Let's give some credit to the unsung artisans responsible for setting the mood at the beginning of a film, or…
It was supposed to be the safest room in the house.
Trapped in their New York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman (Jodie Foster) and her young daughter Sarah (Kristen Stewart) play a deadly game of cat-and-mouse with three intruders - Burnham (Forest Whitaker), Raoul (Dwight Yoakam) and Junior (Jared Leto) - during a brutal home invasion. But the room itself is the focal point because what the intruders really want is inside it.
From the director of Se7en & Fight Club, Panic Room arrives as another intensely gripping, nail-biting & edge-of-the-seat experience from David Fincher which further solidifies his position as one of the modern masters of thrillers, and beautifully balances its style with substance to succeed as one of the most captivating, entertaining & satisfying works of Fincher's career.
Set in New York City, the story of Panic Room concerns a recently divorced mother & her 11-year old daughter who purchase a new house which comes equipped with a safe room in case the security is breached. But on the very first night, three burglars break into their house in search for a missing fortune which is present in the very room where the two ladies…
I've never seen a single second of any of the Twilight movies. And I already know Kristen Stewart is 10x better in this, than she was in any of those movies.
I think most people don't give this film the credit it deserves. The production design is a state-of-the-art masterpiece.
Looking through the background material for this film, it's impossible not to be impressed. For instance, the previsualization process was at the time the most thorough in movie history. Previz can best be described as an animated storyboard, and has never been used to this extent. In fact, with a few omissions in the opening and the end of the film, a complete animated version of the film exists.
The sets were constructed in their entirety at a Los Angeles soundstage («There is no house»). The way these sets are constructed are so meticulously planned that Fincher wore out an entire…
Panic Room, even with a multitude of flaws, is massively entertaining. It was one of the last Fincher films that I had to see, and when I found it on Netflix Instant; I happily dove into another dark and dreary Fincher Film.
Panic Room stars Jodie Foster as a separated wife and mother moving into a new house. In their first night spending the night, with many boxes left unpacked, a group of intruders enter; unaware that anyone has moved in.
That's all I'm going to say, because the rest is best left for your discovery. I couldn't imagine seeing this in a packed house on opening weekend, It would've been nuts. Basically, the film is tense. Really, really, REALLY…
It has been a while since the last time I laid eyes on Panic Room, and as a Fincher enthusiast I have always deemed it an effective yet lesser piece of his filmography. While this remains true, it is more a compliment to the rest of his work than an insult to this film, because Panic Room is a stylish and flat out entertaining exercise in the importance of utilizing setting and cinematography to build tension.
On the surface, Panic Room really is nothing special, a home invasion film that plays by some predictable rules like using a child to tug at the heartstrings and raise the stakes, a film that features flat and uninspired archetype villain characters, starting with…
"- Nice house you guys got. Mom's rich?
- Dad's rich. Mom's just mad."
David Fincher 'Panic Room' is a by the numbers thriller, you got your regular joe's, your villains and the set-up, a big house in Manhattan.
So, what makes this film different from other thrillers? the camera work, Fincher went all out with the camera work, from continuous shots going from the 3rd floor of the house to the front door, to a shot that goes through the handle of a tea kettle, this is Fincher experimenting and playing around, and is glorious.
There is not much else I can say about 'Panic Room' is entertaining, tense when it needs to be tense, all and all is not a bad film, I mean, is David Fincher even his lesser work is still quality. By the way, the opening credits are freaking awesome.
This review reportedly contains spoilers. I can handle the truth.
Tense from the opening moment, thanks to Fincher's masterful direction, Panic Room stands well above the average thriller thanks to strong acting performances and some intimate camerawork.
David Fincher pulls through with another crime thriller in Panic Room.Considering 99% of the story takes place in an apartment with a panic room, the film holds itself together for its entirety, which is just under 110 minutes. The plot holds a consistent level of intrigue with only 5 characters taking up the majority of screen time.For an R-rated movie, the amount of violence is held in check; however, when it does occur, it's easy to see why this picture is rated what it is. Watching a young Kristen Stewart drop the F-bomb is also a pleasant surprise.While Jodie Foster and Kristen Stewart get the job done on one side, the combo of Forest Whitaker, Jared Leto, and Dwight Yoakam are an amusing trio on the opposite side.When all the panicking is done, Panic Room ends up a solid sit through.
I've been realizing this more and more about David Fincher, but the man really is the closest to a modern day Hitchcock that we have, complete with hundreds of takes per shot and pure meticulous control over every shot and acting performance. "Panic Room" is absolutely the most Hitchcockian film I've seen in a very long time.
It takes a rather simple conceit and then goes all the way with it. It's refreshingly straight-forward, no vague or overly complex bullshit in the sake of looking cool to deal with here. Everyone in the film has a motivation, and the tension arises because you want both sides to get what they want, no matter how far they go to get it.…
Jodie Foster is terrible at grabbing things.
*Fincher reclines in his chair, tents his fingers, looks at the edit*
"But what if... we did ANOTHER CGI zoom-through?"
All jokes aside, best use of (and exit for) Jared Leto ever. Bullshit ending tho
David Fincher is truly a master of thrillers. I think I would've appreciated this more had I watched this before I watched home invasion thrillers that probably just copied from this film (*cough*The Purge*cough*).
Pretty sure I haven't seen this since 2002. Seeing this again felt like more than a rewatch. Not my favorite Fincher film, but still fucking great.
"Nice house you guys got. Your mom's rich."
"Dad's rich. Mom's just mad."
the inherent ingenuity of women and James Cameron's Titanic as a survival guide, begs to be 90 minutes
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