Page One: Inside the New York Times Page One: Inside the New York Times
2011 Directed by Andrew Rossi
Synopsis
This year, the biggest story is their own.
Unprecedented access to the New York Times newsroom yields a complex view of the transformation of a media landscape fraught with both peril and opportunity.
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Although my erstwhile companion fell asleep, I found Page One to be an engaging documentary. Unfortunately she slept through most of David Carr's part in the film, which left her with a warped perspective, and the rest in attendance wishing we could be one quarter as witty and brazen.
On the subject of interest the film doesn’t really deliver. The future of the Times isn’t so much addressed directly, as we are introduced to some of its stalwarts and left in no doubt that whatever happens they won’t go quietly.
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This at times muddled chronicle of goings on at the media desk of one of the world’s largest newspapers — amidst the turmoil of an old-media collapse — is almost single-handedly rescued by its central protagonist, straight-shooting columnist and reporter David Carr, as he compiles 6,000 words on the demise of the Tribune Company.
Director Andrew Rossi captures a little of the drama inherent in getting a story to page A1, but largely shields us from the bigger picture concerning the fate of the Times itself, and often fails to establish context for the vast array of personalities who voice opinion along the way.
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Not only is the subject matter of the film, an insight into the NYT, interesting on face value, the film ends up grappling with the changing media landscape through talking heads, all of whom provide interesting and often conflicting perspectives, and through following the actions of David Carr, a former crack addict and now media reporter for the Times.
Carr shines in the film, I got so much pleasure out of watching him slam the founders of Vice Magazine to their faces and his supremely strong sense of where he is and what he does. Not only is he funny and insightful, his unique activism for the Times as still a bastion of journalism seems to be the crux and…
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Unfocused if occasionally interesting documentary on making of the New York Times and the general decline of newspapers. The real debate about the issues never really surfaces and gets lost in superfluous scenes and details.
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The success of this film comes from the truth of its headline. This really does take you inside The New York Times and its that behind the scene look at journalism that's so exciting. The movie touches on a few key issues regarding journalism, It talks about the risks reporters take as they go off as war correspondents and of course it deals with the current economic crisis which the mainstream media has been faced with since the rise of the social media with its Huffington Post, its Twitter and its WIkiLeaks. Indeed, this latter issue is the cornerstone of the film.
All of this makes the film consistently watchable, engaging and thought-provoking. The film also benefits from the characters…
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Not what I expected. Page One is much, much more than a mere insight into the day to day of publishing the New York Times. This documentary is all encompassing providing a commentary on the advent and game changing role of Wikileaks, to the decline of print industries, the narratives of war reporting and the role of the media in democracy. If you have even the slightest interest in how you learn about the world, and how truths are generated, this film will rock your tits.
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Not only is the subject matter of the film, an insight into the NYT, interesting on face value, the film ends up grappling with the changing media landscape through talking heads, all of whom provide interesting and often conflicting perspectives, and through following the actions of David Carr, a former crack addict and now media reporter for the Times.
Carr shines in the film, I got so much pleasure out of watching him slam the founders of Vice Magazine to their faces and his supremely strong sense of where he is and what he does. Not only is he funny and insightful, his unique activism for the Times as still a bastion of journalism seems to be the crux and…
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A cogent documentary that examines the role of journalism in a democracy.
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A very interesting look inside the New York Times, with a particular focus on the shift from print to digital media. The film follows a few interesting stories (the winding down of the Iraq War, the rise of Wikileaks, and the bankruptcy of the Tribune company), and a few fascinating people (David Carr is particularly riveting). Still, a bit more focus might have helped; while there is a moderate focus on the shift in media, for the most part these events feel like "just some stuff that happened" rather than a true narrative. Sometimes I feel documentarians use the form as an excuse to be lazy with storytelling, and I feel just a bit of that may have happened here.
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Excellent documentary which shows a mass of insight into how a leading news organization is run. With fierce contributors and an intensely sharp team driven to tell a story. Intelligent viewing and brilliantly put together.
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Unfocused if occasionally interesting documentary on making of the New York Times and the general decline of newspapers. The real debate about the issues never really surfaces and gets lost in superfluous scenes and details.
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Great and informative film about the decline of print media
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Acabes estimant al NYT, i prrocupant-te. Massa perfecte, però m'és igual, he disfrutat
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By nature of its chosen subject--being inside the times--the film takes on a conservative, protective perspective on the paper rather than a more dialogical form, weighing the pros and cons of old v. new media. This is interesting, but I can't help but wonder if the film was made too soon, if in another five years the transition will be further along and we'd have a better sense of where the newspaper industry was going, thus rounding the film out. Still, an engaging portrait of newspaper life.
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I first came to really understand the power and effect of new media while I was in grad school. It was an advertising program so there were lots of discussions regarding traditional vs. new media, and which would present the best options for communicating to customers going forward. We were given the knowledge base in traditional (print, TV, outdoor), but always told to think about and push new (digital, mobile).
PAGE ONE: INSIDE THE NEW YORK TIMES is an incredible documentary that explores this massive cultural shift through the lens of one of the most powerful and respected traditional media juggernauts.
Over the course of a year, the filmmakers captured the Times as it did everything in its power to…