Instead of the clichéd, lame romance and rom-com films, in honor of Valentines Season, here are some of the more…
The Adjustment Bureau
Fight for your fate.
A man glimpses the future Fate has planned for him – and chooses to fight for his own destiny. Battling the powerful Adjustment Bureau across, under and through the streets of New York, he risks his destined greatness to be with the only woman he's ever loved.
The Adjustment Boreau, more like.
Maybe a bit harsh but I couldn't think of a play on the title that could allow me to use the word 'mediocre'. Will accept suggestions and steal them for future usage.
There are only two REALLY good things about The Adjustment Bureau. The first 20 minutes or so are great. I really enjoyed the montage of clips detailing Matt Damon's political travails and the setting up of the story in general. I thought this was really done and that they were about to set up a film that would turn out to be pretty great overall. That never happened.
There's also Damon and Emily Blunt. Singularly I really, really like them…
The high-concept plot of The Adjustment Bureau isn't the most alluring thing in the film. It's an interesting science fiction thriller that's actually dominated by a romance that convinces from its very inception. Starring Matt Damon, (for once not breaking other people's limbs and playing the hardman) this sees a chance encounter with a beautiful woman and a passionate kiss that will change his life forever. If you believe in falling in love instantly then you will invest in this film, and with Emily Blunt playing the object of Damon's affection with a coy playful sexiness, it's hard not to become emotionally involved.
Damon plays a young congressman whose life is being controlled (just like everyone else's) by The Adjustment…
Heavy-handed, clumsy and full of clichés, George Nolfi's adaptation of Philip K. Dicks short story is a wholly underwhelming experience. Having not read the original take it is hard to know for sure but given the author's penchant for the more sinister, darker side of human nature, you can imagine the tone and more importantly, the complexity, was nowhere approaching this kind of tripe.
The idea behind the story is a good one, that we may not be the masters of our own destiny after all, our free will restricted by unseen forces who plan our predestined routes through life. If we were to challenge the paths set out for us, then what would be the changes or consequences caused…
This is how the film was sold to me on my TV Guide... "Thriller (2011). A politician is attracted to a dancer he meets at a pivotal moment in his life, but finds his every effort to get to know her is thwarted by a group of mysterious men. He realises these shadowy figures are manipulating him and moving him toward a predetermined fate, which he resolves to fight. Sci-fi thriller, starring Matt Damon and Emily Blunt."
Can you see how I may have expected more from this movie? This was nothing more than a Sunday afternoon romance film with an extremely cheesy sci-fi element to it - and an element that I found almost impossible to buy into at…
Typically films with high concept plots get by on the hook of the concept alone yet despite The Adjustment Bureau having a compelling conceit it is actually the chemistry between Matt Damon and Emily Blunt that not only draws you in but provides the whole momentum for the movie. And this chemistry is crucial because you have to buy into their instant love for each other and for the most part you do. The Adjustment Bureau elements are neatly handled and pleasingly efficient (they could have so easily dominated the entire film but the central relationship is given time to breathe and develop). The supporting cast are solid but that is to be expected when you cast the likes of…
I liked the premise here just not the execution. The story needed to be tighter, the characters accepted strange things too easily, and it needed more details. It felt too loose if that makes sense.
There were things to like. Matt Damon and Emily Blunt had good chemistry, the concept was interesting, and their characters were likable. The filmmakers just failed at successfully making it all work together in my opinion. With a little more attention to detail this could have been an excellent Sci Fi film. Instead it's watchable but pretty average overall.
yes sweetie your looking at matt and emily
The Adjustment Bureau is fine. An absolutely fine film. It mixes a Mad Men aesthetic for the Bureau (Roger Sterling!), with heavy blue filters for Matt Damon and Emily Blunt's romance section. It is a charming, fitfully entertaining, fantasy that works better as a romance. I don't have a huge amount to say about it.
It's a Matter of Matt and Em.
However, the one thing I have wondered, is why has no-one cast Matt Damon and Emily Blunt together since. When The Adjustment Bureau works it works almost solely because of the chemistry between Damon and Blunt, which is absolutely magnetic. Frankly, I would have much preferred a straight romance, with the fantasy malarkey left out completely.
Interesting concept, great cast, and tons of potential ruined by poor execution.
Uneven but the sci - fi segments are worth watching.
A little obtuse towards the end, but full marks for originality. More creative than many bigger budget films. Damon and Blunt make a good couple, but Mackie is the real star here (for me, at least).
Fun, slick scifi/love story. It didn't spoon-feed the audience every little detail, nor did it leave us guessing too much.
Very well done Philp K. Dick paranoid science fiction romance.
Matt Damon likes running around cities very fast. Here he does it through sci-fi doors that transport him to random places around Manhattan. Some cool stuff there but it gets a little repetitive - much like the main narrative of this film: bring the central couple together only to tear them apart, rinse/repeat. Otherwise it's an interesting film, anchored by two great perfs - Blunt especially shows why Damon's character keeps fighting for her. The sci-fi philosophy: free will versus fate is fine, but has been done better in dozens of other films and Star Trek episodes, and in this particular film gives a resolution that's way too pat, sort of a cop out. Still I like that hat, and enjoyed watching this on Eva Air between Taipei and LAX, before the valium kicked in.
The good and the bad of a world gone wrong.
Likely somewhat subjective, though I've tried to maintain consistency. See…
A counterpart to Redfern's list, which is exclusive to the 20th century- a starting point for those beginning to delve…