Doesn't the title of the list explain it well enough? This is a list of hight quality "short" films. Easy…
Charlie, a wandering tramp, becomes a circus handyman and falls in love with the circus owner's daughter. Unaware of Charlie's affection, the girl falls in love with a handsome young performer. Charlie's versatility makes him star of the show when he substitutes for an ailing tightwire walker. He is discharged from the company when he protects the girl from her father's abuse, but he returns and appeals to the handsome performer to marry the girl. After the wedding the father prevails upon them to rejoin the circus. Charlie is hired again, but he stays behind when the caravan moves on.
A rollicking adventure, a heartbreaking romance & a passionate piece of quality filmmaking, The Circus is yet another timeless classic from the undisputed king of laughter that's deftly crafted & thoroughly accomplished in all departments of filmmaking and while it sits in the lower ranks of Chaplin's filmography, it's just as influential as his best-known works.
The Circus tells the story of a poor tramp who while at a circus is mistaken for a pickpocket by the police and in his effort to elude them, becomes an accidental sensation of the show. The crowd reaction makes the ringmaster hire him but since the tramp is unaware that he's the star of the show, he accepts the minimum wage offer and also falls…
"Time brought many changes to the Circus; new hopes and new ambitions."
The Circus is perhaps one of Chaplin's most under appreciated films considering it was directed after his acclaimed The Gold Rush and before his most critically adored film City Lights. I really don't see why it is considered a lesser film because it has one of the best love stories and in my opinion the best ending as well. I know City Lights' final scene is one of his best, but I think this one fits his character even better. It is hard for me to pick a favorite film from Chaplin since they all have something unique about them, but it doesn't deserve to be considered a…
I've been trying to catch up with Oscar nominations and the rest of the year's releases, but sometimes you need a fallback that's always going to be exactly what you need. For me, that's Charlie Chaplin. His are some of the only movies which can make me laugh even if I'm alone or in a bad mood. Beyond his brilliant slapstick, he puts so much detail into his characters that they take on a depth rarely seen in broad comedy. He is the prototypical outsider, the man without a place, and he shows us everything we need to know about love: we want others to love us, to have some sense of belonging, but ultimately all we really need is…
The Circus seems to be an ode to the movies and performers of Charlie Chaplin's time - and perhaps a statement on comedy, too. When the Tramp stumbles into a circus and turns everything upside down, the audience goes nuts. When he tries to do the same once he's aware that he's a star and expected to be funny, nobody even cracks a smile.
Early on after a failed audition, the owner of the circus decides that the Tramp is unfunny, but decides to milk his appeal for all it's worth anyway, without ever letting the Tramp know that he's a hit. Is that supposed to have something to do with production houses? Things like these are fun to think…
Just by looking at the plot of this movie I can already guess this is gold comedy and boy was I right about that.
The Circus is about are main character the Tramp accidentally gets in trouble with the law by a pickpocket. He then stumbles into a Circus wherein he becomes a star. Merna sees the Tramp and eventually become friends. He falls for her but she falls for a handsome tightrope walker.
Okay I'm going just come out and say that Chaplin is by far better than The Three Stooges when it comes to comedy and slap stick humor with a little salt of heart. I given Chaplin's movies positive after positive ratings and so far no bad…
The Circus is Charlie Chaplin's last official silent movie. In this one The Tramp finds himself as the star attraction at the circus. Chaplin gets to do lots of physical comedy in this one. Highlights of the film are a chase in a mirror maze, Chaplin stuck in a lion's cage with a lion, and a tightrope walk. The ring master of the circus comes across as a sadistic man....and it is not funny at all. He repeatedly beats his daughter and even refuses to let her eat when she does not make him happy.
Chaplin is....as always.... entertaining to watch...his performance is even more impressive when you realize he suffered a nervous breakdown while making this one. This is a good movie....but almost seems average when compared to Chaplin's classics. Sadly I am running out of Chaplin/Tramp movies to watch.
melancholic ending to a beautiful Chaplin film on a January morning, I think that would do it
With great comedy comes great tragedy.
"The Circus" most certainly is both. What a timeless joy.
Complacent in being standard Chaplin
Try as I might I just can't seem to get into Charlie Chaplin films. The physical comedy is funny most of the time, but the drama fails miserably. Had this been a 30 minute short instead of a 70 minute feature I would most likely have rated it much higher.
Why of course! All the crowds, all the applause is just for you.
film nr 17
I wouldn't have guessed that he had much of an ego, but much of this film is remarkably self serving.
Really fun Chaplin movie, that lacked some of the heart his other movies had. Pretty fun with great gags and stunts, just a little flat.
Minor Chaplin, still excellent cinema. Elevated by the ending, which I'm pretty sure is the saddest Chaplin ever shot.
Every film that has ever been nominated for an Academy Award in any category. Enjoy!