The '90s will be the decade of a Jazz thing.
After the success of "Do The Right Thing" in 1989, Spike Lee could've followed it up with anything. Another musical comedy in the vein of "School Daze", perhaps? Or another urban romantic comedy like "She's Gotta Have It"? Or maybe repeat himself with another movie similar to "Do The Right Thing"? But, no. He didn't repeat himself. He didn't rest on his laurels. He followed up his most acclaimed movie…
Exactly the same strengths and weaknesses as most Spike Lee joints.
Great cast, especially leading performers Denzel Washington and Wesley Snipes.
Vibrant colours - Nobody makes New York look quite so cool as Spike Lee.
Go-for-broke camera work - The cameras practically fly around the screen.
Far too long.
Underwritten love interests.
Too much Spike Lee - He's a good actor but he becomes the main focus for the second half of the film.
After seeing La La Land I had to see this film again. This film is far from perfect, Spike Lee while great in his first 3 films by this point got high on his own supply and just put himself on screen just for the sake of putting himself on screen (Though putting himself in Malcolm X was the ultimate sin).
Maybe it's because he's acting beside Denzel at his hungriest and Wesley and his peak that he seems so…
man desperately wants to fuck his trumpet, compromises by fucking multiple women instead
those shots of spike getting beat cross edited with the jazz performance > all of whiplash
This film did not interest me as a kid but I always saw the box for it at the video store and always thought it was a funny name. Now that I'm a grown man who loves jazz and film and Spike Lee, I looked forward to watching it. I gotta say, this is Spike Lee at his best. Back then, no one directed Denzel better than Spike. And Snipes is great as the bad boy who's tired of being…
I've lied about watching this movie twice for the sake of conversation and now I don't have to lie anymore. Quite possibly Spike Lee's sexiest movie, and I'm not just talking about the jazz numbers.
Great epic tale of jazz and the musicians who play it. Denzel, of course, is on point in his first appearance in a Spike Lee Joint. Filled with so much great jazz music and some great editing that plays to the rhythm of the music. The ending might feel a little tidy, but given the strength of Washington's acting, it's the kind of ending you want to happen and feels very satisfying. Even the Jewish club owners are bearable, especially since they only present an obstacle in the plot and aren't pivotal to it.
I actually had time to watch a movie! I'm kinda busy with two jobs so there's been a lack of movie watching of late. I chose this because it was one of the few Spike Lee movies I'd not previously seen. It's a solid flick with a great cast although the sub plots don't do much for me. The film is far better when it focuses in on Denzel and his band. The banter was strong with them. If the…
Rewatched on a 35mm print at Home in Manchester. Rambling, messy, but incredibly powerful.
Meh, it's not Do the Right Thing or Malcolm X.
Spike Lee is a director whose body of work is supposedly hit or miss, this is only my third Spike Lee film (Malcolm X being my favorite) and this was a bit of a miss for me. The film is one of those movies that doesn't really have a plot per say, more of just watching the characters interact and such. An example of a film like this done well…
Like many early Spike Lee movies, this one is kind of all over the place. But it's so vibrant and great to watch. Incredible music scenes, a surprisingly unlikable but can't take your eyes off him Denzel. One of the most graphic, if not the most, childbirth scenes ever filmed. Do NOT like the jewish stereotypes that Lee employed with the club owners, and I know he got hit with a defamation suit for it. I know that he was right to bring up the double standard of Hollywood racism and black stereotyping, but as we learn in childhood, two wrongs don't make a right.