All the films from all the editions, including those subsequently removed, presently totalling 1167. An easy way of seeing how…
Mr. Smith Goes to Washington
Romance, drama, laughter and heartbreak... created out of the very heart and soil of America!
Naive and idealistic Jefferson Smith, leader of the Boy Rangers, is appointed on a lark by the spineless governor of his state. He is reunited with the state's senior senator--presidential hopeful and childhood hero, Senator Joseph Paine. In Washington, however, Smith discovers many of the shortcomings of the political process as his earnest goal of a national boys' camp leads to a conflict with the state political boss, Jim Taylor. Taylor first tries to corrupt Smith and then later attempts to destroy Smith through a scandal.
In the middle of Mr Smith Goes to Washington, our overenthusiastic but lovable protagonist Jefferson Smith has this to say:
Liberty's too precious a thing to be buried in books, Miss Saunders. Men should hold it up in front of them every single day of their lives and say: I'm free to think and to speak. My ancestors couldn't, I can, and my children will. Boys ought to grow up remembering that.
That's beautiful. That piece of dialogue right there convinced me once and for all that Frank Capra's film had its heart in the right place. After that, I dropped all my doubts and allowed the film's over-optimistic but admirable sentiments to wash over me.
It's worth noting that…
Film #27 of Project 30
”Dad always used to say the only causes worth fighting for were the lost causes.”
In his first major cinematic role the mighty James Stewart uses his incredible talent to portray the passionate and idealistic Jefferson Smith whose innocence and determination enable him to stand up and fight the corruption, dishonesty and deceitfulness of the villainous senators, Mr. Smith Goes to Washington is the typical Frank Capra movie, a heart-warming, idealistic and feel-good story filled with hope, faith and courage. It is an inspiring and cheerful celebration of bravery and character strength which at times becomes very affective and emotionally stimulating too, Jimmie Stewart’s performance is sensational and the film gives a pretty good –…
As timely today as it was 75 years ago, Frank Capra's "Mr. Smith Goes to Washington" is an enchanting political fairy tale. Instead of knights jousting with dragons, the film finds idealistic senators taking on corruption in government. The film is painted in broad narrative and thematic strokes, but it is a pleasing, entertaining piece of work whose delights are many.
Jefferson Smith, appointed by his state's governor to serve in the US Senate, is the focus of the film. In Washington, Smith is floored by the American seat of power both in terms of the city's history and its obstinate governing bodies. The corruption is thick here and at home, and Smith soon finds himself fighting against the political…
Mr. Smith Goes to Washington may have been filmed in black and white, but it very clearly plays in red, white, and blue. This story of a naïve young patriot who is brought to Washington to be a patsy for some corrupt senators should have been a very miserable experience for me, what with its loving tongue-bath to the glory of America, however, it never once felt like the jingoistic mess it could have been. A big part of this is because the film doesn't assault you with patriotic ideals so much as it expresses them in an endearing, “aw shucks” kind of way. To this end, James Stewart is perfect in the title role,…
During the acceptance speech for his AFI Lifetime Achievement award, Director Frank Capra took a moment to share some advice with the young filmmakers of the day. "Don't compromise," Mr. Capra cautioned, "believe in yourself; because only the valiant can create, only the daring should make films, and only the morally corageous are worthy of speaking to their fellow man for two hours and in the dark."
I can think of few directors who are so worthy of such a privilege, and "Mr. Smith Goes to Washington" is a prime example as to why. Frank Capra presents an unflinching look into political corruption at the national level, and through this dialectic analysis offers a true-blue American ideal in the form…
In this movie classic, an idealistic boy scout leader (literally) becomes a senator in Washington, until his dreams and ideas are challenged by a corrupt system and he becomes the David against the oppressing political Goliath.
While this movie is idealistic, romanticized and brimming with sentimentalism, I can't help but feel that it is also more relevant than ever. Nowadays we see even more corruption, misappropriation, cheating, wealth divides and capitalism than ever, so to stand up for truth, justice and the "little guy" becomes even more important every day.
James Stewart gives an incredibly strong performance in this, one for the ages, but the ending feels a little too wrapped up and not quite the satisfying conclusion we'd expect…
This one admittedly has a very rah-rah America moral, but it's dripping with cynicism and it's got plenty of really good laughs, especially when Thomas Mitchell is on screen. And Jean Arthur is just wonderful.
Maravilla. Ese hombre contra la maquinaria. Portentoso.
The film starts out painting an idealistic picture of what America ought to be, an image repeatedly pontificated by the young and starry-eyed Mr. Smith, and then proceeds to show the rot under that glittering, gilded varnish defined by corrupt, fat-cat politicians more concerned with lining their pocketbooks, retaining power through re-election, and lining up job opportunities with major corporations after their stint in Washington has run its course than the ethical representation of the American people. Although it can be argued that the film is ultimately rooted in naivety, the hopeful call for the cyclical occurrence of generational improvement and an upheaval of crookedness is not only terrifyingly relevant in today's current political climate, it's incredibly affecting. After all,…
James Stewart is perfect for the idealistic role of Jeff Smith and is the biggest reason for my enjoyment of this movie.
For a movie that's nearly 80 years old there are a lot of prevalent themes even for today. I was impressed that the film not only tackles corruption, but journalistic integrity too.
Definitive (early) Jimmy Stewart in a definitive Capra: cynical yet earnest, bitter yet inspiring, idealistic yet intelligent, sentimental yet relevant. Capracorn at its most tasty. And Stewart’s epic Senate filibuster is the stuff that Oscar dreams are made of. Capitol Hill wish-fulfillment, the likes of which weren't seen after this until Aaron Sorkin ripped out The American President and The West Wing six decades later. Lightweight yes, but more political drama than cheesy comedy. Both Stewart (the epitome of backwoods "aww shucks" idealism) and and Arthur (hard-bitten cynicism masking the purest of hearts) are perfect, committing to their characters with an honesty rarely seen in either Hollywood or the US Senate Chamber. Support is solid, starting with the ever reliable Rains and Mitchell. Capracorn? Yes, it's sentimental fantasy. That doesn't make it any less worthy or inspirational. Just look at Wendy Davis.
Gut-wrenching portrait of mankind blurred by Capra's knack for dressing the peripheries with contemplative purity and crackling one-liners. Basic plot illustrates the lengths one man would have to go to get the unbridled attention of his highly educated cohorts, a 24-hour marathon of physically and mentally tolling acts hampered further by the betrayal and lies of alleged friends. All of this set against Smith's initial euphoria at seeing the Capitol, the Lincoln Memorial and the White House makes it extra disheartening, and Capra doesn't seem to find Smith's victory all-encompassing, allocating about 30 seconds to his joyful resolve before cutting to "the end." My favorite scene is when Saunders explains how impossible it would be to get a Bill passed…
Frank Capra’s “Mr. Smith Goes to Washington”, released recently via a beautiful 4k blu-ray, is a terrific little dramedy starring James Stewart, Claude Rains, and Jean Arthur. Stewart plays Jefferson Smith, a “golly gee gosh darn” nice guy from a small town who is thrust into the national spotlight when he is appointed to the United States Senate. With coaching from his secretary (a terrific performance from Jean Arthur), Smith is slowly led through the very murky waters of Washington DC. Before he can barely get his feet wet, Smith is implicated in some wrong doing when he naively bumps a hornet’s nest known as Senator Guy Kibbee (Rains), a colleague of Stewart who has a very pleasant exterior but…
Great film, and how incredibly relevant today.
3.5 out of 5 (B)
Every film that has ever been nominated for an Academy Award in any category. Enjoy!