Many favorites, as well as a small handful of films that I don't care for... in no particular order (1960-2014).
The City of Lost Children
Where happily ever after is just a dream.
A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.
A grotesque and dark adult fairy tale featuring nightmarish freaks preying on children of the streets!
A stunning visual feast for the eyes! Creativity and imagination are above and beyond my wildest dreams!
Jaws drop! Hearts skip a beat!
As this magnificent masterpiece reveals its fascinating and intricate attention to details that will leave you wide eyed and reveling in the rediscovery of your sense of wonder and unbridled imagination!
Currently streaming on NF!
The City of Lost Children is a wonderfully dark fairy-tale, spiced up by the visual flair of Jeunet and Caro.
There is something inescapably alluring about a dark tale that is about children but perhaps isn’t suitable for them. Stories like this often reside in between dark fantasy and light-hearted morality tale and this one is no exception. The conceit is rather classic, evil man tries to steal dreams from children. It is therefore not so much the content of the film that makes it so enjoyable, but most definitely the approach the pair of directors take to present it. It is visually as rich as it is grim.
Like their previous collaboration Delicatessen this film has a lovely fluidity…
When you're born in the gutter you end up in the port.
A long time ago, in a movie theater far far away, the only film I had seen from director Jean-Pierre Jeunet was Alien: Resurrection. It didn't exactly ignite a desire in me to pursue anything in his filmography. Although my opinion on the director was dramatically changed after seeing Amélie for obvious reasons, it took over 15 years for me to finally see what I believe is the film that got Jeunet the Alien sequel... for all the wrong reasons.
The City of Lost Children is a dark and disturbing fairytale. I could easily see why a Hollywood studio would drool over the thought of getting Jeunet…
If Tim Burton had a nightmare after watching 2001: A Space Odyssey, it would probably have turned out something like The City of Lost Children. Set in a twisted, cyberpunk, surrealist alternate post-apocalyptic reality, The City of Lost Children features more imagination per square inch then the average year's worth of films combined. The story follows One, a circus strongman who goes on a quest to save his little brother from the clutches of a mad scientist trying to steal the dreams of children. Along the way he joins forces with a tough young orphan named Miette, and meets a host of odd and colorful characters.
I could fill up a small novel just listing off some of the strange…
The City of Lost Children's surrealism is both charming and disturbing. A steampunk fairytale from directors Jean-Pierre Jeunet and Marc Caro, the film is a plethora of peculiar characters and settings. On an oil rig in the middle of an ocean reside an assortment of failed "experiments" belonging to a missing genius. These include a diminutive woman named Miss Bismuth, a brain in a tank nicknamed Uncle Irvin, six clones (played by the brilliant Dominique Pinon), an assemblage of cyclopses with acute hearing, and finally the humanoid Krank, whose despair at not being able to dream is the catalyst for much of the action.
Add to this the former Russian sailor One (whose little brother is kidnapped by Krank), and…
"Once upon a time there was an inventor so gifted that he could create life. A truly remarkable man."
Jean-Pierre Jeunet The City of Lost Children is a nightmarish fairy tale, that I would love to dream every night.
Jean-Pierre Jeunet has an eye for detail and specially and eye for creating immersive worlds, where the line of fantasy and reality is a very thing blurry line.
Jeunet cinematography is beautiful and rich, when you watch The City of Lost Children you get transported to a gritty, nasty place, that you don't want to leave.
Ron Pearlman as Mr. One, is as always great, what can I say…
Der französische Film hat eine simple doch geniale Prämisse: In einer düsteren Hafenstadt werden Kinder entführt und an den bösen Wissenschaftler Krank verkauft, der nicht träumen kann und deswegen vor seiner Zeit gealtert ist. Um seinen Alterungsprozess zu stoppen, will er sich die Träume der Kinder zunutze machen. Allmählich entfaltet sich die Handlung des Antimärchens in kleinen Schlenkern, um die fabulöse und anarchisch anmutende Welt und ihre Charaktere darzustellen. Das Ganze wirkt durch den Soundtrack und die einprägsame szenische Gestaltung surreal wie ein Traum und genau das macht den Film so besonders. Manche Effekte sind schlecht gealtert, aber insgesamt macht der Film noch einen erstaunlich guten Eindruck.
Leider gibt es im Verlauf ein starkes Ungleichgewicht. Während in der ersten Hälfte…
"Don't be afraid. Just relax. Now, close your eyes, listen to my voice... and sleep."
Unique, surreal, daring, magical, and visually off the wall. The City of Lost Children is a stunning adult fairytale from the directors of Delicatessen, Marc Caro and Jean-Pierre Jeunet. I loved pretty much everything about this film. Each little detail was so well executed. The characters were colorful and bizarre, the imagery was beyond impressive, the story was exciting and original, the special effects, the gadgets. Caro and Jeunet deserve a lot of respect for taking a chance and creating a film that is anything but normal. They held nothing back and ended up with a work of surreal genius. The City of Lost Children was some of the most fun I've had watching a film in a while. I'm sure that this one will never get old. If you want some beautifully bizarre fun, check out The City of Lost Children.
Total - 79%
The most epic of the Jeanu and caro movies. One of my favorite moments is the tear scene that shows the destruction of parts of the city. he movie feels like a modern fairy tale.
The murder by one of the possess cyclops is one of the most disturbing death. Ron Perlman does he bes he can with his phonetic french. The steampunk inspire sets are amazing.
That shit be cray.
An atmospheric dark fantasy sci-fi masterpiece. Feels like this is not appreciated enough as it should be. If you love Terry Gilliam and Guillermo del Toro's films, The City of Lost Children is for you!
The City of Lost Children is a recommended experience. It suffers in several significant arenas, both in narration and character, but it's one of those rare movies that is still must-see if you're into the Terry Gilliam aesthetic of filmmaking.
Not that this is a Gilliam film (which is a shame, since Gilliam would have nailed it in a way Jeunet didn't). But the steampunk aesthetic mixed with when-bedtime-stories-used-to-be-terrifying concept would be right up Gilliam's alley.
The plot is a jumbled mess. Some of that might be due to cultural differences and assumptions, but mostly I suspect it's an imagination gone wild. Or drugs. (I mean, not to insinuate that drugs were involved, but the flow of the movie definitely…
French dark fairytale with some steampunk elements and costumes by none other than Jean Paul Gaultier. Lots of quirky characters, beautiful settings and a strong Terry Gilliam vibe. A good movie if you're into the above, which unfortunately I am not (anymore).
This review reportedly contains spoilers. I can handle the truth.
I love Caro and Jeunet's silent cinema Rube Goldberg sequences, both in this film (breaking One’s mind control) and in Delicatessen (stopping the elaborate suicide). Visuals, visuals, visuals. That’s what sticks.
- Under the Skin
- Tropical Malady
- Uncle Boonmee Who Can Recall His Past Lives
- Inland Empire
- The Captive
- Clouds of Sils Maria
- Goodbye to Language
- The Homesman
Originally a list made prior to Cannes 2014.
This is every Palme d'Or nominee since the festival began in 1946.…
- The Red Shoes
- Synecdoche, New York
- Time of the Gypsies
- Speed Racer
- La Jetée
Apologies for the rather clumsy and drab title, I was going to call it Pure Cinema but that isn't quite…