Millennium Actress
2001 ‘千年女優’ Directed by Satoshi Kon
Synopsis
I hate you more than I can bear. And I love you more than I can bear.
A movie studio is being torn down. TV interviewer Genya Tachibana has tracked down its most famous star, Chiyoko Fujiwara, who has been a recluse since she left acting some 30 years ago. Tachibana delivers a key to her, and it causes her to reflect on her career; as she's telling the story, Tachibana and his long-suffering cameraman are drawn in.
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This review reportedly contains spoilers. I can handle the truth.
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Out of all the movies I've seen so far this year and in fact I could go back much further than 2013,Millennium Actress is by far and away the best one, shattering my exceedingly high expectations in such a bold and emotionally tormenting way I have a feeling that it'll stick with me for a very long time to come. Satoshi Kon's career punctuated the world of animation at a time of decreasing standards and left a lasting impression with masterpieces such as Perfect Blue and Tokyo Godfathers. I say this without the slightest bit of doubt, Millennium Actress is his greatest achievement as a director and the most important animated film of the 21st century so far. The incredible…
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Part of Dastardly Difficult December: film nr.92
I am having great difficulty trying to find the words to describe how much pure, raw emotive power resides within this film.
This is the second film I've seen by the hand of Kon (Paprika being the other) and I can safely say that I am a fan. He displays here an ability to take a simple premise, tell a simple story in it, yet structure its narrative in such a unique and rather complex way that its powerful simplicity gains a level of beauty that is not often seen in film.
An aging actress that reminisces about her career because she is being interviewed, with around her the studios that she worked…
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Wow. Satoshi Kon made some truly beautiful films in his career before his untimely death in 2010. As with 'Paprika' and 'Perfect Blue', 'Millennium Actress' blurs the line between reality and fantasy to tell a touching and memorable story of a documentary filmmaker investigating the life of a reclusive, elderly actress. She consents to an interview, which explores her extraordinary life.
Interestingly, the actress is based on Setsuko Hara, famous for her work in Yasujirō Ozu's 'Late Spring' and 'Tokyo Story', both of which I have watched just recently. Known as a symbol of the golden era of Japanese cinema in the 1950's, she quit acting the same year as Ozu's death and has since led a secluded life in Kamakura, refusing all interviews.
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Another wonderful piece of animation and cinema from Satoshi Kon that's absolutely magical from minute 1 to minute 87. The film is simple in its content but incredibly rich in its form. It's accessible to both young and old and it hits all the right spots emotionally. It is an incredible joy to watch with all of its stunning visuals, charming characters and its simple but captivating storyline. What's also admirable is that the film is essentially an homage to Japanese cinema and art. The film is riddled with dozens of references to highly influential films, iconic characters and remarkable shots from the past. Most notably the Godzilla series, Kurosawa's Throne of Blood and Hokusai's 36 Views of Mount Fuji and other paintings from that period. Highly recommended.
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Beautiful Anime from master director Satoshi Kon about a film crew making a documentry about a retired actress. They find out she met a mysterious man when she was young who gives her a key to protect as he flees the law, and how her life paralells her films in trying to track down the keyholder.
A wonderful tribute to Japan's cinema of the past.
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STEREOGRAM.
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Satoshi Kon at his very best.
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This review reportedly contains spoilers. I can handle the truth.
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The only reason I give this film a 4 is because I haven't watched it in years, but I remember distinctly that I loved it when I did. I want to rewatch it before jumping to conclusions.
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I didn't enjoy this as much as Perfect Blue, but people tell me it is a better movie.
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Another wonderful piece of animation and cinema from Satoshi Kon that's absolutely magical from minute 1 to minute 87. The film is simple in its content but incredibly rich in its form. It's accessible to both young and old and it hits all the right spots emotionally. It is an incredible joy to watch with all of its stunning visuals, charming characters and its simple but captivating storyline. What's also admirable is that the film is essentially an homage to Japanese cinema and art. The film is riddled with dozens of references to highly influential films, iconic characters and remarkable shots from the past. Most notably the Godzilla series, Kurosawa's Throne of Blood and Hokusai's 36 Views of Mount Fuji and other paintings from that period. Highly recommended.
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Wow. Satoshi Kon made some truly beautiful films in his career before his untimely death in 2010. As with 'Paprika' and 'Perfect Blue', 'Millennium Actress' blurs the line between reality and fantasy to tell a touching and memorable story of a documentary filmmaker investigating the life of a reclusive, elderly actress. She consents to an interview, which explores her extraordinary life.
Interestingly, the actress is based on Setsuko Hara, famous for her work in Yasujirō Ozu's 'Late Spring' and 'Tokyo Story', both of which I have watched just recently. Known as a symbol of the golden era of Japanese cinema in the 1950's, she quit acting the same year as Ozu's death and has since led a secluded life in Kamakura, refusing all interviews.
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This review reportedly contains spoilers. I can handle the truth.
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So this, the second film in Satoshi Kon's filmography goes down a slightly similar route to his first but takes probably the most different approach to it you could take. As with Perfect Blue, the most entertaining bits in this film are undoubtedly the portions that blur the line between fantasy and reality, although with Millennium Actress that's seen much more as a point of comedy than something disturbing as in Kon's debut film.
Unfortunately outside of this enjoyable gimmick the film is something of a slog, and despite clocking in at under ninety minutes I found it hard to hold my attention. The key problem, as some others have mentioned, is that this is an epic romance where one…