With such a diverse community on here it would be interesting to see what you all get up to when…
Shut Up and Play the Hits
The Very Loud Ending Of LCD Soundsystem
On April 2nd 2011, LCD SOUNDSYSTEM played its final show at Madison Square Garden in New York City. LCD Frontman James Murphy, disbanding one of the most celebrated and influential groups of its generation at the peak of its popularity, ensured that the band would go out on top with the biggest concert of its career. The instantly sold out, near four-hour extravaganza featured special appearances by Arcade Fire and Reggie Watts and moved the crowd of thousands to tears of joy and grief. SHUT UP AND PLAY THE HITS both captures this once-in-a-lifetime event with stunning visuals and serves as an intimate portrait of Murphy as he navigates the 48 hours surrounding the show. Woven throughout is an honest and unflinching conversation between Murphy and author Chuck Klosterman as they discuss music, art, aging, and the decision to call it quits while at the top of your game.
Shut Up and Play the Hits is a film that documents the final concert by LCD Soundsystem at Madison Square Gardens. Directors, Will Lovelace and Dylan Southern, follow the shows buildup as well as interview band founder, James Murphy. In truth I don’t think I’ve ever heard a more appropriate title for a film as it was exactly what I was shouting at the screen every time the documentary drifted into introspection rather than focusing on the exhilarating gig.
I consider myself a fan of LCD Soundsystem and this film is most successful when simply focusing on the music. The concert footage throughout is excellent, capturing the energy both on stage and in the crowd as the group play an…
I knew I was disappointed that I would never see LCD Soundsystem live, but now I'm fucking devastated.
Por fin me decido a ver este documental que tanto os gustó y que también a mí me ha gustado mucho. He disfrutado y me he emocionado, pero me he distraído un poco, porque no he podido evitar pasar todo el rato pensando que Shut Up and Play the Hits es el reverso perfecto de otro rockumentary muy chulo: el de Metallica.
James Murphy the musician
The look and editing
James Murphy the person
All the hugging
This nicely filmed movie about a super cool band reveals some of my suspicions with Gravity's Rainbow and a 5 o'clock shadow.
The concert footage songs are separated with samples of audio from an interview with Chuck Klosterman. One sample has Murphy talking about the mystique of a rock performer, and that as an audience member a performer can be propelled to a mystical level. He laments that as a performer now he pictures musicians waiting in airports, eating breakfast… normal stuff. Murphy talks earlier that he only loved a rock show when he felt the band was honest, that either they confirmed what he thought about them or that they seemed earnest in their music.
Klosterman is wise to…
I am completely unable to be objective about this one. I saw LCD Soundsystem on their final tour in Detroit (with Hot Chip opening) with a girl I was mad for at the time.
This film, recorded at LCD's final shows at Madison Square Garden documents the prep for the concert, the shows themselves, and briefly, the aftermath. There's a heartbreaking scene of James Murphy a day or a few days after the show, caressing a piece of the concert gear and breaking down in tears. That feeling--of something wonderful and rare having passed before its time--suffuses the whole film. A dedicated LCD Soundsystem fan like yer pal will probably get more out of this than a casual viewer, but it's still probably one of the greatest concert joints I've ever seen.
Could of have used less shaving and coffee machine maintenance and more JAMS.
So they do this whole "normal guy" stuff presumably to break down any misconceptions about James Murphy's humanity, as discussed in the beginning. Thing is, it was a very different time when Murphy grew up and idolized Bowie. Notably, before the Internet and social media. Although I didn't spend much time on this planet pre-internet, I think it's fair to say the nature of celebrity status has changed; the presence of social media has taken everybody down a few notches and I don't think many celebrities conjure up the same aura as celebrities of 30 years ago. Of all people, James Murphy has maybe least aura, simply because of stuff like the rhythmic "imperfections" in his vocals, the fuck yeah…
Uhhh, what hits?
I never knew of this band until I saw this doc on Netflix, figured since it was a farewell concert it must've been a band from the 90s in my blind spot and I needed to have a listen. But no. It's a "dance punk" band from within the last 10 years that didn't achieve critical acclaim until 2010, appeantly one year before disbanding. Who the fuck does that? And why should we care? And how did I come to find this out? It wasn't by watching this atrocious piece of shit but wikipedia. In fact as soon as I saw the lead looks like this mick bastard from work I can't stand I was immediately disinterested.…
they're a great band, but this is an eh movie. its a little too dizzying- i had to pause a few times because i was starting to get a headache. the focus feels kinda everywhere, the editing is way too quick sometimes where it really doesn't need to be, there are so many shots of james murphy just staring out into the distance. but there are not that many moments in music that i love more than that final cathartic play on "new york i love you." it was cool seeing this because i've always dreamed of being at this concert when it happened, so listening to LCD Soundsystem and hearing their final note was nice.
LCD Soundsystem is one of my favorite bands, and I saw them live in Oslo a few months before this farewell. That was one of the best live shows I've ever been to. Although this gives us slight insight to the genius of James Murphy, the annoying and pretentious (although self-proclaimed) interviews do not provide what one would get from a successful music documentary. This fails to capture the live experience and the song selection is downright strange. Somewhat recommended for fans, but not as an entry point to this fantastic band.
The unexpurgated performance footage rightly places this in the lineage of Stop Making Sense. The documentary approach ends up putting this uncomfortably close to Rattle and Hum.
Us vs. Them, over and over again...
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