A list of films directed by women, in alphabetical order by director. The notes show the director's country, name and…
When a couple decides to adopt a stray cat their perspective on life changes radically, literally altering the course of time and space and testing their faith in each other and themselves.
I am convinced that each and every one of us has this friend or acquaintance that tries too hard to be smart, different, hip, philosophical, intellectual, profound and unique. But they never are any of those things. What they are is annoying, pretentious, fake and shallow.
This film is that friend. And its family. And its circle of closest artsy fartsy friends. All wrapped up and stuffed in the body of a cat. A fucking talking cat. Oh, and a talking moon. Yep, the moon fucking talks as well.
I am amazed how anyone can be allowed to crap out a piece of pretentious, pointless shit as this. Hold on. Let me correct that. Shit has a purpose. It gets…
Whilst watching the latest quirky and oh so self-aware film from Miranda July, The Future, I unexpectedly put my foot through my television in a fit of uncontrollable rage. I feel it is irresponsible of Miss July not to provide an official notice with the film warning the audience that it may cause such unexpected reactions. I am now without a TV, nursing a sore foot and haunted by memories of her sickeningly smug movie.
No doubt she feels her work is clever, insightful, funny and full of profundity. However, I think she may have confused melancholic whimsy for deep insight or great universal truths. The film is narrated by a terminally ill cat. A fucking cat. If that in…
I've noticed something about myself. I tend to generate the most hatred for films I want to like, but can't. The films that have so much potential to be a favorite of mine, but I find them offensive and dangerous. Miranda July's The Future is in that special category. It induced so much rage that it took me a couple of days to see it for what it is. This is by no means the worst film I've ever seen... not even close. That doesn't stop me from hating it more than 99.9% of the films I've seen.
The Fucking Future is about a fucking annoying thirty five year old woman named Sophie who…
Tying a noose right now.
I chose to watch this out of curiosity after having read plenty of scathing reviews and seeing the trailer, which looked exactly like something I would deeply hate. So yes, expectations were low, but I still was not prepared for just how putrid Miranda July's The Future is. It's smug, cliché-ridden, pretentious mental masturbation of the most detestable kind. About five minutes in I had to pause and take a deep breath and 25 minutes later I stopped entirely and decided to go to bed before this shit-heap ruined what was otherwise a good day. I woke up knowing I had to finish it and, begrudgingly, I just did. I have to say it's really, truly as ghastly as people…
Profound in the sense that it made me realise life's too short to finish every movie you start. No star rating as I turned this shit off when I checked my watch to see if it was nearly over, to discover I was only 30 minutes in.
"and so it seems that we have..lived before..and laughed before... and loved before…but baby who knows where or when."
The Future has that melancholy charm, balancing a mundane portrayal of existence mixed with some dream-realism. The time-stopping and chat with the moon in particular are very Murakami-esque, but it's a nice meditation on what it means to age and a refreshing attitude to love.
...I enjoyed the cat's narration...
The half stars this film is receiving from many viewers here are more ridiculous than the film itself. The Future is funny and cute...and a bit ridiculous.
I don't take life serious enough to shit on Miranda July and her films.
Bem difícil de definir. O filme possui diversas facetas, que parecem que vão dar o tom do restante da história, mas que é completamente subvertido no momento seguinte. Se você procura um filme redondo, onde tudo faz sentido e a narrativa seja simples, fuja deste! Porém, se tiver interesse em poesia, confusão de emoções e detalhes que sugerem possibilidades, sinta-se em casa. Mesmo sem entender muito bem onde o filme queria me levar, ele está lotado de elementos que me tocaram profundamente. Discorrido entre dualismos – ocorrências e narração, lugar comum e universo fantástico –, o filme é lotado de diálogos extremamente simples, mas que sugerem situações incrivelmente surreais. Destaque para as interpretações e para o gato, que dá um charme tocante ao desenrolar da história.
- 20 Fingers
- Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles
- Almayer's Folly
- A Girl Walks Home Alone at Night
- Border Radio
- The Act of Killing
- To the Wonder
- The Dirties
- The Spectacular Now
Dear Letterboxd friends,
I love Letterboxd. I love the concept, the site, the community, the wealth of creativity it brings…
- FRED: The Movie
- My Sister's Keeper
- Extremely Loud & Incredibly Close
Who cares about your favourite 100 films when your most hated 100 is far more interesting and illuminating. If I…