The Naked City
1948 Directed by Jules Dassin
Synopsis
The soul of a city. Her glory stripped! Her passion bared!
The Naked City portrays the police investigation that follows the murder of a young model. A veteran cop is placed in charge of the case and he sets about, with the help of other beat cops and detectives, finding the girl's killer.
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There are eight million stories in the naked city. This has been one of them.
-Mark HellingerThe Naked City is a police procedural noir film that is directed by Jules Dassin with an almost documentary style visual with outstanding cinematography by William H. Daniels centered on a fantastic character performance by Barry Fitzgerald. This near masterpiece in the genre is almost ruined however by an unnecessary and intrusive narration by the film's producer.
I feel bad saying this, as producer Mark Hellinger considered this his love letter to New York City and passed away before it's release, but his narration almost ruined the entire experience for me. He doesn't narrate the film as a character or even an unknown…
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This movie is something of an oxymoron. It cares deeply about the mechanics of a police investigation yet makes frequent tangents to things unrelated to the case. But both of those things are what make this film so unique in the crime/police genre. And all of it is tied together with an omniscient voiceover that adds yet another distinctive quality to the film. The epilogue is one of the all-time best in cinema.
I won't say New York City is the main character in the film but it certainly is the focus. Dassin shoots it all on location: from hot, musty offices in Downtown Manhattan to the top of the Williamsburg Bridge. The film almost doubles as documentary of what…
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A really good looking procedural that benefits tremendously from on-location shooting. New York City appears idyllic and dreamlike, filmed in its natural 40s environment. Photographer William H. Daniels deservedly won an Oscar for his beautiful, classically composed cinematography. It is the first reason to see The Naked City. The second is to watch the unfolding of the murder case with its episodic nature of collecting information, influential to filmmakers like Alan J. Pakula or later with David Fincher. The story's easy to follow with the help of the smooth voice of a nameless narrator. The developments play realistic to the period, pull no punches and are above all quite informative in conveying 60+ year old investigating where tons of leg work and man power took precedent in an age before computers.
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The Naked City represents everything that is great about the film noir subgenre. As it says it the closing lines spoken by Mark Hellinger, who provides us with near-constant narration (as well as working as producer) that examines the drama at hand as well as remarking various underlying qualities, the film follows one of a million stories of its kind in New York City.
Opening similarly with Hellinger's affectionately critical descriptions of the titular city that is immediately followed by the brutal murder of a model, Jean Dexter, in middle of the night - as well as the equally nasty murder of the weaker-minded of the criminals by the stronger one. A deliciously immoral start to a cynical film. The…
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I wanted to give this a 3.5 but the last 20 minutes were too good to look past. Though the plot is pretty great, it has too much poor acting and stilted dialogue to make the first half work as well as it should have. The trademark narration added a lot of character to the film, while some of the attempts at making the movie feel like a world captured on film (the thoughts of the average person on the street, mostly) came across as unnecessary and awkward. But god damn if that ending wasn't riveting
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This film is hard to describe.
On one hand it's a police procedural movie with echoes of film noir... but it is also kind of a comedy. The narration is from the perspective of the film's producer, telling you about the film while you watch it - kind of like a documentary. People on this site seem to complain about this aspect, but I found the narration to be original and kept the pace going as the film alternates between goofy and serious.
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@Camdun_Roar: The precursor to all procedurals. The CSI work of the time was cool but I could have done without all the voice over 7.5/10
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Pretty entertaining genre film, with unforgettable moments in the noir tradition.
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There are eight million stories in the naked city. This has been one of them.
-Mark HellingerThe Naked City is a police procedural noir film that is directed by Jules Dassin with an almost documentary style visual with outstanding cinematography by William H. Daniels centered on a fantastic character performance by Barry Fitzgerald. This near masterpiece in the genre is almost ruined however by an unnecessary and intrusive narration by the film's producer.
I feel bad saying this, as producer Mark Hellinger considered this his love letter to New York City and passed away before it's release, but his narration almost ruined the entire experience for me. He doesn't narrate the film as a character or even an unknown…
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What a peculiar movie. At first the narration kept me disconnected and the acting was bad or just too goofy in tone. But the confidently consistent style kept growing until I was completely swept away by the end. Having the narrator talk to the characters shouldn't work, and it's possible the movie had been better off without it, but it helps set the mundane tone for the police investigation as just another day in the Big Apple.
The on-location scenes all across New York are great in adding to that tone and give the story some roots. The story itself could take place anywhere (as evidenced in the game L.A. Noire), but here it seems as much a story about the city as it is about the characters.
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The Naked City deserves to be remembered for its groundbreaking on-location shooting, which makes New York City and its inhabitants the main characters, but man, is it a product of its time. It's a fairly boilerplate detective story which moves along at a glacial pace and tries way too hard to be funny. I'll admit I was expecting a hard-boiled noir, so I was more than a little surprised that this turned out to be a standard studio picture. The fact that it does so often try to be funny speaks to its matter-of-fact tone, though, which is one of its strong points; murder is a terrible thing, but hey, this is just another day in the life of a…
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This has been on my Netflix queue for months now, and finally I decided to watch it. I was surprised to find how fun and entertaining it was. I expected a grimy noir and instead got this humorous investigation. Although the investigation is the main focus of this movie, the city often takes the attention as this is filmed on location. It portrays many of the faces of New York City. The investigation weaves itself throughout the city as new people and location are brought into play; all of it headed by a witty and very likable detective. The cast was either good or bad. Some of the dialogue was badly written, and some of the actors were bad or not even really actors to begin with. Often I think narrators are annoying, but this one complements the simple story well.
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This review reportedly contains spoilers. I can handle the truth.
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Pretty movie, but the narrator takes away from it. Still enjoyable story and characters.
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There is something refreshing about a police procedural from 1948 shot entirely on location (well not entirely true, as there are some rear projection shots). You get this rare opportunity to see what New York really looked like in the late 40's which is great because the city plays a very important part in this film. Sure, the main focus is aimed at a particular murder case, but we also get to see what's around the case - people from different social classes doing their thing and that is the reason why this movie left a big impression on me. You can clearly see how this movie influenced many future filmmakers and TV producers.
Now I have seen six movies directed by Jules Dassin and he hasn't disappointed me yet.