• BlakeCrane

    ★★★½ Rewatched by BlakeCrane 03 May, 2013

    The slow burn is a little slower than I remember, and I don't think "The Grifters" has held up all that well.

    We don't get a real interplay of con artists conning each other, more just listening them talk about themselves and their situations without a lot of real interaction. The last half hour or so doesn't really shock as much as it just feels out of place and random.

    The score is great and performances are strong, but the sum of the parts don't add up to much substance. Still an okay watch for what it is.

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  • bbbgtoby

    ★★★★ Rewatched by bbbgtoby 30 Apr, 2013

    Easily the best adaptation from a Jim Thompson novel, this must be thanks to the combined stellar efforts of Donald Westlake, Stephen Frears, Martin Scorsese, John Cusack, Annette Bening and Anjelica Huston. A truly winning combination.

    The story stays true to Thompson, it is beyond dark, holding up a circus mirror to life that only reflects the ugly, uncomfortable and depressing and is peopled by conniving, back stabbing, selfish characters.

    There's a torture scene that has to be right up…

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  • Darryl

    ★★★ Added by Darryl

    The Grifters is an interesting picture on the art of... well, grifting. It has a great cast and a great story line but i feel it leaves you hanging without finalizing the story. Not all movies have to end in such a way, but i feel like The Grifters sort of misses this mark. Overall though, its a pretty decent film.

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  • Mitchell Beaupre

    ★★★½ Watched by Mitchell Beaupre 02 Feb, 2012

    Man, talk about a slow-burn. Going into The Grifters I was expecting a slick and quick-paced con thriller, but what I got was something much darker and much more absorbing. Director Stephen Frears, working off a script by Donald Westlake (adapted from the Jim Thompson novel) lets these characters get established before they start to bring us into the tangled web they are all weaving.

    Roy Dillon (John Cusack) is a con man pulling small jobs every day to slowly…

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  • Dave H.

    ★★ Watched by Dave H. 15 May, 2013

    I'm a big John Cusack fan, but I didn't appreciate this one at all. Maybe I wasn't in the right mood? Let's blame this one on me and give the movie, the benefit of the doubt.

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  • Mat Daniel

    ★★★½ Watched by Mat Daniel 16 May, 2013

    Nothing radical, but its sharp editing and direction serve the three leads well. The craft elements peak with the split-screen that introduces the characters, give or take that final descent.

    Cusack is an actor I've never had much use for, but he's largely convincing here, particularly when playing opposite Huston. Bening's part and performance initially feel limited, but our shifting perceptions highlight the layers she brings to the role. Huston is the star, though, shifting from calculating softness to steely…

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  • conalcochran

    ★★★★ Watched by conalcochran 10 May, 2013

    This review reportedly contains spoilers. I can handle the truth.

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  • Rachael Hauschild

    ★★★½ Added by Rachael Hauschild

    I'm having this quarter life crisis where I feel the need to watch John Cusack movies...

    With that being said, The Grifters did not disappoint. How can you go wrong with a cast like Anjelica Huston, John Cusack, and Annette Benning? They were all stellar.

    At first it was kind of hard to follow, but you picked up on lingo and what was going on fairly quickly. Definitely worth the watch!

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  • Keith Uhlich

    ★★★★ Rewatched by Keith Uhlich 27 Apr, 2013

    Long con—
    Cigar in mouth, glass in hand.
    The red and the black.

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  • Steve Dickson

    ★★★★★ Watched by Steve Dickson 07 Apr, 2013

    pretty damn good.

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  • Matt Taylor

    ★★★★ Watched by Matt Taylor 23 Mar, 2013

    With three strong performances and an intelligent script, "The Grifters" is an entertaining, unpredictable thriller.

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  • CINEMADHESIVE

    ★★½ Watched by CINEMADHESIVE 28 Jul, 2008

    (Quickie Review)

    I was highly disappointed in this 1990 crime-con film from director Stephen Frears and producer Martin Scorsese. Perhaps my love of Frears' "High Fidelity" had something to do with it. Many praise it, but I shall pan.

    The film has a very unusual pacing like Frears was trying to pull a Coen or Altman, yet wasn't nearly interesting nor good enough to keep my attention at all like their films do. It was almost like something I'd click…

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