All Hail Keanu!!!!
My favorite Keanu movies that I have seen (1-22 ranked in terms of Keanu-ness)and not seen (23-36…
Side by Side
Can film survive our digital future?
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
As Side By Side is a documentary, I have been freely reading my friends reviews of it over the last number of months. Those who know me know that I’m kind of a geek with a particular interest in film technology. Back in my student film days I think I was more interested in the technology than the stories the technology were to convey .. possibly why I was so bad at it. I wasn’t expecting anything extraordinary here in this documentary, but I surely was interested in seeing it.
I loved it.
I think the distinguished interviewees brought out not just the reason why the switch has happened, but also why the preference for photochemical analogue is not just…
An immensely intriguing tour of the evolution of filmmaking process in the cinematic medium over the years, Side by Side is a side by side comparison of the two formats of crafting a motion picture that's available to filmmakers today; first is shooting on photochemical film which has been in use since the dawn of cinema while the other is shooting digitally which dominates the industry at present & has made the traditional film stock an endangered format.
Directed by Christopher Kenneally, this documentary presents Keanu Reeves as the questioner discussing about the evolution, impact & innovations the film camera has made since its creation and joining him in the discussion are Hollywood's esteemed directors like Martin Scorsese, James Cameron, Richard Linklater,…
Christopher Kenneally’s Side by Side is a pleasingly balanced documentary about the virtues and problems of both digital and celluloid film. An affable Keanu Reeves narrates the film that chronicles the science, art and impact of digital cinema whilst interviewing influential figures involved in the use, production and business of digital filmmaking.
Perhaps the most impressive element of the entire documentary is its extensive roll-call of contributors. From influential filmmakers (James Cameron, Martin Scorsese, David Lynch to name but three) to high profile cinematographers and editors, the film explores the opinions of those truly in the know. Although the film is ultimately concerned with the impact digital filmmaking has on celluloid and the industry as a whole it is a…
Tracing the now decades-long cinematic paradigm shift from photo-chemical film to digital imaging, "Side by Side" is a fascinating documentary about an art form in flux. Interviews with directors, cinematographers, editors, and special effects artists lead the film's audience through through a transition that is technical, artistic, and controversial. For anyone who cares about film or filmmaking, this documentary is pure catnip. For cinematic laypeople, the film may be less impressive, but it will still rate as something interesting.
A vast array of film clips and prestigious talking heads track and discuss the technical and artistic churn that is occurring in today's filmmaking. "Side by Side" takes no sides as it explores both the excitement and the sadness of the…
I love this documentary, mainly because it consists of famous directors sending subtle insults flying at the opposing format.
Christopher Nolan's comments on digital in particular, are brilliantly classy and potent. I'm not even kidding, at one point he compares digital to a chewy Chips Ahoy cookie, a food that seems awesome but just tastes terrible and fake.
You go Nolan.
Fascinating, illuminating interviews from directors, cinematographers, digital colorists and editors ... if you're interested in how filmmaking has evolved, you will gain a lot from this.
One of the early presenters at the most recent Oscars ceremony proposed that the awards would be given out in the order by which the categories contribute to the filmmaking process. They started with Writing, but then went straight into Supporting Actress, ditching that good idea before a tenth of the awards had been given out. This wasn't the first time the Oscar producers have tried to make the filmmaking process less opaque to the viewers, though I would guess the vast majority seated in the theater couldn't differentiate between Sound Editing and Sound Mixing, much less the people at home. For that kind of knowledge and more, one should turn to Christopher Kenneally's documentary Side By Side. After watching,…
i could take wally pfister's pretentious ass in a fight. id probably fight chris nolan after
Instructivo y didáctico. Ya nada más que por la gente que habla (Lynch, Soderbergh, Lucas, Scorsese, Cameron, Von Trier, Boyle, Rodriguez, Linklater, Schumacher, Nolan, Dunham, Gerwig, Wachowski...) merece la pena.
A very interesting discussion. My minor complaint is that I feel that arguments for film were not given enough presence when compared to arguments for digital, therefore one can not truly understand both sides and draw a conclusion based on fair conditions for both sides. Even though the arguments are really clear. Still an interesting watch nonetheless.
This was a real disappointment.
Firstly, it has Keanu Reeves as narrator and interviewer and he has a distinct lack of personality. Secondly, it seems to be promoting the view that only digital forms of filmmaking are valid now, and anyone who argues otherwise is presented as something of a crank.
There's a lot of tech speak but it doesn't really engage and even when presenting things like Dogme 95 it doesn't really go into detail about why this form was different or whether it had any real value.
It has all the usual talking heads but is stilted and doesn't have much going on outside of its obvious agenda against celluloid. It does not address issues around digital preservation,…
Only for those that are interested in film, but, it's really well done for those who are
Excellent doc looking at the differences between celluloid and digital filmmaking. My conclusion after seeing this is that digital is the way to go if you're a filmmaker working today. I love real film as much as anyone but its just not realistic to think that film is going to sustain the changes in technology (which is getting better every year). At the end of the day its not about the devices you use so much as it is your creativity as a storyteller IMO.
All Hail Keanu!!!!
Documentaries about movies or anything to do with movies. And yes, some of these stretch the definition of "documentary" quite…
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