Ocean's Thirteen
2007 Directed by Steven Soderbergh
Synopsis
What are the odds of getting even? 13 to one.
Danny Ocean's team of criminals are back and are composing a plan more personal than ever. When ruthless casino owner Willy Bank double-crosses Reuben Tishkoff, causing a heart attack, Danny Ocean vows that him and his team will do anything to bring Willy Bank and everything he's got down. Even if it includes hiring help from one of their own enemies, Terry Benedict.
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όλες αυτές οι αντρικές-circa-esquire-1973 ρομαντζοϊστορίες για Αυτή Την Πόλη, και τον σινάτρα, και τη μεγάλη μπάζα, ε, τις στηρίζει το άτιμο, γιατί είναι όντως το πιο ρομαντικό από τα τρία. γιατί το κίνητρο δεν είναι ούτε τα λεφτά, ούτε μια γυναίκα- είναι ένας φίλος που προδόθηκε από εκείνον που δε σεβάστηκε τη Χειραψία Με Τον Σινάτρα, και που ήταν πιο αδίστακτος και ιερόσυλος από ό,τι η Αγάπη Για Το Παιχνίδι διατάζει. είναι διαποτισμένο με old versus new γλυκιά μελαγχολία το έργο, από τη μηχανή παντογνώστη του julian sands ("αναλογικοί παίχτες σε ψηφιακό κόσμο") μέχρι τον 'ξεπερασμένο' ρούμπεν που δίνει ώθηση στην ιστορία, και μέχρι τις μικρές στιγμές του brad και του george που δε χρειάζονται πάνω από δυο λόγια τη φορά για να μεταδώσουν αυτό που λέει κι αυτό που είναι η ταινία: το τελευταίο μεγάλο κόλπο, η τελευταία μεγάλη πλάκα δύο (τριών, δεκατριών) αγοριών που ξέρουν πως μεγαλώνουν.
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Having rewatched all three of the Ocean's films within a short period of time (the last two within 24 hours of each other), I find myself puzzled by the second one. There's no doubt that the third movie is superior to its predecessor and that it captures some of the magic of the first film in the series. But what is different about that second movie? It is simply that the second movie was set in Europe, and that the Ocean movies work best when they take place in Las Vegas? Is it because the second movie was a little too self referential and impressed with its own cleverness?
I still maintain that the second movie isn't a bad movie,…
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This sequel recaptures the magic from the first film makes for another entertaining, stylish, and witty sequel, albeit an unecessary one. A good conclusion to a decent trilogy.
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"You shook Sinatra's hand, you should know better."
The revenge angle is a very good angle. Also, Soderbergh really knows how to do a title and credit sequence.
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supongo que le doblaron salarios a todos, menos al guionista.
eso sí: los recursos cinematográficos son varios. hasta un comercial de una máquina para abdominales se vería increíble si fuera filmado así.
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Now this was MUCH better! A simple plot with a couple of twist, no love story entwined, just all around fun. It may sound terrible but I was happy to not see Julia Roberts in this one. I loved that it was the group coming together to help someone and wasn't just to deepen their pockets, although they do make off with a good take! Saw some of the stuff coming but was surprised by a few things as well. Gotta give it to Soderbergh for stepping in and making up for the mistake that was Ocean's 12, I say he redeemed himself with this one.
Even though I didn't thoroughly enjoy all the films I did have a great…
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Overly intricate and potentially inpenetratable if you haven't seen at least one of the others, it is still enjoyable and sophisticated enough to keep you involved throughout.
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They should have stuck with the first one: part 2. (damn it Soderbergh)
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Finally got to see this, and only six years (almost) to the day after its release. I was a tremendous fan of Ocean's Eleven, watching it with and without commentary probably a dozen times. Ocean's Twelve, not so much. I'm gearing up to watch it again to see if it's aged well at all, and while I did like parts of it, it was a dash of cold water after the fun of the first one.
Thankfully, Soderbergh returns this one to Vegas and the original formula, so to speak. From the first moments, I loved the look of Ocean's Thirteen. Soderbergh employs a palette that calls to mind a '70's variety show, and combines that with an energetic visual…
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better than ocean's twelve (thank GOD)
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Some of the best known modern American film stars rob a Las Vegas casino and nobody recognises them. That's about as believable as the plot of this film, which was slightly saved because it's quite good fun if you ignore the in-jokes.
On Lovefilm Instant until 23rd May. -
supongo que le doblaron salarios a todos, menos al guionista.
eso sí: los recursos cinematográficos son varios. hasta un comercial de una máquina para abdominales se vería increíble si fuera filmado así.
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pretty excellent
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Soderbergh’s second sequel to Ocean’s Eleven. This isn’t as good as the first film; however, this does very well. Pacino works well as the greatly despicable antagonist, who has wronged one of the gang. For revenge, the gang will ruin the opening of Pacino’s new casino. The actual plan is kind of messy and lazily thought-out. To create an earthquake-like shaking is just a bit out of my credibility range. What made this good, just as in the first film, was the interactions of all the characters and how they pulled it off.
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Minimal besser als der zweite Teil. Ich mag Soderbergh's Stil und den Score. Die Story dagegen schleppt sich fast über die gesamte Länge. Al Pacino bringt als 'Bösewicht' etwas Pep ins Spiel.
Teil 1 bleibt unerreicht. Die Planung und Durchführung ist dort am besten und nachvollziehbarsten dargestellt.