The Devil's Backbone
2001 ‘El espinazo del diablo’ Directed by Guillermo del Toro
Synopsis
What is a ghost?
All hell breaks loose when a ghost and an evil care-taker haunt an orphanage for young boys during the Spanish Civil War.
Cast
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I'm becoming increasingly disillusioned with Guillermo del Toro films. Pan's Labyrinth is probably the only one of his films I've seen that I'd think of as great.
Hellboy & Hellboy II, Mimic, Blade II... they're alright. I've not seen Cronos to comment.
Is it just that his name is attached to about a hundred other films as "writer", "producer", "executive producer", "creative consultant" and increasingly more arbitrary terms, I wonder, that mean he is held in such high esteem?
I don't mean to be quite so contrary, nor am I saying it to be a "WUM" or "troll" and illicit negative responses. It's just something that occurred to me after watching Devil's Backbone. I don't think he's a consistently great director.…
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The Devil's Backbone showcase brilliant and wonderful storytelling. Guillermo Del Toro certainly is one a great filmmaker, and this is his second best feature to date, only beaten by Pan's Labyrinth.
The Devil's Backbone is a stunning film with great actors playing real people with real issues. Three or four stories are interwoven perfectly, set against the backdrop of civil war Span, and the haunting corridors of an orphanage for abandoned children. In other words, it's a typical Del Toro film.
While the film does contain a ghost -the murdered child, Santi- the real horror of the film comes from the greed of certain adults who occupy the orphanage with the children. The film intelligently explores the themes of mortality,…
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Not what I was expecting at all and I was very pleasantly surprised by what I git, was expecting a pure Ghost story but it is so much more than this. I will say it does not pull any punches and does not go where you expect it to, it is well worth a watch.
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This film is lovingly crafted. There's a sense of warmth and innocence to the interactions between the children and a general sense of heart that is rarely found in horror cinema. For a film crammed full of child actors, there is rarely a poor performance to be seen.
Additionally, the film is incredibly economical with its detail. There is a brief mention of everything that ends up coming to play in the final act during the first two. Nothing is wasted.
A nicely bound filmic package.
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Clearly one of Guillermo del Toro's most personal films. It's not a great ghost story, but a great film that happens to have a ghost in it. Should be watched as a double feature with it being followed by Pan's Labyrinth.
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All around loved this. I would've liked to see Santi a bit more violent for his ghostly self but it'll just have to do for now.
I love the little twist it gave. I wasn't really expecting all the commotion like what happened honestly.
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I was not blown away, possibly because my expectations were ramped up as a fan of Pan's Labyrinth, which was the second half of a double feature. Both films are beautifully written and shot, and the characters are strong, so I'm not really sure what was missing.
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This review reportedly contains spoilers. I can handle the truth.
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All around loved this. I would've liked to see Santi a bit more violent for his ghostly self but it'll just have to do for now.
I love the little twist it gave. I wasn't really expecting all the commotion like what happened honestly.
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Yikes. You know? Typical Del Toro type shit, in a good way.
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Guillermo del Toro's "The Devil's Backbone" is not really a horror film. It occasionally uses elements from that genre, but to pigeonhole it to anything would be foolish. Good stuff.
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The Devil's Backbone showcase brilliant and wonderful storytelling. Guillermo Del Toro certainly is one a great filmmaker, and this is his second best feature to date, only beaten by Pan's Labyrinth.
The Devil's Backbone is a stunning film with great actors playing real people with real issues. Three or four stories are interwoven perfectly, set against the backdrop of civil war Span, and the haunting corridors of an orphanage for abandoned children. In other words, it's a typical Del Toro film.
While the film does contain a ghost -the murdered child, Santi- the real horror of the film comes from the greed of certain adults who occupy the orphanage with the children. The film intelligently explores the themes of mortality,…
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The Devil's Backbone has beautiful cinematography and production design, as expected with del Toro at the helm. But I found the story quite dull and the horror elements a little tame.
Also, in the end I asked myself why the ghost was there at all? It added nothing to the story, and I felt it was there just for the sake of being there. I think they should either have made the supernatural elements a bigger part of the story, or removed it altogether.
I enjoyed the film nonetheless, but comparing it to Pan (which is inevitable), it draws the losing card.
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"¿Qué es un fantasma?"... Me encanta la manera en la que Guillermo del Toro introduce lo sobrenatural en una historia ya de por sí interesante como un elemento normal.
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del Toro's grasp of tone is what I love most, I think. He nails the creepy atmosphere of this locale of course, where death and life intersect and time seems to stand still, but he also makes the adolescent interactions feel very real. The kids are rote characters on paper: new kid with insight, bully who turns to friend. Yet the fairly good actors and del Toro's handling of their back-and-forth makes them feel like real kids interacting, not *story* kids.