Every film that has ever been nominated for an Academy Award in any category. Enjoy!
The Last Samurai
In the face of an enemy, in the Heart of One Man, Lies the Soul of a Warrior.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare -- in this lush epic set in the 1870s, which finds Algren learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
Quite sound in its portrayal of old Japanese customs, traditions & way of life, nicely written by Zwick, convincingly performed by the cast, impressive work by the crew & featuring stunning music by Hans Zimmer, The Last Samurai is a tale of romanticism vs modernism, purity vs corruption & a conflict of two different cultures.
Although director Edward Zwick's research of Japanese history, culture, customs, traditions & accent is impressive, the plot could've made a greater impact than it did for the movie wasn't as emotionally investing as I expected. The camera work is really good, both in the battle scenes & in picturing the westernization of 19th century Japan. The landscapes are beautifully photographed & traditions effectively captured. The movie keeps a good pace throughout…
Edward Zwick is one of the most under-rated directors out there, but I don't feel this is entirely representative of his best work. Not to say it isn't a damn good film (it is), but it's plainly obvious that Hollywood had their hands on this.
The tone is inconsistent. One minute, there's a standard, generic Hollywood action scene, shot the same way all standard, generic Hollywood action scenes are shot. The next minute, however, is a very calm, still, introspective montage taken straight from Terrence Malick's playbook. If the movie was either a drama or an action film instead of trying to be both, I think it would have more of an identity. The pandering to the lowest-common-denominator viewer played…
The honour and code of the samurai has always been enticing to a Western civilisation that is far removed from such customs, which perhaps makes The Last Samurai such an enticing, enigmatic film. Edward Zwick crafts quite an epic adventure rich in mythology & thematic resonance that while traditionally Hollywood in its construction still manages to exist a cut above many such movies of its ilk, a touch of class surrounding how the story of Captain Nathan Algren is put together, based as it is on several real life legendary American figures who played key roles in the Satsuma Rebellion in Japan during the late 19th century. This isn't a direct re-telling of those events but serves as a leaping off…
Edward Zwick is another great director I admire due to his stunning directing and epic films he brings along.
Wasn't really expecting much but impressed by the end.
Finally Tom Cruise actually had a role that you forget its him from the first 10mins, which makes you care about the character but the real star of this film is Ken Watanabe. Ken does an amazing job of playing Katsumoto and if it wasn't for this role I believe we wouldn't had seen him playing Ra's Al Ghul in Batman Begins.
The film carries a hefty 2 and a half hours but it didn't feel like it so don't be put off with the time (like I did).
Though I'm not normally a huge fan of samurai or war films, this had Ken Watanabe and Tom Cruise. So I had to see it.
Hans Zimmer's score is splendid all the way throughout the film, and the music used in the final fight scenes reminds me of the score for The Dark Knight Rises. The dialogue is, while cheesy, decently entertaining, and Watanabe and Cruise are of course excellent.
The cinematography is splendid in the fight scenes, and really rather good in other areas (the thing is I'm trying to set higher standards for cinematography, so truly, 3.5 is the appropriate score).
The finale of the film is tremendous and eye-catching, incredibly well done (apart from some cheesy dialogue).
The Last Samurai, while not incredibly memorable or deeply moving, and while having several cliches, still is an entertaining, well acted and produced film .
Edward Zwick knows how to shoot a battle sequence. Anyone who has seen Glory will know what I mean and he continued that thrilling energetic approach with this Eastern set epic.
Tom Cruise's borderline alcoholic US Cavalry Captain is in Japan to train their army in Western military tactics and help crush a rebellion by the Samurai. More than just a war film this takes a simple but effective look at Japan's attempt to Westernize it's military back in the late 19th century. Shifting away from traditional values and being tempted by the evils of the West, this is a touch patronizing in some of its rhetoric.
When Cruise leads an under-prepared fledgling army against Watanabe's Samurai, they are slaughtered…
Koyuki is seriously great in this.
Pretty long movie.
Thou it drags at certain points it's still superb saga of a Yankee in Samurai village. When I saw this at a local theater, back in 2003. I thought "Wow, I didn't think Tom Cruise can act". From then on he got only better and better. For you who haven't seen this one, please do. And then see 13 ASSASSINS and then SEVEN SAMURAI.
Unfortunately its hard to take Tom Cruise seriously in this movie
Um filme muito bom, adorei a história, mostrou o que é ser um samurai, os deveres, as obrigações, as mortes honradas!
Não sou fã do Tom Cruise mas neste filme ele actuou muito bem, conseguiu transparecer os sentimentos todos que eram necessários!
This review reportedly contains spoilers. I can handle the truth.
I remember being enchanted by this movie when I saw it in theaters at the age of 12, then feeling unhappy over the years when I discovered that few shared my enthusiasm for it. Watching it again, though, I realize that my 12-year old self was right all along: This is still a pretty solid movie, and it has aged well.
Sure, there's a scene or too that drags, and we have to suspend our disbelief at times (Cruise survives at the end while everyone else dies; the little kid whose father Cruise killed takes an unusual liking to him anyway), but ultimately, this movie has all the materials needed for a great film, and thus, it qualifies: an engaging…
This was excellent. The story is not original and has been copied many times since. However it is done well and is a great look at Samurai. It is heavy handed but deep and well done. Looks at more the corruption of people not just Americans. Does make sure to work in our mistreatment of Indians. A bit of an Oscar bait. For this kind of Movie as high as I would go.
This is almost surreal. And not in a good way.
The Last Samurai – Revisited
I first watched Ed Zwick’s The Last Samurai in the winter of 2003. I was 18, a freshman at a college that I would soon transfer out of and still in the development stages of my cinephilia. As a big (and still current) fan of Braveheart and Gladiator I was a big fan of The Last Samurai when it was first released. It had action, decapitation, cool fight choreography, a pretty engaging story, everything I was looking for. I saw it three times in theaters and watched it on DVD a few more times after that. Over the years however I watched other movies. Seven Samurai was the obvious starting point. Ran, Yojimbo, The Samurai…
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