Every film that has ever been nominated for an Academy Award in any category. Enjoy!
There's everything you've ever known about adventure, and then there's The Abyss.
A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver soon finds himself on a spectacular odyssey 25,000 feet below the ocean's surface where he confronts a mysterious force that has the power to change the world or destroy it.
Top notch Sci-fi Thriller that captivated my imagination one minute then zapped me with an electric cattle prod the next minute! Talk about Claustrophobic! It toyed with me without mercy hitting on all my deepest, innermost fears! The tension was so thick I could cut it with a knife! I'm still coming down from the heavy duty adrenalin rush that ultimately overcame me!
Other moments I was wide eyed and enthralled with the beauty and serenity of the ocean depths! The great cast of characters drew me in right from the get go! Outstanding performance by all! But hats off to Ed Harris and Mary Elizabeth Mastrantonio for electrifying performances that made my heart skip a beat or two!
Through the first two acts of James Cameron's The Abyss I kept thinking DAMN, this is a fantastic looking film and all but I'm not sure about the focus. I felt Cameron was spending too much time on the squabbling humans and not enough on the extraterrestrial life they discovered deep in the ocean. A good portion of the film is spent on a side story involving an increasingly paranoid Navy SEAL officer and a nuclear warhead. I was more interested in other aspects of the story and Cameron just took awhile to deliver them. By the end I was fine though as the third act brought everything home nicely.
The Abyss is the story of a civilian diving team…
This isn't a four and a half star movie. Four, perhaps. But research into the effort, work and risks taken during this movie and you have to appreciate it in a whole different light. I'm not fucking kidding.
Ed Harris and Mary Mastrantonio flat out refuse to even talk about this movie. They claim "The Abyss was a lot of things. Fun to make was not one of them." Harris very almost drown in one scene and Mastrantonio says the experience was "traumatic". One can only imagine what it must be like filming at an underwater set filled with 7 million gallons of water.…
Clearly Cameron’s attempt to make a Spielberg film (Face-reaction shots; Close Encounters similarities about in the mise-en-scene, alien design, and that finale), but also distinctly a Cameron film.* Opening submarine sequence is hardened, masculine, filled with specialty military lingo that he perfectly communicates through the shots, and the director’s bravado specialty of creating an intense physical reality—that rushing water looks truly authentic in a way CGI could never pull off. Those guys actually look like they are getting smacked around before plummeting to a watery grave. Also a perfect Cameron entrance shot: an army platoon empties out of a helicopter with the shot focused on each of their boots until a pair of high heels emerges revealing Mary Mastrantonio (totally…
Trading the coldness of space for the depths of the oceans allows Cameron to once again showcase his technical skills as a director. Here he creates a universe that is recognisable , yet still feels alien.
I have always admired Cameron for his ability to entertain. A lot can be said about his films, but they are never boring. Apart from the fact that his films are always technically far ahead of their time, there always seems to be something to take from his films. The Abyss is no different. The underwater vistas look amazing and contrast beautifully with the sometimes claustrophobic confines of the underwater station. Everything is shot with incredible attention to detail, the CGI and practical effects…
Cameron's ONLY ANGELS HAVE WINGS and one of the greatest technical accomplishments in the history of the medium. it's easy to say they don't make 'em like this anymore, but i can hardly believe they ever made 'em like this in the first place, especially without casualties.
Man, James Cameron's epics may be, well, of epic length but, boy, do they look fantastic. This is a movie that I imagine would be great to see on the big screen. Even watching it on my laptop, I was pretty impressed.
It should probably be noted that I watched the theatrical version of this, but having read up on the extended cut, I'm pretty happy with the version I saw. There was already a lot trying to be squeezed into this movie as is, and adding another essential subplot would have made the movie feel thematically stretched, rather than as rich as it was.
This is a movie that uses its length well, with little filler and very few…
Rewatched my special edition. Still one of my all time favorites
An excellent example of a good director being given an overdose of funding.
The right balance of humanity, the unknown, and triumph.
Film #22 of the "Scavenger Hunt" Challenge
22. A film that takes place at sea!
Ambitious as usual for Cameron, visually stunning, overall great in every technical aspect. I was especially impressed by the sound editing, those masks for breathing underwater were/sounded very real and scary. Didn't care much for the plot though, the characters were one-dimensional and I couldn't relate to them -or even like them-, the temporary death thingy lasted an eternity and tried so hard I was annoyed by the end of it and the finale was both uneventful considering the buildup of expectations and anything but subtle in its effort to amaze.
Definitely worth watching, I enjoyed it, but I didn't appreciate it as much as I had hoped, I can't help but feel a little disappointed. Better than Titanic in my opinion but the comparisons are kinda arbitrary, they are two very different movies from the same director, taking place at sea.
Seen bits and pieces of it for years but just now got around to watching the whole thing in one sitting. Dug it.
The cheesy sci-if message is out-balanced by its gripping claustrophobia and a unique transmission of effort behind the camera.
Very good. Sometimes beautiful.
This list is the Letterboxd version of The Oxford History of World Cinema.
The book celebrates and chronicles over one…
USA Up All Night (also known as Up All Night and Up All Night with Rhonda Shear) is an American…