Every film from Roger Ebert's "Great Movies" essays.
What happens when make-believe believes it's real?
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny. If she wishes to return to her real father, Ofelia must complete three terrifying tasks.
It's just perfect and don't let anyone tell you differently.
Guillermo Del Toro's obsession with the child's perspective is often the death blow of many films that have been produced with his name attached to it. He should stop producing them and he should start making them again because he has proven time and again that he is a fantastic storyteller and Pan's Labyrinth seems to be the film that blends together everything he values in film and stories.
This film is terrifying. Not so much because it is scary or filled with gore, no it is terrifying because we are scared for someone. Ofelia is a fantastic protagonist. She is a girl you automatically want to protect from the horrors around her and that investment is where this film…
Everytime I re-watch Pan’s Labyrinth I am reminded how brilliant it is and how foolish I was for ever forgetting its undeniable qualities. Whilst Guillermo del Toro’s references are clear for all to see - from Spirit of the Beehive and classic children’s literature to the monster movies of his childhood - his blending and combination of influences creates something uniquely his own. The story - a young girl entering a fantasy world in order to make sense of her troubled reality - is nearly as old as storytelling itself. Yet, del Toro returns this conceit to its roots. This is no sanitised or family friendly descent into a safe world of talking creatures, this is a world as grim…
Blending together the horrors of both reality & fantasy into a spellbinding tale, Pan's Labyrinth is a blazingly original, extraordinarily artistic, technically accomplished & astonishingly beautiful film with a rare ability to immerse the grown-ups into its fantasy world in a manner that very few examples of its genre can emulate, and even lesser when the story is a downright fairy tale.
Set in the fascist Spain of 1944, it tells the story of Ofelia; a young girl in love with fairy tales who comes to live with her new stepfather & escapes into an eerie but captivating world of fantasy. Being told that she's the long-lost princess of an underground kingdom that's awaiting her return, the film covers Ofelia trying to prove…
Visually Exquisite! Truly a sight to behold! The macabre story itself is unlike any adult fable I have ever come across! A rich blend of dark fantasy mixed with the harsh realities of a cruel unforgiving world!
In any other hand's other than Guillermo del Toro I have no doubt this film would have failed miserably! His gift of telling an unsettling story through the innocent eyes of a child is unequaled!
As accomplished as he may be he understands he is only as good as the people he surrounds himself with! Everyone on-screen and off-screen were top notch in their respective fields! But his MOST impressive decision was when he cast Ivana Baquero as Ofelia!
She was absolutely magnificent! Her portrayal of Ofelia was exceptionally heartfelt and genuine! As was the audiences reaction towards her!
This film has been compared to lots of fantasies, from "The Chronicles of Narnia" and "Bridge to Terabithia" to "Lord of the Rings." Ebert & Roeper once called it a well told "adult fairy tale." And I understand that. After all, there is a fantasy world, a brave mission to accomplish, and danger lurks at every turn. But this film is so much more grounded in reality than that; to me, it is a tragic war movie that just happens to have a very imaginative sub-plot.
To be specific, I never felt like crying while watching Narnia or the LOTR trilogy, but this got to me to the point of tears. Harsh truths. Innocence lost. Inhuman cruelty. Scenes of torture and…
evocative images and great acting, creates a fantastic world that draws you in. Emotionally powerful, but ultimately felt the narrative was not sufficiently substantiated.
And a visual feast. I
Do love del Toro!
Still good, but I didn't love it as much as I remembered.
Wish more time was given to the fantasy-parts, wish some bolder color was used. 90% of the movie is so fucking dark and washed-out, probably a result of pretty much all the real-world scenes taking place at night.
One of the strongest fantasy movies I've watched in years. I'm glad they kept the movie grounded in gritty realism because it could have easily become nonsensical.
Still a really good looking film. Don't have the same love for it some do which is a shame. Inventive and great to look at though.
Ofelia and her pregnant mother, Carmen, are relocating to be with Carmen’s new husband, Captain Vidal. There is no warmth or kindness to be found in the Captain. He gives no mind to Ofelia and belittles Carmen in front of their dinner guests for her telling of how she and the Captain met, dismissing it as silly stories no one cares to hear. His only concern is the baby, not his wife. One of the caretakers at the mill where the Captain and his soldiers are stationed, Mercedes, is a spy on the inside of the Captain’s camp. Mercedes’ brother, Pedro, is part of the group of rebels that the Captain is trying to wipe out. The rebels are attempting…
What starts off as a fairytale leads into the harsh truths of reality. Brilliant visuals and creatures. Darkly enchanting.
Movies challenge [5/20]
Nope. Not my thing.
- 12 Angry Men
- 2001: A Space Odyssey
- 25th Hour
- 3 Women
- A Trip to the Moon
- The Great Train Robbery
- The Birth of a Nation
- Les Vampires
All the films from all the editions, including those subsequently removed, presently totalling 1167. An easy way of seeing how…
- The Godfather
- Seven Samurai
- The Godfather: Part II
- 12 Angry Men
most recent update - Friday, November 22, 2014
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