• Nuno

    ★★★★★ Rewatched by Nuno 13 Nov, 2012

    The Bird with the Crystal Plumage is a master-class in giallo film-making!

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  • Josh Kolb

    ★★★★★ Added by Josh Kolb

    One of my favorite films of all time, a Giallo masterpiece. Argento and Morricone with a little murder in the middle makes a damn good Italian sandwich.

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  • Tony D'Amico

    ★★★★½ Watched by Tony D'Amico 24 Dec, 2012

    Film 80 of "The December Project" 2012
    98 minutes

    I heard about this a while back from the Where the Long Tail Ends podcast, and it was spoken of highly so I had the DVD sent from Netflix.

    This movie was great, a very solid murder mystery film. I don't know if you can consider it a Giallo, but I will just because Dario Argento made it. Right from the get go the film didn't stop entertaining me, something I…

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  • Lee Curtis

    ★★★★½ Watched by Lee Curtis 12 Nov, 2012 2

    I've not seen a film by the Italian horror icon Dario Argento before, so where better to start than with his directorial debut the masterfully clever and superbly chilling giallo The Bird with the Crystal Plumage.

    From the moment it begins Argento’s gripping narrative carries all the suspense of a Hitchcock feature, but the Italian director’s style is more original than referential. He seamlessly combines familiar horror techniques with his own unique blend of filmmaking – that includes sporadic jump…

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  • Jeremiah

    ★★★★½ Rewatched by Jeremiah 05 Sep, 2012

    If someone wanted to start watching some Giallo films I think this is a pretty great place to start.

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  • Inspector_Tanzi

    ★★★★½ Added by Inspector_Tanzi 1

    Fantastic film, the Blue-Underground Blu Ray looks fantastic and most importantly presented in it's proper aspect ratio unlike that piece of shit released by a certain U.K. company that I don't need to mention.

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  • Chris Underwood

    ★★★★½ Added by Chris Underwood

    Very fine debut that set the trend for giallo for the next half dozen years. The seeds of the genre had already been sown but here Argento strikes out stylishly and makes a massive mark. It was interesting watching this once more having now having seen so many more giallo since first seeing this and realising just what an influence it had been. There are elements, particularly visuals, that we will see developed in later Argento films as well as…

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  • ciarandunne9

    ★★★★ Watched by ciarandunne9 19 Apr, 2013

    A great horror thriller... Twisting whodunnit story mixed with some quite uncomfortable and brutal violence. Reminded me of the Hitchcock film Frenzy

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  • Redrumpanda

    ★★★★ Added by Redrumpanda

    Excellent Giallo or even just Crime thriller from Dario Argento. Does it matter that I guessed the killer from very early on? Or that it is not as deep as some later Argento films. I don't think so. The story is actually very simple and there are some brilliant scenes. The characters in this film are unique and seem very genuine. As far as scares go, well, there's a sufficient amount of blood. I wasn't bored at all during the run time and as someone who watches a lot of films, I can't always say that. Enthralling.

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  • HorrorQueen

    ★★★★ Rewatched by HorrorQueen 24 Feb, 2013

    Argento's first movie is also one of his best. A great mystery film, you will be hooked until the final reveal

    Check out the review soon on my blog:
    horrorqueenreviews.blogspot.co.uk/

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  • Arnold Furious

    ★★★★ Watched by Arnold Furious 14 Feb, 2013

    I'm a bit weird. I've seen three Argento films before this one (Suspiria, Tenabrae and Deep Red) and liked all of them. And yet it's taken me years to get around to watching another one. I suspect about 6 years, maybe more, since I rented Deep Red. I went through a phase of watching giallo movies and my favourite of those is Tenabrae. You'd think this would have driven me into watching more Argento movies. I can't really explain it.…

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  • Nigel Floyd

    ★★★★ Rewatched by Nigel Floyd 08 Feb, 2013 1

    A visual and thematic blue-print for Dario Argento's entire oeuvre, although it lacks the stylistic and aural complexity of his baroque masterpieces (Profondo Rosso, Suspiria, Inferno). A stunning debut feature, which stands up to repeated re-viewings, even when you know who the killer is.

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