My six hundred favorite films (1940-2014); 618-653 are not ordered yet.
The Boy in the Striped Pajamas
Lines may divide us, but hope will unite us.
Set during World War II, a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a concentration camp, whose forbidden friendship with a Jewish boy on the other side of the camp fence has startling and unexpected consequences.
I teach English in the Netherlands and one of the things that has always bothered me is the fact that this generation of kids here just doesn't read anymore. They don't read Dutch novels, let alone English ones. Each year there are maybe a handful of students in their exam year who actually enjoy reading and read novels other than the ones they have to read for school.
One of the traits of modern education is a somewhat exaggerated focus on the stragglers, the ones that need that bit of extra help to reach the goals set for the completion of their career in education. While I think that this is most certainly necessary, I do feel that this often…
Exploring the horrors of the darkest period in human history & told from the viewpoint of an 8-year old boy, The Boy in the Striped Pajamas is a strong, heartfelt story of a forbidden friendship formed between a German boy of a Nazi official & a Jewish boy in an extermination camp and it's the evolution of their innocent relationship only that makes this film work.
Slow yet engaging in its narration, very well directed, elegantly photographed, nicely edited, wonderfully performed & calmly scored, The Boy in the Striped Pajamas is a simple yet effective Holocaust drama that manages to grasp your attention throughout its runtime and delivers a final twist so powerful & haunting that it's gonna leave you completely astounded, speechless & devastated in the end.
He used to be a doctor once, but gave it all up to peel potatoes.
Based on John Boyne's 2006 novel of the same name we follow Bruno, an eight year old child of a concentration camp commandant, as he makes his own assumptions of what the camp and it's prisoners are as no one is prepared to explain it to him. He makes friends with an 8 year old Jewish boy as he wonders why the farmers on the other side of the fence work in their pajamas.
Bruno makes assumptions on what the camp is because even though it is now walking distance from their new home, no one seems willing to tell him what's going on.…
When I first saw this movie, it got to me. It made me feel like shit. At the time, I interpreted that as meaning this was an emotionally powerful movie. Upon further reflection, I've realized what it really means: this movie is a morally bankrupt, absolutely reprehensible piece of shit.
What is the single best ways to toy with an audience's emotions?
Kill a kid.
This movie does it twice. Ooh, how bold. How daring. This movie is really impressive because it doesn't shy away from the harsh realities of war, right?
Oh, wait, wrong. Because the movie isn't saying anything. Really, what is it saying? World War 2 was bad? Innocence fucks people over? Okay. We get it. What…
I went into this film expecting it to be tragic because its about Auschwitz. There are no happy-go-lucky films about Auschwitz. So I fully expected Jews to die, regardless of their age, and I didn't think the effect would as devastating as in other films. Mainly because of the focus being on a small German boy, a son of a Nazi death camp commandant. The last act packs an enormous emotional wallop that I wasn't really prepared for. Its depressing as hell. I do like that the film acts as a metaphor for the German people during the Holocaust. Some were naive, regardless of what they were exposed to. That's the positivity of humanity. Trying…
Película sencilla, que me ha entretenido lo suyo y me ha parecido mas interesante de lo que a priori hubiera creído, eso si, la pude ver completamente virgen sin saber siquiera que existía un libro sobre ella, será que es un Guilty Pleasure para mi viendo las notas tan bajas y los comentarios tan negativos que en general tuvo.
I didn't think it was possible for anyone to make a bad movie about the Holocaust. I don't think the filmmakers behind "The Boy in the Striped Pajamas" thought they were making a bad picture, but I believe they were very misguided. I'm sure the author thought he was very very sensitive to the subject matter but I've never read the novel and I cannot judge it. But it is clear that something got lost along the way in translating the book to the big screen. Even the title is vaguely offensive.
I think most of the problem here lies with the screenplay, and these characters that are to dumb to be believed. I don't care how naive you are,…
A little overblown, lacks empathetic characters—but, boy, did they shove sympathetic ones in.
My personal favorite Holocaust film to date.
>Balance of Elements: 7/10
>Production Design- 8/10
-Sets & Props: 4/5
I liked this movie. Because of the innocent kids, because of the horrifying war. Because of everything. Sad ending, but can we accept that there might have been more similar situations? Or we just think that it was a movie and that's it? It was sad not because of the boys, but because there were (and still are!) people out there who are that cruel.
- Beasts of the Southern Wild
- Lilya 4-Ever
- Life Is Beautiful
- Dancer in the Dark
- Christiane F.
- 101 Dalmatians
- 20,000 Leagues Under the Sea
- A Matter of Life and Death
- A Town Called Panic
- The Addams Family
Here is a selection of films that I believe are perfect for a young audience (up to the age of…
- Come and See
- Zero Day
- Salò, or the 120 Days of Sodom
- Lilya 4-Ever
Sixty films that I find to be scary, outside of the traditional horror genre.