Horror movies are by far my favorite, so I've decided to make a list with all of them I remember…
Resident Evil: Retribution
The Ultimate Battle Begins
The Umbrella Corporation’s deadly T-virus continues to ravage the Earth, transforming the global population into legions of the flesh eating Undead. The human race’s last and only hope, Alice, awakens in the heart of Umbrella’s most clandestine operations facility and unveils more of her mysterious past as she delves further into the complex. Without a safe haven, Alice continues to hunt those responsible for the outbreak; a chase that takes her from Tokyo to New York, Washington, D.C. and Moscow, culminating in a mind-blowing revelation that will force her to rethink everything that she once thought to be true. Aided by new found allies and familiar friends, Alice must fight to survive long enough to escape a hostile world on the brink of oblivion. The countdown has begun.
NOTHING IN THIS SERIES MAKES ANY SENSE!!!!!
BUT I CAN'T STOP STARING AT MILLA JOVOVICH!!
I'll keep this short and simple:
Genre becomes, with RETRIBUTION, the subject of the RESIDENT EVIL narrative: in other words, it's Anderson's Naruse movie. As in HOLY MOTORS, cartoon characters gallivant from one extravagant digital set-piece to another freely swapping their affective, generic narrative roles around like currency. In both movies' worlds, what we typically conceive of as our identity is really just a costume change away.
Part of The December Project: Film #22
I... I can't believe it. Paul W.S. Anderson has managed to do it. I can't tell if he came across it by directing without giving any fucks, or through assured and intentional incompetent direction (in which case it's competent), but he's finally managed to make the first true video game movie.
Resident Evil: Retribution is the first film in the five film franchise that has actually managed to replicate a video game in cinematic format. This is now part of my greatest argument for why video game movies can never work.
The film has a style that directly replicates the aesthetics and design of a video game. You have the opening credits played…
When you make an ambitious film and the past has proven that you do not have the ability to handle it, chaos ensues. This is the third time that Paul Wasted Sperm Anderson sits in the directorial chair and the second time he fails big time in an unforgivable way, but this was the worst.
Aiming at a thousand directions, it suddenly lost its course and forgot that the entire premise is an apocalyptic biological virus spread. So we have:
- An attempt of Paul to copy Zack Snyder's suburban opening zombie disaster, just to remember the old days *sigh...*
- Stupid melodrama. I love kids, even if they are normally annoying in films featuring adult themes, but I just…
Inexplicably popular, nonsensical and shoddily made - much like the film’s central protagonist the Resident Evil franchise refuses to die. They abandoned logic a long time ago but Retribution borders on becoming a Dadaist action movie at times. Previously dead characters are brought back to life (and not as zombies) whilst the film, fully embracing its video game origins, becomes little more than a pointless procession of themed levels that our heroes must try and negotiate.
Miraculously this latest instalment might well be the best in the series since the original movie. Not that this actually means a lot seeing as the others have been a complete and utter waste of celluloid and time but there is a daft exuberance…
Or escape from CGI bunker.
I would've liked this a lot better if it were soccer mom Michelle Rodriguez attempting to survive the zombie onslaught in the suburbs.
Anderson loves his wife and he loves corridors.
2.The most common, and least useful, comment about Anderson's work seems to be the video game comparison, but he has always felt more like a cartoonist in the architectural mode of Philippe Druillet or Tsutomu Nihei, without the counter-cultural associations of the former or the viscera of the latter. Certain forms of visual fascination come first, and narrative naturally proceeds from those fascinations (or fixations).
Here the fascination is not just with grids or corridors but with scale - the structure (from the first plunge downwards to the last pull-out) is a constant stepping back, from one nested structure to the next.
Perhaps it's an issue with seeing this on DVD rather…
As the T-virus continues to ravage the earth, Alice awakens to find herself in Umbrella's secure underground location. Delving further into her past, Alice, humanity's last chance to survive the legion of undead, will travel the globe to hunt down those responsible. Okay before I start this review of this movie I have seen the other resident evil and they are Bad.this movie has Bad acting and the action is like transformer's 2 mindless action.
¿Qué puta mierda acabo de ver?
¿Qué te ha pasado, Paul Wese? ¿Trabajas en secreto para The Asylum?
"Afterlife" ya era un verbeneo insufrible y ridiculísimo, esto...
Es mala pero te ríes. Mejor reírse, sí.
Not even zombie dogs in this one...
The Resident Evil series will always be a source of contention with me. While I do appreciate the filmmakers doing something different they are just so off course here it's astounding. The original trilogy of games is atmospheric, exciting and film-like. In other words, perfect movie material. To deviate so much from a formula that was, for all intents and purposes already there, is just ridiculous. For the fifth outing we are treated to a plot so full of holes all the bullets in Alice's infinite ammo would never fill them. And it's funny because this installment feels most like a video game, its just too bad it doesn't feel like, you know, a Resident Evil game.
Viral simulations, Alice…
If style is substance, as I often maintain, this is a substantive film. I liked the first half especially. I didn't really understand what was going on a lot of the time, but in this case I think that was a good thing. There was a little too much action in the second half for my taste.
I was convinced throughout most of the movie that the lead actress was Megan Draper. Even if I may have turned out to be wrong, I still think I'm right.
Billy Wilder couldn't have mustered up a screenplay good enough to salvage the incoherent nature of this franchise. What exactly was the point of bringing back these "popular" characters when no one gave two shits about them in the first place?
- Night of the Living Dead
- Night of the Living Dead
- Dawn of the Dead
- Dawn of the Dead
- Day of the Dead
- Sharky's Machine
- Absence of Malice
- On Golden Pond
- Richard Pryor: Live on the Sunset Strip
I've always been interested in what other people are seeing and watching, and naturally, I love looking at Weekend Box…
- G.I. Joe: The Rise of Cobra
- Judge Dredd
- Mars Attacks!
- Bad Boys II
I'm not a fan of the term "Guilty Pleasure" so I decided to make my list called the "Fuck you,…