spouse about the…
I can't express anger. That's one of the problems I have. I grow a tumor instead.
Here Woody Allen goes past making a romantic/comedy and goes right into creating a new genre that should be called the neurotic/romance. While it's very comparable to Annie Hall to some degree the two films are very different beasts. While Annie Hall is about looking back on a failed relationship, Manhattan is an honest look at people sabotaging their own love life.
The film is populated by characters that should be unlikable. Their self-obsessed, materialistic and indulge their egos in thinking they are the personification of what New York intellectuals strive to be. Allen of course is able to shoehorn his tried…
and the award for Best Woody Allen film goes to...
At the top of Allen's filmography, where several great films have cemented his place as one of America's finest directors, Manhattan leads the pack. At least that's how I feel right now.
It's crazy to think that WA has made 35 films since this one. I wonder if he has one more bold, great film left in him. Or if he'd do another one in black and white. Rest in peace, Gordon Willis.
Devastatingly cynical, with a wonderful Allen screenplay that wrings its laughs from dark places. The widescreen black and white is gorgeous, and Gershwin's score fits like a glove. A spellbinding movie that leaves in its wake a feeling of profound emptiness.
Five stars just for Gordon Willis alone. Throw in the story pacing, acting, use of music, New York imagery, wry jokes, and allusions to other movies and the film is near perfect.
I was thinking of City Lights so often that I couldn't stop seeing it everywhere.
Continuing the quest to gradually watch all of Woody Allen's films, this one makes sense of some of his later, less personal movies- the ones set in Europe. The setting of Manhattan is here imbued with all of the nuance that his later films often lack. It doesn't bang on about it, but it tells a universal story in such a way that it couldn't take place anywhere else. Oh, and Mariel Hemingway is extraordinary here.
Um filme espetacular, como eram maravilhosos e esquisitos os filmes do Woody Allen.
Couldn't wipe a stupid smile off my face for the first hour but then my attention started to wane. Mariel Hemingway's beautiful, Diane Keaton consistently performs and Woody is funny as hell. I think it's unnecessary to moralise his work because of what he's done in real life, I think he creates characters in a uniquely human way, that doesn't mean I condone pedophilia.
I just can't stand Allen's performance bruh
A beautiful Manhattan, Gordon Willis B/W photography, Woody Allens witty insecurities, Hemingway's amazing face and Gershwin. Pretty good combo.
- A Trip to the Moon
- The Great Train Robbery
- The Birth of a Nation
- Les Vampires
- 12 Angry Men
- 2001: A Space Odyssey
- 25th Hour
- 3 Women
- The Godfather
- Seven Samurai
- The Godfather: Part II
- 12 Angry Men