All the films from all the editions, including those subsequently removed, presently totalling 1167. An easy way of seeing how…
On the Waterfront
The Man Lived by the Jungle Law of the Docks!
Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers.
One of the great American Classics that somehow managed to elude me all this time.
I now fully understand what people mean when they say that acting has a pre-Brando and a post-Brando era. Brando delivers a seminal performance here that shook things up mainly because he showed a natural quality to his acting that wasn't common in those days. He wasn't articulate, was very physical and clearly improvised a lot.
As an adept of the Actors Studio he was a practitioner of Method Acting and if ever there was a definitive example of what that can do to a performance, it is shown in Brando's portrayal of Terry Malloy. In a story…
**Part of the Best Picture Project**
On the Waterfront is a masterpiece. That much anyone can be sure of as it concludes. But just why is it a masterpiece?
As I talked about in my review of Kazan's A Streetcar Named Desire, that film dealt with the conflict between the old Hollywood romanticism and the incoming age of realism, where stories weren't overplayed, merely depicted. In many ways, On the Waterfront is a spiritual successor to that film, arriving after that conflict is over.
Seeing On the Waterfront in historical relevance with the other Best Picture nominees only seems to make it stand out more. Here, Italian Neo-Realism arrives to Hollywood. On the Waterfront may have aspects of it that…
Some people just have a face that sticks in your mind.
I'm eternally grateful to Elia Kazan for casting exceptionally handsome leading men in his films: James Dean, Gregory Peck, and my all-time favorite, Marlon Brando. In A Streetcar Named Desire Brando displayed such raw sex appeal and naturalism that I keep forgetting that I didn't like the film. But On the Waterfront is (finally!) a film starring Brando I can truly enjoy.
It's such a pity that he didn't seem to give a damn about his career. One look at his filmography and you wonder what the hell he was thinking, squandering his looks and talent all those years. Thankfully, On The Waterfront is utterly gripping from start to…
Can one simultaneously love and detest a work of art?
I was surrounded by both of these feelings when watching Elia Kazan's 1954 film On the Waterfront. It often is put on lists of top films of all time, and I do think it is fantastically done, but the message of this movie deeply troubled me.
To expand on this, let me explain the history of this film a bit. Elia Kazan was at one time close friends with the playwright Arthur Miller (Death of a Salesman et al) in the late forties. They often came to each other for advice and even collaborated on occasion.
Cut to the early 1950s in America. The Red Scare was in full swing…
Why Marlon Brando is the Best Actor in the World?
Watch On The Waterfront, you will know why.
Story of Terry who could have been a contender, but now toils for a boss Johnny Friendly on the waterfront. Terry is guilt-stricken when one of his worker friend is murdered with his help to lure him on the roof. But he fall's in love with Eddie who is the dead friends sister and starts to question his conscience. He gets in deep when his brother Charlie is killed for not killing him. He then tries to crush Friendly's empire by testifying.
One of exciting ting about this film is that it has a simple yet flowing screenplay with exceptional camera work.…
On The Waterfront is brilliant on every level of film making that you care to mention. OMG is it good.
And 'THAT' scene, the one everyone's read about 'I could have been a contender', I didn't see it coming and when I finally realised I got goosebumps and the hairs on the back of my neck stood up.
'It wasn't him, Charley! It was you.' I loved the scene and off the top of my head I would put it right up there with 'The Watch' scene from Pulp Fiction, 'The Sicilian' scene from True Romance and the scene from 'The Public Enemy', the one where James Cagney smashes a grapefruit into Mae Clarke's face (not that I'm condoning violence…
One of the best movies to win Best Picture for sure.
An easy 5.0/5.0 stars. Well done all around.
Could've been a bit shorter.
coulda been a contender.
Want to hear my philosophy? Do it to him before he does it to you.
Well, Brando has one of his meatiest roles at the height of his power, and Kazan is working in his milieu, so this is destined to be a thoroughly solid movie. That said, it's a little more cliched than I'd like, especially the love story.
Also, the thought that Kazan sees any parallel between his cooperation with HUAC and Terry's actions is really obnoxious.
What do you get when you combine an incredible script, excellent direction and knockout performances.....A true Hollywood classic. Director Eliza Kazan masterfully crafts a tale of one man's rise against the corrupt and expertly blends the strong dramatics with the quiet and soft. If ever there was a pure acting showcase, it's here. Brando, quite simply, dominates the screen even as the supporting cast (including Ms. Eva Marie Saint in her debut role) threaten to steal the spotlight. The climax is designed for grandstand cheers and is sure to receive them, even if it might be a bit contrived. However, there is no denying the powerful film making at work here and as the story replays in your head long after the credits have rolled, I dare you not to have a huge smile on your face like I did.
This film is carried by exceptional acting from the entire cast, including but not limited to Marlon Brando's celebrated performance. An absolute classic.
~*Elia Kazan was a snitch but this movie is still pretty good*~
Do I have to say anything? "On the Waterfront" rocketed Brando from being a bum to being an acting legend.