movies directed by women,
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The daily grind for the cops of the Police Department's Juvenile Protection Unit - taking in child molesters, busting underage pickpockets and chewing over relationship issues at lunch; interrogating abusive parents, taking statements from children, confronting the excesses of teen sexuality, enjoying solidarity with colleagues and laughing uncontrollably at the most unthinkable moments. Knowing the worst exists and living with it. How do these cops balance their private lives and the reality they confront every working day? Fred, the group's hypersensitive wild card, is going to have a hard time facing the scrutiny of Melissa, a photographer on a Ministry of the Interior assignment to document the unit.
Even if I must accept that the Jury at the Cannes Film Festival has some bias in favor of French films, even if I must highlight that there were more artistically uncommon and engaging deliveries around the world in 2011, I must also accept that I cannot complain for the Jury's choice in 2011 like I somewhat can for their decision three years before with Entre les Murs.
Based on alarming real-life cases reported by the Parisian CPU (Child Protection Unit), the movie is a complete expectations surpasser. With a realism so striking that it almost becomes tangible to the viewer, Polisse assembles a cast of actresses and actors so good at their profession that the overall result is extraordinary…
Based on real cases, POLISSE follows the actions and experiences of members of the Child Protection Unit in the Parisian police force. Awarded the 'Jury Prize' at the 2011 Cannes Film Festival, POLISSE merges documentary-like realism with a fragmented narrative akin to an art-house sensibility.
Instead of being a case by case procedural, the film purposely thwarts our knowledge of the children who fall victim to abuse or the conclusive guilt of the accused adults. Instead, the film breathlessly shifts the focus onto the members of the 'CPU' and spreads a broad canvass to give us glimpses into their lives on and off the job. Perhaps unsurprisingly due to the difficult job they do, we witness the camaraderie and commitment…
A heavy-hitting French drama based on the real life cases of the Child Protection Unit (CPU), we follow half a dozen cases and the lives of the police men and women who work in the department. Written and Directed by Maïwenn (who also plays a significant role in the film as a photographer attached to the unit), Polisse does a fine job of balancing and distinguishing the diverse characters from the onset.
Some of the cases are disturbing, others sad, but what makes this film so insightful is about the psychological reactions of the people who have to work these cases day in and day out.
This is gritty drama with real world poignancy done right. Perhaps it is just the presence of the photographer which makes me draw a parallel but this feels like the Generation Kill of the CPU, and equally as a good.
Whenever anything is compared to The Wire my ears instantly prick up. It’s been 3 long years since David Simons Greatest TV programme ever madeÔ came to it’s conclusion and it’s left an unfulfilled gap in my viewing habits ever since. So it was with great expectations I went to see Maiween’s Polisse. The film is a portrait of life in the CPU (child protection unit) of the Paris police department. It interweaves the case work and personal lives of the men and women of the unit and the outsider perspective of Melissa (played by Maiwenn herself) a photographer commissioned to make a book about the work of these police officers.
It isn’t all miserabilist melodrama; the script has plenty…
Red days on the calendar are my favorite
Featuring stories from real CPU case files, Polisse is a fascinating look at those who live their lives working to protect children. You care about these people and you root for them. When they celebrate, you want to celebrate and when they cry, you want to cry.
The autobiographical French film Polisse is a season's worth of Law and Order: SVU storylines packed into 127 minutes. Director Maiwenn spent a period of time with Paris's Child Protection Unit, observing their cases and their camaraderie, and then made a film about her experiences. In her film, she even plays a photographer assigned to document the unit's work. That direct link between actual events and the film lends an intense you-are-there feeling to the proceedings. The breadth of humanity on display runs the gamut from unthinkably cruel to selflessly empathetic. In traditional genre fashion, the film splits time between the personal lives of the detectives and the crimes they investigate. This does result in a fair share of genre…
Personally, I had a few doubts on my mind when I watched the first trailer.
The fact that this film then touched me the way I was rarely touched by a film really was astonishing. The day-to-day routine of child protecting authorities is as grotesque and real as it is portrayed in the film - its authencity is so frightening, it almost reaches an unbearable point. Joey Starr and Frédéric Pierrot play important and solid roles in a screenplay that never seems artifical nor dramatised. Some relationships are explained a whisker too quickly (Maiwenn - Joey Starr, Nadine - Iris), but that is not doing the film any bad - particularly because of its huge ending. What an chef d'oeuvre! What an audiovisual masterpiece. Compliments to the chef, in this case Maiwenn.
Sidenote: The German DVD came with NO subtitles - that is a fricking shame for any OV enthusiast.
Gritty, nuanced and layered look at child abuse, but more importantly, how cops cope with it, and deal with problems in their own lives rather childishly sometimes. A collage with a very realistic, unscripted feel – which is why the final scene, where that feeling is broken, felt rather jarring and unnecessary. Great music too.
Harrowing and real, with nearly every scene impeccably staged and directed to highlight the pressure cooker of the Child Protection Unit and the havoc working there wreaks on the officers' lives. It is more than a little scattered and messy, and this alternately helps and harms in that it keeps us focused on the milieu rather than any individual case, but also causes us to get less absorbed by any one of the unit members' stories. It's sheer shoutyness might put some off, or ring as false, but it all seemed of a piece to me with the heightened environment and largely naturalistic, documentary-like shooting style.
Child Protection Unit in the Parisian police. A totally super-serious -- at first not idealist, but soon enough super-idealist! -- thing about cops protecting kids. And protect they do, in a wholly imperfect but very wounded-human way. Kind of a French Law & Order: SVU, if there were time enough for little flourishes of unnecessary indie pretension in addition to the usual lowly acting and overwrought fussing and unlikable wastes. (The Wire had little of that, fyi, and that's what made it great, among many other things. So don't compare yourself there.) Annoying, immature, sophomoric in all the wrong ways.
You know what? Just straight-up fuck your yelly, nervous, boring, overwrought stupidities, Maïwenn. Trying to earn my sympathy with "balance" instead…
Η καθημερινότητα του τμήματος προστασίας ανηλίκων της αστυνομίας του Παρισιού,μέσα από τις υποθέσεις που αναλαμβάνει και των σχέσεων μεταξύ των ανθρώπων του, που- όχι άδικα- επηρεάζονται από αυτές, καθώς οι περισσότερες είναι ιδιαιτέρως δυσκολοχώνευτες.Λιγότερο βαριά ταινία από αυτό που θα περίμενε κάποιος λόγω θέματος,μιας και έχει αρκετό χιούμορ χωρίς όμως αυτό να σημαίνει πως παίρνει ελαφρά το σοβαρότατο θέμα της.Καταφέρνει μάλιστα να μην καταφεύγει σε φθηνούς μελοδραματισμούς (εκτός ίσως από μια φόρα) και να αναπτύξει επαρκώς ένα σωρό χαρακτήρες από το πολυπρόσωπο καστ.Εξαίρετοι όλοι οι ηθοποιοί με καλύτερη όλων την Marina Fois στο ρόλο της αστυνομικίνας που δεν δείχνει να μασάει τα λόγια της.
Red days on the calendar are my favorite
A glimpse at the work of French CPU (Child Protection Unit)...
There is so much wrong with this movie. First of all you've got a narcissistic director (who is to cool for even having a family name) who cannot help but has to star in her own movie in a totally redundant role playing fly on the wall and should be the audiences eye but instead becomes a major love interest. That's where the next problem starts: the portrayal of the police unit. I get it that their silly, rude and abusive behavior is a result of having to cope with all the misery of children they come across in their work. Still it's handled way over the top making…
Verrrry heavy-handed, overwrought, exaggerated. But those qualities also mean this film really lets it's actors act, bubbling over with intense performances and emotional outbursts, most of the time apropos of seemingly harmless confrontations. Half the time I was rolling my eyes and half the time I was completely entranced. A complicated but promising type of film from director/actor Maiwenn that has me looking forward to seeing her film Mon Roi that debuted at Cannes earlier this month.
movies directed by women,
Here are some #DirectedbyWomen Film Viewing Possibilities... Will add MANY more soon...
Also building a major list here:
Originally a list made prior to Cannes 2014, now updated every mid-April.
This is every Palme d'Or nominee since the…