Doesn't the title of the list explain it well enough? This is a list of 200+ quality "short" films. Easy…
The Four Times
In the backcountry of southern Italy’s mountainous region of Calabria, an old shepherd leads his flock to pasture along paths in the hills which have fallen into disuse. Every morning, the church housekeeper trades a handful of the church’s dust for some of the shepherd’s fresh milk. Every evening, the elderly shepherd dissolves the "magic" powder in water and drinks this mixture to remedy his aches and pains. One day, he doesn’t show up for their trade. The next day, he dies in his bed as his goats keep vigil over his passing. A kid takes its first steps, but he is slower than the rest of the flock and falls behind. He falls into a ditch in the middle of the forest. Unable to climb out, he bleats for help, but neither the new shepherd, nor his dog, hear him. When he finally emerges from the ditch, he finds that he is alone. He wanders aimlessly until, as night begins to fall, he stumbles onto a majestic fir tree in which he seeks shelter.
I read that it was a visual poem to the Pythagorean idea of the soul migrating from man to animal to plant life. Whoa. That's a film for a Sunday morning viewing if ever there was one. I thought I would have to come prepared with knowledge of pre-Socratic philosophy, not my strong suit.
I didn't really want to work that hard. I preferred the idea of wanting to see it at some point in my life, secretly hoping that that point might never turn into a concrete now. But alas I noticed that it was expiring on Netflix very soon. It had to be done. I picked a morning time slot and came to it with plenty of caffeine.…
The wind still blows.
The wind is the world in motion. We are the world. We are the wind.
We are the bells.
We change every day. We are not stone.
We are flesh. And blood. And fur. And dirt.
We await. We adore. We transform.
Time never stops.
The wind still blows.
It gives us breath, it carries our words. It carries us.
It chimes the bells.
The bells are life. The bells are home.
We tend to the bells, and the bells tend to us.
Nature and routine. An eternal symbiosis guiding us into the unknown.
Both with the same goal, reward, curse.
Life and death. Flesh and blood.
Winner signaled by brief panic, then death.…
After watching Le Quattro Volte it was early evening. I walked outside and pulled some small splits from our wood stack in preparation to build the evening fire. I brought them into the kitchen, laid them near the stove, and gathered some dry kindling like I always do.
I opened the stove door, and delicately shoveled the top layer of fine ash and dust and carefully deposited it into the ash pail beside the stove like I always do. The ash pail will later be emptied into an air tight ash can in the driveway, the contents later used on our driveway on icy winter days. The removal of the ash reveals a small bed of dying embers, gently releasing…
Film #13 of Cinebro's "Long Live the New Flesh" Challenge
I throw the word "meditative" around a lot when describing movies. It's not until I saw "Le Quattro Volte," however, that I realized how empty of a descriptor that is.
"Le Quattro Volte" is a dialogue-free story set in the steppes of Southern Italy. Based on the "four realms" of Pythagorean metaphysics (animal, vegetable, mineral, and rational/intellectual), it gives us four interconnected stories charting various stages of birth, death, and reincarnation. Traditional plot devices are replaced by quiet contemplation. A lot of time is spent observing the daily life of a goat, for example, or the felling of a tree. You may be rolling your eyes already, picturing a fat…
Meditative is normally a polite way of saying a film is crushingly slow and boring, yet the description is accurate here and far from a criticism. Le Quattro Volte is a film about life, its cycles and unwavering endurance. Set in a small farming village nestled in the Italian hills of Calabria, the film chronicles life in four acts; each focused on the Pythagorean philosophy that mineral, vegetable, animal and human are all reincarnated.
It is a film that deals in big and small moments and treats them all with equal importance. Words such as transcendent, profound and spiritual can easily be thrown around when describing the film, and they would be worthy descriptions, but what is surprising is that…
This review reportedly contains spoilers. I can handle the truth.
Michelangelo Frammartino has accused traditional cinema of being manipulative in its use of musical score to provoke superficial, shallow emotional responses in the viewer. Swelling strings at the pivotal moments of Robert Zemeckis and Steven Spielberg films have become fodder for parody, but some will defend them as being inextricable from their respective genres. I don't believe this criticism is being aimed at the big blockbusters, however, as Frammartino probably considers it a separate art form to art cinema, more comparable to a theme park ride (not that we should be ashamed for taking pleasure in "fun" and frivilous films - I think we've all learned to put Bourdieu away). It is being leveled at less bombastic (even self-described as…
Watched in March 2011
An elderly shepherd living in a hilltop village in Italy spends his days tending to his goat herd among the rolling hills passing mounds used to make charcoal, before retiring to bed, drinking a strange powder which we can presume he takes for the hope of relieving some of the symptoms of his illness. Later we learn the powder is dust swept from the church, which he exchanges for goats milk.
As the village prepares for a parade for a saint, the shepherds dog harangues the locals who pass it, barking furiously and eventually causing a small van to crash into the goat pen letting the herd loose through the village as the dog strives to…
Michelangelo Frammartino does not consider himself to be a traditional filmmaker and on the evidence of Le Quattro Volte he is, if nothing else, a good judge of what is traditional. For this is a film devoid of dialogue or even a protagonist – Frammartino’s intention was to make a film that didn’t focus on people or indeed any one thing in particular. In this he has succeeded so the question only remains as to whether it succeeds as a spectacle, as entertainment.
The answer to that, perhaps surprisingly, is yes. At the start of the film, the focus is mainly on a human being, in this case an old goatherd. His idiosyncratic ways are matched by those of his…
There is sound, and the sound of conversation in the background, but no dialogue. Beautiful shots of Calabria. Reincarnation, charcoal making, and goats. Lots of goats. They were my favourite bit.
I clicked on the Netflix category called "Art-house Philosophical Dramas Featuring Many Goats and/or Sean Penn." There were only two films to choose from and I had already seen Terrence Malick's "TREE OF LIFE." I think this was a better film and I actually preferred Sean Penn's performance in this film as 'brown goat with white spots'.... captivating... you couldn't even tell it was him until the screaming...
I'm actually pretty excited about the upcoming American remake titled "GENESIS OF THE PLANET OF THE GOATS" directed by Christopher Nolan and starring Duane 'The Rock' Johnson as the goat-herder... It supposedly features a very stoic performance by mo-cap master, Andy Serkis as 'really tall tree'....
Really interesting work: a beautiful cinematography and some excellent scenes involving the goats (the one with the dog was absolutely brilliant!).
i watched this movie after reading the last line of a review here by Lise that said…"and i will never forget that goat"
& yes…i will also never forget her :'(
This review reportedly contains spoilers. I can handle the truth.
There are few scenes in cinema history that are more poignanat and impacting than watching the baby goat die alone, pitilessly separated from its mother, in Le Quattro Volte. Director Michelangelo Frammartino pulls no punches; he shows us life, in all it's cruel, perplexing beauty, and in this respect there can be no doubt that Le Quattro Volte is a brilliantly scripted masterpiece masquerading as a documentary. There is little dialogue to mislead the viewer from staring baldy at the truth, no lie the human tongue can produce to distract from the unavoidable fact; it's as though Frammartino gripped our heads firmly and turned them to watch the ceaseless, remorseless opera. In the end, describing Le Quattro Volte as 'brutal'…
An extraordinary achievement, intensely beautiful. The best film of 2010. A simple structure propels a timeless story of interconnectedness, birth, death and life.
The 2015 edition of the They Shoot Pictures, Don't They? 21st Century's Most Acclaimed Films list.
Incomplete data forced the…
The vote for Far From Afeghanistan is for the Travis Wilkerson's Fragments of Dissolution only.