The Dead Zone
1983 Directed by David Cronenberg
Synopsis
In his mind, he has the power to see the future. In his hands, he has the power to change it.
Johnny Smith is a schoolteacher with his whole life ahead of him. Unfortunately, after leaving his fiancee's home one night, he is involved in a wreck with an 18-wheeler and is in a coma for 5 years. When he wakes up from it, he discovers he has an ability to see into other people's lives, past, present and future, by coming into physical contact.
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Stephen King + David Cronenberg + Christopher Walken = something I'm probably going to dig.
And dig it I did. It's a pretty subdued outing from all three, only getting super freaky deaky a couple of times but being solidly entertaining throughout.
But isn't what Martin Sheen did at the end totally ridiculous? I mean, I laughed very hard, but I'm not sure I was supposed to. (And, yes, I realize that laughing probably makes me a terrible person.)
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David Cronenberg's adaptation of Stephen King's novel of the same name, The Dead Zone is carried by its fascinating premise and Christopher Walken's chilling performance. After a terrible car crash leaves him in a coma for 5 years, Johnny Smith awakens to realize that he has psychic powers that enable him to see people's past, present and future by simply touching their hand. Walken's natural eccentricity is a perfect fit with the film's creepy supernatural qualities and Martin Sheen also has a nice supporting performance as a ultra-corrupted politician. The plot is fairly basic, with its own Dead Zone separating the strong first act and impressive final act. Cronenberg showcases his visual strengths through the eery and highly effective vision sequences. An entertaining horror/thriller that wets your appetite for its concept, and like the majority of Stephen King adaptations, it is fair to say that the book does more with the idea.
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The Dead Zone was one of the few novels I hadn't read by King, so after doing so it was time to rewatch Cronenberg's adaptation of it. I liked it more this time round and it surpasses the book in one important aspect. Efficiency in storytelling.
King's book, though entertaining, is a rather long winded affair, focussing on trivial minutiae that aren't relevant to the story. It is also a strangely distant book. As a reader you never get fully involved in the proceedings. Apparently, King's script suffered from the same problems, which bothered Cronenberg. Without doing any of the writing himself, he still managed to steer the scriptwriters in the direction he wanted. He wanted this story to be…
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What a wonderfully contained story.
Everything that can be great about a Stephen King adaptation is right here. Christopher Walken is mesmerising as a man who wakes from a coma to discover a newfound psychic ability.
David Cronenberg takes a dash of Rabid and a large dose of Scanners to create an impressive movie which entertains from start to finish.I'm kicking myself I never saw this sooner.
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no shocker that this is a real solid & never dull thriller from the minds of King, Cronenberg, Jeffery Boam and starring Walken! real dynamite combination of talent there.
pretty wild this came out the same year as Videodrome as this is a far more muted Cronenberg experience. you can still see his manic early 80s spirit in some of our main character Smith's psychic visions (martin sheen's awesome future!!). and while the movie is really great, i kept waiting for Cronenberg to really break loose Scanners style but it never really happens here and perhaps that's for the best. -
Pretty tame coming from the esteemed Mr. Cronenberg. Nonetheless, a very enjoyable thriller.
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The BEST Stephen King adaptation ever made. More than The Shining and Shawshank, this movie is yet another reason David Cronenberg has always been a director to watch. I'm slightly embarrassed it took me so long to see it, but it was worth the 110 minutes I spent glued to my television. Walken gives among his best performances of all-time, and the tightly scripted scenes add up to an exceedingly well-crafted thriller, that may also break your heart. I loved it, without question.
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Based on the novel by Stephen King about a schoolteacher who awakens after five years from a coma. He discovers that he can not only predict the future, but can also change it. One of the best Stephen King adaptations from the always wonderful David Cronenberg.
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I know I am supposed to exclaim "It's Christopher Walken, Martin Sheen, and DAVID CRONENBERG!" Then slowly repeat, "David Cronenberg. David. Cronenberg."
But guys, I just wasn't feeling The Dead Zone. Walken had his moments of uniquely overacting in a way that's somehow still charming and moving, and Sheen's last couple of scenes are great and made me want to watch the West Wing again. But most of the time kind of nothing happens?
Let's watch Dead Ringers instead!
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A minor David Cronenberg work in the grand scheme of things but still a good movie. Christopher Walken is often overlooked as an actor because people focus on the caricature that has been formed around his heavy Queens accent but he puts in the perfect performance here for the role. Very effective at making you feel sad.
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Stephen King + David Cronenberg + Christopher Walken = something I'm probably going to dig.
And dig it I did. It's a pretty subdued outing from all three, only getting super freaky deaky a couple of times but being solidly entertaining throughout.
But isn't what Martin Sheen did at the end totally ridiculous? I mean, I laughed very hard, but I'm not sure I was supposed to. (And, yes, I realize that laughing probably makes me a terrible person.)
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no shocker that this is a real solid & never dull thriller from the minds of King, Cronenberg, Jeffery Boam and starring Walken! real dynamite combination of talent there.
pretty wild this came out the same year as Videodrome as this is a far more muted Cronenberg experience. you can still see his manic early 80s spirit in some of our main character Smith's psychic visions (martin sheen's awesome future!!). and while the movie is really great, i kept waiting for Cronenberg to really break loose Scanners style but it never really happens here and perhaps that's for the best. -
Christopher Walken's performance is the only reason to watch this. The weakest Cronenberg film that I've seen, and it came out the same year as Videodrome?! Walken deserves credit, but do yourself a favor watch some of Cronenberg's more engaging films like Videodrome, The Fly, Scanners, Eastern Promises, etc.
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Review from my VOD column "This Week on Demand"
The second unexpectedly resonant King adaptation of the week, The Dead Zone has the author adapted by David Cronenberg in a rare studio outing for the horror filmmaker. It’s a fine pairing of material and director, Cronenberg exhibiting foregrounding an emotional intensity only seen perhaps in The Brood before it. Christopher Walken is at the top of his game as the fragile bearer of an ability to see the future; his desperate attempts to escape what he sees as a curse drive the narrative far more than any sci-fi conceit, making this much more a character piece than a thriller. That’s compromised to an extent in a divergent third act that…
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Kind of a silly movie, but compulsively watchable. Christopher Walken plays a schoolteacher who gains psychic powers after a car accident and five-year coma, able to see into people's pasts and futures via physical contact. It's grounded, or rather ungrounded, by a great and weird, idiosyncratic performance from Walken. His character is physically and visually a unique presence, lumbering through the frame or standing imposingly with cane in hand. Meanwhile, in his committed embodiment of the role, sometimes dark, sometimes hilarious, and always exciting in its unpredictability, he manifests the odd tonal shifting of the film. There are a lot of things in play here, like a weird story structure that leads nowhere in particular, following Walken's brief exploits as…