These are my favorite films of all time. Some of the rankings may be estimated, ratings are subject to frequent…
Murder on the Orient Express
The greatest cast of suspicious characters ever involved in murder.
In 1935, when his train is stopped by deep snow, detective Hercule Poirot is called on to solve a murder that occurred in his car the night before.
Decades Project: 2/7 of the 70's
"I take only such cases now as interest me, and to be frank, my interest in your case is, uh... dwindling."
Sidney Lumet returns to the fertile territory of 12 Angry Men with 12 more angry men (and women this time!) and more spatial restrictions (a train instead of a jury room). Taking a group of people and sticking them in a confined space will always be entertaining with a good director in charge because they can play the various characters off of each other (see also: Hitchcock's Lifeboat); unfortunately, instead of the reality and spontaneity of Lumet's debut, Murder on the Orient Express is more caricatured and simplistic (even beyond the characters, spoon-feeding…
The 'Whodunnit?' type of storytelling is something I have always liked as it always provides a fun distraction that, when done well, almost always guarantees immediate audience involvement as we are always part of the investigation. Agatha Christie is in the top tier of authors in this genre, heck, she practically invented it.
Lumet's film takes on one of her classic Poirot stories. His hand is immediately present, not only because Sean Connery pops up, but also because it has a rich visual flair, beautifully constructed scenes and crisply edited dialogue that make the distilled version of this elaborate novel not only beautiful to look at, but also quite easy to follow.
This film has an excellent cast, but of…
Look at this cast! Sean Connery. Lauren Bacall. Ingrid Bergman. Richard Widmark. Albert Finney. Vanessa Redgrave. Anthony Perkins. Martin Balsam. Jacqueline Bisset. and plenty of great stage actors. With Sidney Lumet behind it all, I asked myself: what took so long to see this?
Detective Poirot (Finney) was a late addition to the Orient Express train route that evening, given permission to a full car lot by company director Bianchi (Balsam). Onboard the train, a man known as Ratchett (Widmark) looks to Poirot for protection as he fears he is a wanted man. Well, when a gruesome murder takes place in the middle of the night, it's up to Poirot to put the pieces together.
To sum it up, this…
"Is it about sex?"
"No, it's about 10:30."
What's Sidney Lumet done here, then? He's made this into a comedy, that's what he's done. And not an inadvertent one either, despite the melange of dreadful accents and overacting on display.
I'm pretty sure he meant this to be completely tongue-in-cheek. I just wonder if the Academy Awards got that when they handed out an Oscar for best supporting actress to Ingrid Bergman and a nomination for best actor for Albert Finney's approximation of Hercule Poirot. I suspect probably not but in their own way they are both rather deserving.
I can't say that I've ever been a fan of Agatha Christie's stories. As far as I'm concerned she only ever…
Whistle stop #14, UK, on:
I never thought I’d say this, but I’ve found a Lumet that I didn’t particularly like.
Films like Network, Dog Day Afternoon, Fail Safe .. all among my favourite films; all dialogue heavy / action light character dramas. I’m not a reader of who-done-it’s, but I loved Lumet’s own Deathtrap from 8 years later. It can’t be that I’m having an issue with claustrophobia, with so many characters in such a cramped space, as I consider 12 Angry Men a masterpiece. All I can think of is the script and the performances, and, dare I say it .. the direction.
As the opening credits rolled, and star after star…
The story may seem hard to follow, but in the end you get the gist of everything. Some people will find the conclusion annoying, but it's original. Apart from the fantastic performances by a perfect cast, the film is beautifully shot, with its flawless execution of both suspense and cinematography that gives it an overall taste of a classic whodunnit.
Why was Albert Finney playing Hitler? And why wasn't Hitler the ONLY person suspected of murder?
So many names in this star-studded cast, and many for my first time seeing their work, are all here in the greatest murder mystery I've seen thus far. Love seeing Pycho pals Perkins and Bolsom in the same flick again, I haven't seen anything else with those two (yet). Bergman's performance: woooooooow.
It takes a while to get going, but once it does the ride is pretty fun. I always enjoy this kind of movie, and with the great cast it's easy to enjoy this.
I read the novel quite a long time ago but it's undoubtedly one of Christie's best works (for me) and definitely one of her better known. It's really interesting going back to this, which is more faithful to the novel, after watching the Suchet version a few times. The tone is so different. The Suchet version is more bleak, has more of an emphasis on how cold everyone is getting from being stuck in the snow drift over the course of the episode and more Religious aspects thrown in. I love the Suchet version but this is very fine too (I've seen bits and piece before) and well acted by all involved. I mean, what a cast!
It's a compelling story, even when you know what happens.
Ahh the Whodunnit genre I miss you so much
Stand-out performance for me was Lauren Bacall as the loud crass American
Someone is murdered on the Orient Express in this telling of an Agatha Christie novel
The revelation of who did the deed at the end is one of the greatest pieces of cinema
If you haven't seen it try and seek it out
A great case-study in how one great performance can make a movie worthwhile. Murder on the Orient Express is exquisitely constructed. Director Sidney Lumet handles the sprawling cast with ease and constantly fills the frame with lush period-detail. It's as glitz and glam as a 70s period picture can be, shot on beautiful celluloid, production designed within an inch of its life, scored with utter bombast and cast to the nines. This is probably the most impressive international cast you could hope to assemble in 1974; Sean Connery, Lauren Bacall, Anthony Perkins, Ingrid Bergman, Richard Widmark, Martin Balsam, Michael York, Vanessa Redgrave and Albert Finney. Blimey! Talk about A-list.
Being based on one of Agatha Christie's most renowned novels, Orient…
A surprising misfire by Sidney Lumet with a dynamite cast and a dynamite mystery that feels rather flat and weak throughout.
With names like Anthony Perkins, Sean Connery, Ingrid Bergman, Albert Finney-and many more-one can't help but notice that the film could have been stronger.
Finney is definitely the strongest part as he's nearly unrecognizable while playing Poirot-and the rest of the players feel fine.
Yet there's a recognition that the story holds little suspense and the mystery feels campy rather than significant.
Perhaps the director meant for the film to be a comedy-but even there it doesn't quite fully work.
Still fun to see so many talented people in one picture.
The film is in fact based on the 1934 novel Murder on the Orient Express by Agatha Christie. It is a wonderful film - I have never read the book to compare to the movie - but I can say the film is worth watching if you love a good mystery movie.
An all-star, well seasoned, cast does help to make the film more intriguing, more appealing because all gave outstanding performances in this film. The story itself will easily pull you in even if you are unfamiliar with the cast - the story (mystery) is that good.
If you like this movie then you may enjoy similar types of films like "Sleuth", "Deathtrap" or "Murder By Death".
Potential is here
With this cast, but it goes by
Far too fast to solve.
Every film that has ever been nominated for an Academy Award in any category. Enjoy!
Todas las películas publicadas por el sitio web cultmoviez.info a excepción de los conciertos musicales y films que no están…