Limited to only one film per director.
Stealin' Stones and Breakin' Bones.
The second film from British director Guy Ritchie. Snatch tells an obscure story similar to his first fast-paced crazy character-colliding filled film “Lock, Stock and Two Smoking Barrels.” There are two overlapping stories here – one is the search for a stolen diamond, and the other about a boxing promoter who’s having trouble with a psychotic gangster.
I tried, but I can't write a real review of this movie because it's too fucking awesome. If you haven't seen it, you need to step your game up.
This Snatch drinking game will get you fucked up (I do this all the time, it's amazing)
Take a sip every time you can't understand something Mickey (Brad Pitt) just said.
Take a shot every time you CAN understand something Mickey (Brad Pitt) just said.
Take a sip every time you see a pig or the word "pig" is uttered.
Take a sip every time the film reveals an awesome character name.
Take a shot every time the dog squeaks.
Take a shot every time Avi (the American guy) takes a…
Looks like Guy Ritchie really knows how to do an entertaining flick involving gangsters of all kinds with the most particular skills and abilities.
Once again, an after the great Lock, Stock and Two Smoking Barrels he did and amazing job with Snatch. It could not have worked well because I think the themes are very similiar just with a few changes in the story, but the truth is the two are equally great!
He presents us the most hilarious characters, with the most excellent dialogues and a lot of memorable lines into a very well structured plot. His visual style and edition are once again amazing!
All of the performances are fantastic, especially Brad Pitt that it was my…
Guy Ritchie's follow-up to his breakthrough feature may have the very same blood flowing through its veins that was present in Lock, Stock and Two Smoking Barrels but it nonetheless succeeds as yet another prime example of its genre(s) that offers significant upgrades in all filmmaking departments, further enhances the director's style & visual flair, and still remains his finest work to date.
Set in London, the story of Snatch follows multiple segments concerning various characters who weave in & out of mainly two entwined plots. The first plot deals with the search for an 86-carat diamond that was stolen during a heist while the second one is about two boxing promoters who get pulled into the world of match fixing by…
I am not a fan of Ritchie's hyper stylised way of film making. It is often crammed with unnecessary visual static that feels like him constantly trying to make us aware of how cool and talented he is.
And yet this film kicks all kinds of ass. The plot is all over the place and almost seems like a connected string of hilarious and action packed sketches. Where Ritchie fails to find any real coherence and only manages to provide us with the incidental bit of genius visual creativity, it is the cast that pulls through.
There is simply no performance that doesn't convince or entertain. They carry the material to greater heights and make this one of the finest…
Snatch has always been one of my favourite comedies, there's not a year since I was a kid that I don't watch it, it's just hilarious, you can find a genius piece of [visual/physical or lyrical] comedy in ever single scene; it's actually unbelievable to see that the film is not even tagged as a 'comedy' on Letterboxd because it's really few the number of films that make me laugh as this one and that don't lose their charm/power on a rewatch. I'm not sure this is Guy Ritchie's best film, but, no matter what, Snatch is a brilliant crime-comedy that truly achieves what it sets out to do.
If Quentin Tarantino's Pulp Fiction was a film about intelligent gangsters,…
This was a whole lot of a lot of different things, but mostly, this was a whole lot of fun.
Snatch combines the best parts of the 90’s ‘new noir’ classics like those from Tarantino and the Coens that are laced with multiple story threads and then Ritchie amps things up by injecting just enough Monty Python DNA to ramp up the absurdity without going overboard into comic book or lampooning territory. I seem to remember his debut Lock Stock and Two Smoking Barrels pioneered this, but it’s been to remember it accurately. One thing I do know, is that the absurdist irreverent style reminded me of the Wright / Pegg Cornetto Trilogy.
I’m amazed at how well the humor…
Although most of these characters are scum, the story and dialogue are extremely entertaining.
Niggas, russos e outros malucos querendo um diamante doido. O gênero diz que o filme é comédia, bom, não é, ou ao menos não conseguiram fazer.
Wau, who would have thought Brad Pitt has the accent in him....
If someone asks you for the definition for a caper flick, and you’re having trouble finding the words to define it, point them in the direction of Snatch. Who are the good guys? It doesn’t matter as they are all bad guys in one way or another. In a huge ensemble cast, Brad Pitt plays an Irish prize fighter and clearly loves his work. Jason Statham has the lead role but there are so many others it doesn’t really matter. If you’re looking for heroes in a sea of baddies, its probably these two.
This film has many parallel stories and subplots, all with the theme If you do that to him, he will do something to someone, that someone…
This is a whole bunch of fun.
Would be more fun if I could understand a word being said.
I fell asleep
My favorite Guy Ritchie movie to date. It meshes crime and comedy in a flawless manor.
- Brad Pitt playing a role where every 8th word is understandable.
- "Never trust a pig farmer" dialogue
- The "dag"
Overall, this is a movie that I come back to and watch multiple times. Just remember to never rob the bookie or mess with a pikey caravan.
Combined the average ratings (Critic's & Users) from IMDb, Rotten Tomatoes, Metacritic and Letterboxd, and then weighted and tweaked the results…
An incomplete list of films ZMF has decreed "NOT OPTIONAL." If I missed anything, lemme know.