Synopsis
Where happily ever after is just a dream.
A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.
1995 ‘La Cité des Enfants Perdus’ Directed by Jean-Pierre Jeunet, Marc Caro
A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.
Ron Perlman Dominique Pinon Judith Vittet Daniel Emilfork Jean-Claude Dreyfus Geneviève Brunet Odile Mallet Mireille Mossé Serge Merlin Rufus Ticky Holgado Cris Huerta Jean-Louis Trintignant Joseph Lucien Mapi Galán Briac Barthélémy Pierre-Quentin Faesch Alexis Pivot François Hadji-Lazaro Dominique Bettenfeld Lotfi Yahya Jedidi Thierry Gibault Marc Caro Ham-Chau Luong Frankie Pain Enrique Villanueva Dominique Chevalier Lorella Cravotta Éric Houzelot Show All…
Claudie Ossard Félicie Dutertre María Victoria Hebrero José Luis Lopez Arlette Mas Elías Querejeta François Rabes
Christophe Beaucarne Michel Amathieu Jean-Hugues Oppel Sophie Cadet Isabelle Casez Michel Revest Johanne Debas Agnès Letessier
Lionel Mathis Jean-Christophe Spadaccini Yves Domenjoud Olivier Gleyze Philippe Alleton Jean-Baptiste Bonetto Delphine Doreau
Patrick Cauderlier Rémi Canaple Michel Julienne Christian Hening Christophe Roblin Catherine Robert Jean-Claude Braquet Pascaline Girardot Jean-Loup Michou Eric Barone Marcel Labbaye Stephane Ode Frederick Renard Philippe Vittoriani
Pierre Excoffier Vincent Arnardi Lucien Balibar Vincent Guillon Aïlo Auguste-Judith Aymeric Devoldère Jean-Pierre Lelong Gérard Hardy Thierry Lebon Pierre Martens Jean-Pierre Halbwachs Jacques Lévy Cyrille Zoukhotine
Victoires Productions Constellation Productions Claudie Ossard Productions Eurimages Club d'Investissement Média Canal+ España Studio Image Cofimage 4 Cofimage 5 Constellation Elías Querejeta PC France 3 Cinéma Lumière Pictures Ossane Phoenix Images PROCIREP CNC TVE StudioCanal MEDIA Programme of the European Union Sony Pictures Classics Tele München
The City of the Lost Children, La cité des enfants perdus, La ciudad de los niños perdidos, La città dei bambini perduti, De fortabte børns by, Ladrão de Sonhos, 惊异狂想曲, La ciutat dels nens Perduts, ロスト・チルドレン, Elveszett gyermekek városa, Η Πόλη των Χαμένων Παιδιών, De fortapte barns by, Die Stadt der verlorenen Kinder, La Cité des enfants perdus, La città perduta, Город потерянных детей, De förlorade barnens stad, A Cidade das Crianças Perdidas, Město ztracených dětí, Kayıp Çocuklar Şehri, 童梦失魂夜, Elveszett gyerekek városa, עיר הילדים האבודים, Місто загублених дітей, 잃어버린 아이들의 도시, Градът на изгубените деца, Miasto zaginionych dzieci, 童夢失魂夜, Orașul copiilor pierduți, დაკარგული ბავშვების ქალაქი, Pasiklydusių vaikų miestas
So, look, I'm not going to budge from my position that nostalgia is the prion disease of culture. So many controversies over revived, rebooted or recast franchises have made the subtext text. You don't have to stretch to see a link between nerd culture fetishising its childhood as a lost arcadia and reactionary politics any more, you can just find a Facebook page for the latest franchise whose latest incarnation has dared to cast a woman or a POC or - horrors - a WOC and read the comments. When people are complaining that the casting in a new series of Star Trek - Star fucking Trek! - is too diverse, you know you're dealing with a mentality that has…
A grotesque and dark adult fairy tale featuring nightmarish freaks preying on children of the streets!
A stunning visual feast for the eyes! Creativity and imagination are above and beyond my wildest dreams!
Jaws drop! Hearts skip a beat!
As this magnificent masterpiece reveals its fascinating and intricate attention to details that will leave you wide eyed and reveling in the rediscovery of your sense of wonder and unbridled imagination!
Naughty Approved!
The City of Lost Children is a wonderfully dark fairy-tale, spiced up by the visual flair of Jeunet and Caro.
There is something inescapably alluring about a dark tale that is about children but perhaps isn’t suitable for them. Stories like this often reside in between dark fantasy and light-hearted morality tale and this one is no exception. The conceit is rather classic, evil man tries to steal dreams from children. It is therefore not so much the content of the film that makes it so enjoyable, but most definitely the approach the pair of directors take to present it. It is visually as rich as it is grim.
Like their previous collaboration Delicatessen this film has a lovely…
This film makes colors swallowed in shadow look better than most films make brightly lit colors look.
Retro futuristic aesthetics of a nightmare in total peril. Idle and abstract thoughts linger in dirty steampunk passages among rats and trash, a reverie of pensive agitation and isolation. An odyssey for a warped dream in beguile as they pursue such a phantasm of the core to the nightmare, every unique frame manifests of horror and an anomalous light of empathy. An insidious presence he reigns, a malaise for inept dreaming, a childish immaturity that spells doom in the realms of nonautonomy - one final dream to bring rapture.
It's no Delicatessen or Amelie, but it's surely still something very idiosyncratic!
I'm in awe of the crazy production design of The City of Lost Children. It is an original slice of surreal cinema that oozes creativity in every scene. The beautifully stylised fantasy world is the effort of unique filmmaking that embraces all kind of weird. The grungey look and odd shots (including loads of angled close-ups) contributes to a kind of adult fairytale. Which is strange as the humour is rather childish and part of the film seems to be that we are all children on some level. I think that's a weakness really, because The City of Lost Children has such a special style with horror inflections but the story is trope-heavy and feels mismatched for the dark, adult…
"Quiet! You vegetable!" -Krank,
Don't you just want to give Ron Perlman a big hug? Imagine a Ron Perlman hug!
What a delightfully weird story from a visionary director. On more than one occasion I had to rewind a minute or so because I was so mesmerized by the visuals that I sort of lost track of the dialogue. That's not to criticize the story, which is bizarre and wonderful, it's just that the film looks that cool. The sound design is really fantastic, and the casting is well done as each of the performers brings a unique look and eerie vibe to the film.
BURP...yeah you should check it out.
Didn't like it as much as I thought I would. I love some of Jeunet/Caro's output but this felt a little over-written and tiresome half way through. Some of the scenes are filled with ingenuity (the mouse grabbing the key with the magnet etc) and then some are little more than slapstick. It's not a poor film, maybe I just compare everything they do to Amelie.
6.2/10