All the films from all the editions, including those subsequently removed, presently totalling 1167. An easy way of seeing how…
There will be no order, only chaos
The debut film from Darren Aronofsky in which a mathematical genius Maximilian Cohen discovers a link in the connection between numbers and reality and thus believes he can predict the future.
Darren Aronofsky's feature film debut presents the now reputed auteur experimenting with various aspects of filmmaking to carve out his own distinct identity & contains all the elements that are now well associated with his works, be it the theme of obsession, biblical motifs, inventive use of camera angles, heavy use of montages, isolated characters or surreal structure.
Pi (π) tells the story of Max; a brilliant mathematician, who believes there are patterns everywhere in universe & tries to find the same in stock markets to determine its rise n fall on the basis of his calculations. But his increasing obsession with numbers ultimately results in his self-destruction when he's driven to the brink of madness by the people who are after…
Is he really insane or just insane enough to make the discovery of a lifetime! Watch the film and decide for yourself!
Intriguing premise to say the very least! An exceptionally clever film done on a wing and a prayer! And it paid off!
"When your mind becomes obsessed with anything, you will filter everything else out and find that thing everywhere."
Darren Aronofsky's first feature film, Pi, was a unique and experimental movie that cemented his status as an auteur director. Even in his latest big budget film, Noah, his unique and creative voice shined through. Just like his characters, Aronofsky seems obsessed with discovering what drives them. His films are a psychological character study in which he delves deep into their minds in order to try to discover what leads them to their self destructive behavior. In the surface, Pi may sound like a boring film dealing with math and numbers, but Aronofsky sucks you in from the beginning with his very…
''11:15, restate my assumptions: 1. Mathematics is the language of nature. 2. Everything around us can be represented and understood through numbers. 3. If you graph these numbers, patterns emerge. Therefore: There are patterns everywhere in nature.''
Darren Aronofsky's bold and striking debut is one I had not visited in many moons. It's a film with a pulse, a film with a vision, a film with a mission, and that was to call out a brave new modern Auteur with much to offer. He has since this debut delivered another four masterworks that while all different from each other, reflect his unique voice.
Maximillian Cohen is a mathematical genius who believes he can unlock the secrets of existence by determining…
A claustrophobic, paranoid migraine of a movie. Pi's an impressive debut for Aronofsky who makes an odd premise strangely compelling. The limited budget works in its favour and the lead is convincingly committed. If the run time had been longer I may have become agitated with the constant kinetic visuals/overbearing sound but on the whole I found Pi to be an interesting, if confusing little oddity of a watch.
You have to hand it to Aronofsky, the man has a talent for making fascinating films about subjects that generally bore me: maths, heroin, Rachel Weisz, wrestling, ballet and the bible. Bravo!
Aronofsky's award-winning first full-length feature takes us deep into the mind of a pill-popping, paranoid mathematical genius, Maximillian Cohen (Sean Gullette), who is searching for a number pattern that can explain and predict stock market fluctuations. His work is coveted not only by greedy corporate interests but also by religious scholars, who believe the pattern may be the key to the lost Hebrew name of God.
I especially enjoyed the scenes of playing I-go with professor Sol Robeson (Mark Margolis), the only person Max trusts enough to confide in. But Max's hallucinatory spiral into madness doesn't allow him to linger very long in the "normal" world. He is made blind by his obsession, just as he was temporarily blinded as…
I just couldn't get into this which sucks since I've liked all of Aronofsky's other films.
I love the way Aronofsky depicts obsession. The narrative structure is extremely well put up, and together with the great cinematography and superb soundtrack, it makes for an immensely intense and entertaining film.
Very, very good artistic interpretation of obsession by Aronofsky, who in RFAD in my opinion made the perfect depicted film about addiction, using the same narrative style as he is here - even though his budget was extremely tight.
With its black and white cinematography, jarring soundtrack, and bizarre imagery, Pi puts you into a dream like state in its most disturbing moments, and like a nightmare, you can't look away.
Baffling but enthralling, π is a unique mix of highbrow dialogue and bristling visual textures. It's not the easiest film to follow or indeed even like at some points but it is one to get lost in.
Gullette is solid in this dark, harrowing thriller. Interesting cinematography.
Problematic yet engaging low-key philosophical work.
What a wild ride!
Intellectually stimulating yet emotionally resistant, Pi is a crazy, interesting work that is more visual bite than storytelling substance.
Me retracto de mi reseña anterior. Luego de pensar la pelicula durante el dia de hoy me cayeron un par de fichas y la verdad que la pelicula esta muy bien.
Great 60-90 min films (for those days when you just don't have the energy to watch a 3 hour masterpiece)
Doesn't the title of the list explain it well enough? This is a list of 200+ quality "short" films. Easy…
Recently, I've become aware that certain films are able to transcend the medium by being completely self-assured in their atmospheres…