Every film that has ever been nominated for an Academy Award in any category. Enjoy!
The Last Samurai
In the face of an enemy, in the Heart of One Man, Lies the Soul of a Warrior.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare -- in this lush epic set in the 1870s, which finds Algren learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
Quite sound in its portrayal of old Japanese customs, traditions & way of life, nicely written by Zwick, convincingly performed by the cast, impressive work by the crew & featuring stunning music by Hans Zimmer, The Last Samurai is a tale of romanticism vs modernism, purity vs corruption & a conflict of two different cultures.
Although director Edward Zwick's research of Japanese history, culture, customs, traditions & accent is impressive, the plot could've made a greater impact than it did for the movie wasn't as emotionally investing as I expected. The camera work is really good, both in the battle scenes & in picturing the westernization of 19th century Japan. The landscapes are beautifully photographed & traditions effectively captured. The movie keeps a good pace throughout…
Edward Zwick is one of the most under-rated directors out there, but I don't feel this is entirely representative of his best work. Not to say it isn't a damn good film (it is), but it's plainly obvious that Hollywood had their hands on this.
The tone is inconsistent. One minute, there's a standard, generic Hollywood action scene, shot the same way all standard, generic Hollywood action scenes are shot. The next minute, however, is a very calm, still, introspective montage taken straight from Terrence Malick's playbook. If the movie was either a drama or an action film instead of trying to be both, I think it would have more of an identity. The pandering to the lowest-common-denominator viewer played…
The honour and code of the samurai has always been enticing to a Western civilisation that is far removed from such customs, which perhaps makes The Last Samurai such an enticing, enigmatic film. Edward Zwick crafts quite an epic adventure rich in mythology & thematic resonance that while traditionally Hollywood in its construction still manages to exist a cut above many such movies of its ilk, a touch of class surrounding how the story of Captain Nathan Algren is put together, based as it is on several real life legendary American figures who played key roles in the Satsuma Rebellion in Japan during the late 19th century. This isn't a direct re-telling of those events but serves as a leaping off…
Edward Zwick is another great director I admire due to his stunning directing and epic films he brings along.
Wasn't really expecting much but impressed by the end.
Finally Tom Cruise actually had a role that you forget its him from the first 10mins, which makes you care about the character but the real star of this film is Ken Watanabe. Ken does an amazing job of playing Katsumoto and if it wasn't for this role I believe we wouldn't had seen him playing Ra's Al Ghul in Batman Begins.
The film carries a hefty 2 and a half hours but it didn't feel like it so don't be put off with the time (like I did).
Edward Zwick knows how to shoot a battle sequence. Anyone who has seen Glory will know what I mean and he continued that thrilling energetic approach with this Eastern set epic.
Tom Cruise's borderline alcoholic US Cavalry Captain is in Japan to train their army in Western military tactics and help crush a rebellion by the Samurai. More than just a war film this takes a simple but effective look at Japan's attempt to Westernize it's military back in the late 19th century. Shifting away from traditional values and being tempted by the evils of the West, this is a touch patronizing in some of its rhetoric.
When Cruise leads an under-prepared fledgling army against Watanabe's Samurai, they are slaughtered…
Though I'm not normally a huge fan of samurai or war films, this had Ken Watanabe and Tom Cruise. So I had to see it.
Hans Zimmer's score is splendid all the way throughout the film, and the music used in the final fight scenes reminds me of the score for The Dark Knight Rises. The dialogue is, while cheesy, decently entertaining, and Watanabe and Cruise are of course excellent.
The cinematography is splendid in the fight scenes, and really rather good in other areas (the thing is I'm trying to set higher standards for cinematography, so truly, 3.5 is the appropriate score).
The finale of the film is tremendous and eye-catching, incredibly well done (apart from some cheesy dialogue).
The Last Samurai, while not incredibly memorable or deeply moving, and while having several cliches, still is an entertaining, well acted and produced film .
This film was not filmed in Japan. Enough said.
The Last Samurai reuses every idea about the virtue of ancient cultures and their inevitable violation by the West that's been in everything from Pocahontas to the Last of the Mohicans. Mix in a little historical remorse and vilification of capitalism and you got a pretty potent white-guilt cocktail.
It's hard not to be drawn in by the romanticism of it all though. There's some hit and miss fight choreography like in any movie where two hordes are fighting each other. The score is pretty great, and Cruise and Watanabe are fantastic as always.
This was such a good movie. I was not expecting it to be this good to be honest.
The historical epic has always been a genre of familiarity, with most films falling into the same kind of battles and thrills. It's struggle to create a film that is unique and breaks genre cliches. The Last Samurai puts up a good fight in it's struggle.
Telling the story of American Captain Nathan Algren and his relations with the dying Samurai culture in a modernizing 19th century Japan, The Last Samurai is mostly limited by it's plot. The film bears similarity to films like Dances with Wolves and Braveheart in it's obedience to genre traditions. But for the most part the story is always engaging and told with emotional resonance.
This can likely be attributed to Director Edward Zwick and…
'Dances with Wolves' (with Samurai).
Intentando que la reseña no se convierta en una lección de historia barata la trama está basada hasta cierto punto en la Rebelión Satsuma liderada por Saigo Takamori (Considerado históricamente como el verdadero Último Samurai) en 1877, la cual tenía como fin derrocar al gobierno Meiji y liberar al emperador de lo que los samurais consideraban una corte de consejeros corruptos y equivocados con respecto a las decisiones que empezaban a formar el futuro próximo de Japón en una época de cambios culturales, políticos y tecnológicos acelerados. Dicha rebelión fue devastada por las fuerzas imperiales y marcó oficialmente el final de los samurais en una era de transición que simplemente ya no tenía lugar para ellos en el futuro a…
"I think a man does what he can, until his destiny is revealed."
The Last Samurai is ultimately a film about destiny and fate, which is a difficult theme to tackle. Portrayed to be a film purely about Samurai fight scenes, it goes above and beyond that. A thicker plot about isolation within an alien culture adds to the whole story, also with underlining plots of romance, war, revenge and loyalty. A clashing of two worlds and cultures makes for interesting drama and ultimately a brilliant piece of cinema. I feel that this film portrays a very interesting twist on action and drama within modern cinema.
Also Tom Cruise didn't make me want to pull me own hair out in…
Man vienmēr ļoti interesantas, aizraujošas, izzinošas likušās lietas, kuras saistītas ar japāņu karavīru, samuraju goda kodeksiem, ētikas normām, morāles vērtībām. Ja es dzīvotu vairāk kā vienu dzīvi, tad noteikti izpētītu un censtos dziļi iepazīt viņu kultūru.
Brīnos, kādēļ līdz šim nebiju redzējis šo ļoti profesionāli, aizrautīgi veidoto darbu.
Labāk, protams, vēlu nekā nekad. Ļoti saturīgs, interesants stāsts par samurajiem, godu, grēku izpirkšanu, sevis meklēšanu, mainot savas vērtības, domas un aizspriedumus.
Nemelošu, filma trāpīja pa manām dvēseles stīgām un ļoti uzrunāja, ka tā paskrēja vienā elpas vilcienā. Aktierdarbi lielākoties bija teicami, mūzika pacilājoša, skaista, tīra, ka filmai iedeva vajadzīgo noskaņu. Filmas mākslinieciskais noformējums arī ļoti skaists un izteiksmīgs.
Aizrautīga, skaista, aizkustinoša, pacilājoša filma. Acis man bija nosvīdušas, kā noprotat. :)
This was a surprisingly good film for me. I wasn't expecting much, but I ended up very much engaged in the film, the traditions and cultures clashing, and the characters involved. The film is 2.5 hours long, which seemed a bit excessive at first. But it goes by quite fast, and you'll be in the last act before you realize it.
The camera work is solid and serviceable. Not quite mind-blowing or revolutionary, but the film is appealing and in most cases, does a great job showing the expansive environments. And the fight scenes are well done as well.
Lastly, the film's two rock-solid pillars. Tom Cruise and Ken Watanabe. Both are exceptional actors, and they hold up the film excellently. Additionally, they play off each other very well, and their scenes are the best in the film.
- The Racket
- 7th Heaven
- Sunrise: A Song of Two Humans
- Chang: A Drama of the Wilderness
- Pulp Fiction
- Fight Club
- Blade Runner
- The Big Lebowski
- The Lord of the Rings: The Fellowship of…
- Singin' in the Rain
- Butch Cassidy and the Sundance Kid
- All the President's Men
- The Godfather
My top 10%.
This is my favorite 10% of all the films I've seen. It only took 6 months of…