Mamet is known for his dialogue, but this film reveals his proficiency with structure and theme as well. It’s a deceptively simple story about a Hollywood production company trying to make a movie in a small town without getting overcharged. Each character has their own arc, mostly related to the idea of “second chances” as stated up front, and the film does come to an “expected but surprising” conclusion that almsot seems to be written for other writers to appreciate. The cast, headlined by Phillip Seymour Hoffman and William H Macy is frequently great, and the dialogue exchanges are expertly written. It’s too light and fluffy to be ranked as a great work, but it’s always interesting. Strangely, this has some similarities to The Big Picture, and almost seems like the kind of film Guest wanted to make, but didn’t pull off.

Even though it's pretty different, Arrested Development has raised the bar so high that I can't help but (unfairly) compare any comedy made within a decade to it. I didn't really catch onto the Sturges vibe until reading about it later. I guess I kind of see it retrospect, but it seemed less, I don't know, manic?

war höchst amüsiert! :D

A lesser Mamet is still better than Heist. There may be a few too many characters to latch on to, but all are well-written to Mamet expectations. Plus, I'm a sucker for the inside-Hollywood film. The Player this is not, but still undoubtedly entertaining.

Tart cherry notes play well with lighter lavender and a touch of nutty-ness. A delight for every day yet robust enough to serve to guest on those special occasions.

Enjoy with: matzo and second chances.

I only remember little bits and pieces from this. I recall sort of liking it, but it didn't do it for me overall. I wouldn't mind revisiting it though, since most of its Hollywood satire probably flew over my head at the time. Also, it's David freakin' Mamet.

Mamet's language, his complex plotting and, ultimately, the light as a feather tone he extracts from his cutthroat treatise on Hollywood's evil influence, eh fuck it...Go you Huskies!

Dare you question the genius of Mamet? See hitherto the town he's created for State and Main. Then stand back, because you've got some awe to strike. (Clark Gregg's acceptance of the money in this, my third viewing of the film, seems to me to be one cuts-to-the-bone shot at Hollywood and politics too many. Otherwise, it's still nothing short of brilliant).

A terrific cast, sharp Mamet script. I always like Baldwin and Pidgeon in Mamet projects.

The dialogue is excellent, the characters are great and the wit is constantly flowing. And it pulls out exactly one needless twist too many five minutes before the end which hampers what could have been a five star with little reservations.

Basically: it's a David Mamet movie.