The Illusionist
2010 ‘L'Illusionniste’ Directed by Sylvain Chomet
Synopsis
The Illusionist is a 2010 British-French animated film directed by Sylvain Chomet. The film is based on an unproduced script that the French mime, director and actor Jacques Tati had written in 1956 as a personal letter to his estranged eldest daughter, Helga Marie-Jeanne Schiel. The plot revolves around a struggling illusionist who visits an isolated community and meets a young lady who is convinced that he is a real magician. The film is set in Scotland in the late 1950s.
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Nice, simple, amusing, gratifying and pleasant touch to old animation.
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You can certainly see how this was a story by Jacques Tati, although I think the medium of animation is more ideally suited to the story. In fact the medium of traditional animation seems to be made for this tale seeing as it is about somebody who is talented but ignored in an art form that is slowly losing its audience. As with all of Chomet's films it is exquisitely animated with lots of lovely little touches and nuances to the character animations. It feels quaint and filled with a longing sense of nostalgia but in a timeless way rather than becoming outdated.
The physical and slapstick comedy is never laugh out funny but it is still amusing enough to…
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A movie proving that image tells you more than words
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Film 47 of The December Project
I can't give this only one rating:4.5 stars, and also 3.
4.5 A beautiful bittersweet animation set in 1959 showing the other side of the magic of rock 'n' roll, an old magician struggling to get by.
The lead singer of one of the new bands was so well drawn I could almost imagine joining in with all the girls screaming for him, and the movement of other music hall acts, acrobats and ventriloquists, was conjured in a lovely fashion.Most of all, though, it's the places. The Scottish islands episode made me hanker for Whisky Galore and Monarch of the Glen. And Edinburgh in the remainder of the film is the best animated…
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It's not often that films make me cry. In fact, it's pretty rare. It's also very rare that I admit to them making me cry. Yet I'm willing to make an exception here.
L'Illusionniste is one of the most beautiful films I've ever seen. It's depiction of society reminds me of the neo-realists - and it's just as powerful as them. This film is very important to me, which I wont go into. The meaning of its importance however ties into the film's theme and overall message - the loss of innocence, the reality of the harshness of our world and the fact we can do nothing about it.
When the film finally ended and I got up, I thought of my life, the world around, our own mortality... And the fact we can't change that. I was in tears.
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Beautiful animation, charming story, and a great tribute to Jacques Tati.
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Zeggen dat wij een beetje verlekkerd uitkeken naar de nieuwste animatieparel van Sylvain Chomet is als zeggen dat Bart De Wever zich graag enig Latijns gebrabbel laat ontvallen. Chomets eersteling, 'Les triplettes de Belleville', was immers negentig minuten woordeloze klasse, animatie waardoor het hart verscheidene malen in de keel klopte en waarbij de weemoed in wolkjes door de cinemazaal leek te drijven. De cinema van Chomet is de cinema van de verwondering, animatie gefileerd van oeverloze franjes en gekscherende personages, zodat er enkel een bloedmooie geraffineerde parel overblijft. Dat is niet anders bij 'The illusionist', nu al met stip de mooiste en meest ontroerende animatiefilm van het jaar.
Niet toevallig vangt de film aan met een leeg podium. Het rode…
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This one is a movie for the mellow evenings, rain splattering beyond you steaming coffee mug. Magical, rain-drenched kaleidoscopes of Edinburgh and a simple, soulful story. The last 15 minutes of the movie cannot be appreciated only by words. Beautiful.
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Existential weeping.
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Such a sweat and touching film, every shot is amazingly crafted, and shaped well worth a look.
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Like The Triplets of Belleville, The Illusionist is a great film, with an engaging storyline and a nice visual style, and is proof that animation need not be “for kids”. Unlike The Triplets of Belleville, even though I think it’s great, I can’t recommend The Illuionist to absolutely everybody. It’s more of an art-house film than the other, and although it has a few flashes of laughter, it’s not a comedy; this is, for the most part, a very melancholy film. So it isn’t going to be to everybody’s tastes. But if you don’t mind a wistful homage to the entertainment of the past, this is a very well-crafted film. Read full review.
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Oscar-nominated for Best Animated Feature, this wistful tale follows the fading fortunes of aging illusionist Tatischeff , who’s forced to perform in obscure venues as his act is eclipsed by the growing popularity of rock bands. He gets an emotional lift, though, from a wide-eyed girl named Alice, who thinks he possesses magic powers. But Tatischeff’s “sleight of hand” efforts to impress her with expensive gifts may lead to his financial undoing. (Netflix)
I could watch films like THE ILLUSIONIST all day long.
Possibly my favorite piece of animated cinema is the first half of Wall-E. While not as fantastical or imaginative as those 40-or-so minutes, THE ILLUSIONIST gave me that same feeling of wonder and wide-eyed awe throughout its…
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A beautifully animated tale of friendship, The Illusionist is touching, funny, and an artistic triumph.
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This review reportedly contains spoilers. I can handle the truth.
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Such a great and moving film. This films shows you that there can still be life after the jobs we think rule our lives are over whether it is because we got fired or can't cut it anymore do to the jobs not being relevant and really it is about a person starting the second act of their lives and rather than letting the past stop them, we move on and continue with out lives. I feel that this film is really moving to me and it will surely move others too not just with the great animation but the great writting for the character despite how little he actually says. It also doesn't shy from the negative things associated…