Every film from Roger Ebert's "Great Movies" essays.
The Seventh Seal
Ingmar Bergmann’s masterpiece film about confronting death. Death comes to a knight upon his arrival from battle and attempts to take him away. The knight challenges Death to a chess match as the people around them are haunted by the plague. The Seventh Seal comes from a riddle about crusaders who arrive home after a few years to find their people affected by the plague.
The Seventh Seal was surprisingly more witty than I expected it to be, but even if it can be quite fun at times (I even laughed at several occasions), it's tone can suddenly change into a more serious one in just a few seconds, without feeling tonally inconsistent. Everyone in the film is constantly surrounded by death in some way. It of course takes place during the Black Death, where death was present everywhere. The one who probably deals the most with death, and even directly with the embodiment of death itself, is Max Von Sydow's character. He tries to deal with his fear of death, and in the very first scene of the movie, Death comes to take him,…
My first Bergman feature and it proved to be quite an intriguing one. The Seventh Seal poses some of the most pertinent questions known to mankind and that too in a very bare and straight out manner.
It tells the story of Antonious Block, a knight who is returning home after the crusades. He meets Death and challenges him to play a game of chess with him and in turn buys time of respite to reach home and meet his love. The film is a journey toward Block's home, his unending quest to know whether God really exists or not, and his meetings with people of multifarious kinds.
The film is filled with intelligent and contemplative dialogue of both kinds,…
Much like Chaucer's Canterbury Tales, The Seventh Seal offers a cross section of Mediaeval life and while doing so it comments on our race, faith and life.
I don't know much about Bergman, but this feels like a personal exploration of an artist trying to figure out how he relates to God, the afterlife and his own mortality. Bergman does this by constructing a deeply philosophical allegory composed of classic iconic imagery and intelligent, contemplative dialogue.
In the Knight we find a man desperately clinging to life. Not because he is afraid to die, but because he needs answers. In a plague infested world he needs to understand why his God is silent. To buy time he challenges Death to…
''I met Death today. We are playing chess.''
Ingmar Bergman's 1957 hallowed masterpiece The Seventh Seal seems to exist in a pantheon of cinema greatness that is universally adored and cherished, with it's iconic symbolism and imagery imprinted on the minds and hearts of Cinephiles across all matter of time and space. As I ventured into my third viewing (the first in more than ten years), I was curious to discover whether the acclaim was still warranted, of which the answer was unequivocally 'Yes'.
I recently saw mentioned that Bergman's film Winter Light (made five years after this), is a modern retelling of the same themes in many ways, which is very astute considering what we know of the revered…
My Great Uncle Jim, may he rest in peace, used to sit next to me at the dinner table every Thanksgiving and ask me "Hey Scott, seen any good movies lately?". Whatever I answered, if it was a film made after 1980 he would immediately show his disinterest and say "They just don't make em' like they used to", and I would roll my eyes and continue eating my dry turkey and canned cranberry sauce. I couldn't help but think of him while watching The Seventh Seal for the first time (that's right, first time, wanna fight about it?).
They really don't make films like The Seventh Seal anymore. At least, if they do, I certainly am missing out on…
Danse Macabre and the philosophical questions of life at the verge of death. The Seventh Seal is the film that put Bergman on the map as a force to be reckon with in the world of cinema. Despite gaining much praise from his previous film Smiles of a Summer Night from the year before it was this film which won the Special Jury Prize at Cannes that set him on the path to iconic status among film critics. This is very much the truth with the film being Bergman's first of many masterpieces of filmmaking to come.
What makes The Seventh Seal on top of the elite is how Bergman works with such smaller scale production values, few locations and…
Not my kind of movie.
The final image of this film is one of the most profoundly haunting and debilitating of any I have ever seen, and I will remember it for the rest of my life.
A masterpiece by great Bergman. It searches the meaning of human life by putting it near death, brightening this contrast. religion, faith, doubt. Film jump into this matters with mindful cinematic eye & shows us complex encounters with them that had happened for everyone of us.
My first film from greatly respected director, Ingmar Bergman, was an odd experience. Perhaps I was simply caught of guard by Bergman's style of filmmaking. The Seventh Seal is a strange film to say the least. It has a very intriguing premise (playing a game of chess with death!), but the films execution was a bit off for me. In my opinion the apex of that premise was never reached making the film a bit underwhelming. Overall it was still very good, with moments of greatness scattered throughout. 8/10
Bergman's timeless movie about the meaning of life and the fear of death. Great cinematography and memorable scenes...Even better as time goes by.
My favourite Bergman film. Funny, sad, social commentary and almost perfect!
I can say nothing new. It's great. Use as a gateway film to art house cinema if Rashomon is not appealing.
Saw this at Sands with mum.
One of the greatest films of all time.
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- The Great Train Robbery
- The Birth of a Nation
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All the films from all the editions, including those subsequently removed, presently totalling 1154. An easy way of seeing how…
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- The Godfather: Part II
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