The Hudsucker Proxy
1994 Directed by Joel Coen, Ethan Coen
Synopsis
They took him for a fall guy... but he threw them for a hoop.
When Waring Hudsucker, head of hugely successful Hudsucker Industries, commits suicide, his board of directors, led by Sidney Mussberger, comes up with a brilliant plan to make a lot of money: appoint a moron to run the company. When the stock falls low enough, Sidney and friends can buy it up for pennies on the dollar, take over the company, and restore its fortunes. They choose idealistic Norville Barnes, who just started in the mail room. Norville is whacky enough to drive any company to ruin, but soon, tough reporter Amy Archer smells a rat and begins an undercover investigation of Hudsucker Industries.
Cast
Popular reviews
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The frequent characterization of the Coen Brothers' movies as misanthropic is extremely misguided; while their characters are frequently dim or flat-out buffoonish, the brothers' attitude towards them is never condescending. Instead, they regard well-meaning screw-ups like H.I. McDunnough and Jeffrey Lebowski with wry affection. The villains in the Coens' universe are the cynics, charlatans and hypocrites, men in unearned positions of power who reside behind large, imposing desks. Their heroes are the dreamers and optimists, even (especially?) when they're not particularly bright.
This is especially clear in The Hudsucker Proxy, their Preston Sturges-esque comedy about Norville Barnes (Tim Robbins), a guy from the mail room who becomes the president of Hudsucker Industries after company chairman Waring Hudsucker (Charles Durning) jumps…
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The last film that I needed to see in order to have completed the Coen brothers entire works, The Hudsucker Proxy didn't fail to live up to the lofty expectations their successes have built up for me going into any new project of theirs. As my favorite American filmmakers, it was quite surreal watching this and knowing that it was the last possible new film of theirs that I could see until they release their next one, but thankfully Proxy was a delightfully charming satire that kept a smile on my face even as the characters were falling apart.
After the head of the massively successful Hudsucker Industries commits suicide by jumping out of the top floor of their monolithic…
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"No, I think it more likely that you were a gazelle, with long, graceful legs, gamboling through the underbrush. Perhaps we met once, a chance encounter in a forest glade. I must have been an antelope or an ibex. What times we must have had. Foraging together for sustenance, snorfling water from a forest stream, picking the grubs and burrs from one another's coats. Or perhaps we simply touched our horns briefly and went our separate ways."
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You know, for kids!
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Sam Raimi and the Coen Brothers are perfect bedfellows. This film is wonderfully imaginative, astoundingly hilarious and oddly heartfelt. An utter masterpiece.
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This is one of those films I can watch whenever it comes on one of the movie channels.
I think it captures the essence of a 30's comedy, with its rapid fire delivery, and incredible dialog.
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A thing I marvel at in the Coen Brothers' output is their mastery — especially given their work in the pre-digital age — of windblown objects. Tom Regan's hat is loaded with premonition, Jeffrey Lebowski's tumbleweed perhaps less so ... but the classifieds page that adheres to Norville Barnes' leg is an arrow aimed at the "imbecile" protagonist's future.
The film is so wholly Coenesque (with a writing and second-unit assist from Sam Raimi) that it almost feels like a hoop (sorry) they had to jump through — a box-office failure despite the fact, or perhaps because, it is entirely theirs. It contains all the markers of the brothers' style: Heroes (Tim Robbins' idea-man-turned corporate-patsy) who are far from in…
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You know...For kids!
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The comedies of the Coen Brothers are known for being a little...well, odd, and The Hudsucker Proxy is no exception. But it's really that screwball attitude that didn't work for me overall, and to be perfectly frank, it got kind of old and fast. I get what the Coens are going for with it, but this movie's brand of humor rarely ever made me laugh more than chuckle. The rest of the time, I was just pretty impassive about everything. Tim Robbins certainly gives it his all, but I thought both Paul Newman and Jennifer Jason Leigh were pretty bland. On the upside, though, the film's production design is fantastic. A lot of the time, I was more impressed by the sets than the story and actors. Overall, I found this to be quite a strange movie, but not in the enjoyable sense. Then again, look who's behind it.
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There's a lot of great stuff here, but it doesn't operate on the high level of the best Coen Brothers movies. Still, it's worth seeing, certainly if you like the Coen Brothers.
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The Cohens explore the importance of second chances and the great karmic circle of life with punchy dialouge in this satire of big business.
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Στο πρώτο τους εγχείρημα μετά το απόλυτο αριστούργημά τους (barton fink) τα αδέρφια επιχειρούν να μεταφέρουν τον σκηνοθετικό κόσμο τους σε μια ανάλαφρη κωμωδία διανθισμένη με χαρακτήρες-καρικατούρες και μια ολομέτωπη επίθεση στο new age αμερικάνικο επιχειρείν.Ο καταπληκτικός tim robbins δεν καταφέρνει όμως να καλύψει το μέτριον της όλης ιστορίας με απότέλεσμα το hudsucker να αποτελεί μία από τις πιο χαμηλότερες στιγμές των coen.
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fun
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The Joel Silver logo on this film seems somewhat out of place, but - to me at least - it also illustrates how Joel & Ethan Coen's humor transcends genres.
A big budgeted comedy, a large financial disappointment for Warners, Working Title and all involved 'The Hudsucker Proxy' now has (rightfully) been restored as a more than acceptable outing by the talented director/producer/writer/brother team. Tim Robbins expands on a role he has done many times over, the lovable schmoe that gets into trouble with his eyes open, and we buy it every time since Robbins does this kind of thing almost in his sleep.
Paul Newman is the one to watch here, having a dastardly good time as the shrewd businessman… -
Generally regarded as one of the Coens' few misfires, there's still a lot to love here - the amply demonstrated love of mid-century Manhattan skyscrapers, the ruthlessly fast-paced dialogue that makes Gilmore Girls sound like funeral doom, the characters that blow up inaccessibly specific types into caricatures so bent we might not even recognize what they're a caricature of. It's recognizably a Coens movie through and through, and a good pick for a movie to go to when you're a little worn out on their obvious classics.
The blu-ray kinda sucks though. Picture's fine, but it's bare-bones and expensive.