All the films from all the editions, including those subsequently removed, presently totalling 1167. An easy way of seeing how…
Serpico is a 1973 American biopic directed by Sidney Lumet and starring Al Pacino. It's based on Peter Maas' biography of NYPD officer Frank Serpico, who went undercover to expose corruption in the force. The film and its principals were nominated for numerous awards, and together with Scarecrow, which was released the same year, it marked the big breakthrough for Al Pacino. The film was also a commercial success.
Film #8 of Florin's Recommendations
”Frank, let's face it, who can trust a cop that won't take money?”
The story of an individual who’s fighting a corrupt system, that is always a fascinating story to tell, someone who does all he can to turn an established system inside out, and when this someone is Al Pacino with shaggy hair and beard and the story teller is Sidney Lumet then you know that the film is going to be something really special. Based on a true story, Serpico tells the tale of Frank Serpico, an honest cop who is fighting a corrupt and inefficient police system. One thing that Sidney Lumet does in his movies is that he puts the weight…
"Who can trust a cop who don't take money?" ~ Tom Keough
This film was based upon the Peter Maas biography of New York police officer Frank Serpico (b. 1936), who went undercover to expose corruption in the force. Director Sidney Lumet's adaptation stars Al Pacino in the titular role, a good cop caught in a bad system. It opens with him being wheeled into a hospital after being shot in the face by a drug dealer and flashes back to his entry into the force, his rise to plain clothes detective and his constant refusal to accept bribes or kickbacks, which alienates him among his fellow officers.
The action here supposedly took place in the 1960s, and Pacino certainly…
"There is, however, another good work that is done by detective stories. While it is the constant tendency of the Old Adam to rebel against so universal and automatic a thing as civilization, to preach departure and rebellion, the romance of police activity keeps in some sense before the mind the fact that civilization itself is the most sensational of departures and the most romantic of rebellions. By dealing with the unsleeping sentinels who guard the outposts of society, it tends to remind us that we live in an armed camp, making war with a chaotic world, and that the criminals, the children of chaos, are nothing but the traitors within our gates. When the…
My father is a fan of Al Pacino and he always told me about a film where he was in called Serpico. I already knew the story of the film. It was about a policeman, Frank Serpico, who were the only honest man of his division, he believed in justice but all of the others around him were corrupt. He was the only one who doesn't accepted any kind of bribes, he not let himself take by greed and he had the courage to denounce the situation even knowing that everyone would turn against him. Sounds like a great story, but even with my dad always recommending me this film I don't know what took me so long to see…
Including Serpico I've now seen six of Sidney Lumet's films. I've enjoyed them all, but for now Serpico is my least favorite. It just wasn't as interest or entertaining as the five other films I've seen which include 12 Angry Men, Dog Day Afternoon, Network, Find Me Guilty, and Before the Devil Knows You're Dead.
Al Pacino plays Jack Serpico, in this true story of a whistleblowing cop who exposed rampant corruption on the force only to have his comrades turn on him.
I got a lot more Sidney Lumet films to see, but this is easily my least favorite so far. Al Pacino's acting is excellent, but the story was a little boring, and I didn't like the numerous…
Produced in the immediate aftermath of Frank Serpico's shooting in 1971, Sidney Lumet's biopic captures the essence of police corruption from within a particular historical moment. It is a film of its time, putting a new spin on the American hero, by focusing on a significant figure who transformed himself from a clean-cut uniformed officer to a scruffy advocator for change. Serpico's progression is one that can be traced through the growth of his beard, although the level of enjoyment to be gained from the film extends beyond the wonders of his facial hair.
The film's successes are reliant on how much you can get behind Serpico and will him to succeed. One thing that often bugs me about biopics…
Vintage Al Pacino. A classic Cop drama.
Why does nobody talk about the fifteen second scene where Pacino walks into the department decked out as a Hasidic Jew tho
I didn't like this the first time I saw it, but I really liked it the second time. It may have helped that I'd completely forgotten about disliking it and went into it assuming that I'd previously liked it, or maybe I was just in a weird mood the first time. Regardless, Pacino's acting is fantastic.
One of Pacinos best performences!
Serpico's growing frustration (and beard) with the seemingly omnipresent corruption is well-depicted, akin to somebody steadily increasing the temperature in a sauna, degree by degree. Despite some fluff throughout the first half, it picks up an hour in, and Pacino is brilliant for the entire thing.
I think what will stick with me from this is Al Pacino dressed as an Orthodox rabbi for about 2 seconds.
"Say it isn't so, Serpico."
I hadn't even heard of this film prior to watching it in Film History class, and I have to say I was thoroughly impressed. An honest film about an honest cop. Serpico as a character was a little extra, though.
1970's Al Pacino is the best.
A tragédia do herói grego bem no meio da polícia de Nova York. A virtude é tanta que é difícil acreditar que não é ficção - o que diz muito sobre a polícia que temos, e que o filme tão invejavelmente retrata.
Every film that has ever been nominated for an Academy Award in any category. Enjoy!