Red Lights
2012 Directed by Rodrigo Cortés
Synopsis
How much do you want to believe?
Two investigators of paranormal hoaxes, the veteran Dr. Margaret Matheson and her young assistant, Tom Buckley, study the most varied metaphysical phenomena with the aim of proving their fraudulent origins. Simon Silver, a legendary blind psychic, reappears after an enigmatic absence of 30 years to become the greatest international challenge to both orthodox science and professional sceptics. Tom starts to develop an intense obsession with Silver, whose magnetism becomes stronger with each new manifestation of inexplicable events. As Tom gets closer to Silver, tension mounts, and his worldview is threatened to its core.
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I shouldn't get this pissed off about films anymore at my age, but I just can't help myself. There will be swearing.
Ok, so first of all I'll need to contact the Letterboxd guys as they have mistakenly placed this film under thrillers where it obviously needed to be placed in the 'intentionally boring, moronic without realising it piece of shit' genre. This film is not a thriller it is about as tense and exciting as an average episode of the Teletubbies. Come to think of it, the one where Tinky Winky lost his bag was infinitely more suspenseful than this pompous heap of manure.
Then there's the artist fomerly known as Robert DeNiro. He is atrocious here and is…
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Red Lights is a film of missed opportunities and frustrating creative decisions. The film begins like a Brian De Palma thriller (admittedly more like De Palma on an off day) as we witness two scientists debunking a series of supposed paranormal events. Director, Rodrigo Cortés, creates an effective mood in the early going whilst the impressive cast do their best with on the nose dialogue and a rather overwrought tone. Yet for all this solid scene setting Cortés doesn’t seem to trust in his own abilities without throwing laughable and nonsensical theatrics at the screen for the final hour.
Much has been made of Red Lights’ ‘what were they thinking’ climax. It is a final act that even M Night…
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There are two kinds of people out there with a special gift. The ones who really think they have some kind of power. And the other guys, who think we can't figure them out. They're both wrong.
-Margaret MathesonRodrigo Cortés' second feature film and first English film, Buried, was a solid thriller with incredibly inventive directing working around the imposed limitations of the film. While I wasn't completely blown away by it, my first thoughts after was that I couldn't wait to see what Cortés could accomplish without such limitations. That brings us to Red Lights.
While Cortés works from his own screenplay here, I have to say there is hardly anything inventive or unique about the directing here…
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Well, Robert De Niro proved to me that he actually DID have at least one more good performance left in him.
Director Rodrigo Cortes proved to me that when he's not isolated to a box, he can't exactly think out of it.
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It saddens, and somewhat confuses, me to read all the negative reviews for this film, because I thought it was a brilliant psychological thriller. Even after reading the reviews I find it hard to fault.
A lot of the criticisms for Red Lights come from its final twist. Watching the film with my housemate, it wasn't something she enjoyed either, but it certainly wasn't a twist that either of us was expecting. I guess in a sense it was a bit of a let down after the build up of the rest of the film, but the fact that it held my surprise was enough for me to conclude it is a fitting end.
As for the film's suspense, the…
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Rodigo Cortes, you moron. You call that a fucking twist?
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Probably one of the weakest Robert Deniro films ever made (apart from his worst comedies).
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Very interesting story that kept me guessing right up until the end.
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(Streaming) Wow. Not that anyone is going to disagree, but this was awful.
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Sigourney Weaver and Cillian Murphy try to explain from a science point of view the they believe to be acts from so called gifted people. Disappointing role of Robert de Niro and disappointing movie.
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Predictable. Boring. Hard to focus even though nothing happens.
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Mentalistás, szkeptikusos, egypoénos. Untam.
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Rodigo Cortes, you moron. You call that a fucking twist?
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Jó iparos munka, csavar(ok)ral a végén, ettől függetlenül egyszer nézős kategória.
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The first half of Red Lights is fantastic as Cillian Murphy and Sigourney Weaver play Scooby Doo debunking shyster psychics and exorcising fake ghoulie and ghosties. The plot (sort of) kicks in when De Niro’s Simon Silver, (a blind Derek Acorah) comes out of retirement causing a baffling large amount of media excitement and our professional sceptics have the opportunity to claim the biggest faker scalp in the world. There is a great cast and some great support from Toby Jones Craig Phillps and Elizabeth Olsen but the direction takes a second-half holiday allowing the plot to drift aimlessly and wander off. The film is ultimately let down by a poor script and sub-Shamamlayn twist ending which is totally unnecessary.