Recently, I've become aware that certain films are able to transcend the medium by being completely self-assured in their atmospheres…
The Straight Story
"The Straight Story" chronicles a trip made by 73-year-old Alvin Straight from Laurens, Iowa, to Mt. Zion, Wisconsin, in 1994 while riding a lawn mower. The man undertook his strange journey to mend his relationship with his ill, estranged, 75-year-old brother Lyle.
There are twelve levels of cinematic emotionality. It goes like this, in order from least serious to holy shit bro, stop crying:
1. A slight clenching in the throat and behind the eyes.
2. Eye moisture.
3. Greater amounts of eye moisture.
4. Actual, honest-to-god, mobile tears.
5. Tears accompanied by a trembling of the lip.
6. So many tears that it becomes difficult to see.
7. Repressed whimpers.
9. Loud whimpers.
10. Full on bawling.
11. The Straight Story.
12. Shitting yourself to death.
Only three movie scenes in my life have ever actually made me cry. And when I say cry, I mean CRY. Like cry cry. I "cry" during movies all the time. But I…
Angelo Badalamenti's score swells with pure emotion. Similar to another brilliant and beautiful story, Paris, Texas, (there's way too many commas there) this is about a man on the path to redemption. Similar to that movie, this is a pure mannered, unmelodramatic weeper.
Little by little, this curious man is unpacked like a Russian doll. Across Iowa to Wisconsin, cornfields galore on his small lawn mower, we're truly in the midwest. And as the film unfolds, we're confronted with a man whose crippled old frame belies his brutal past: a past of war and alcoholism and brotherly love and loss and children reared amidst violence and tempers. It's almost unbearably close to home.
I think Forrest's stellar review sums it…
Film #89 of Project 90
”I'd give each one of 'em a stick and, one for each one of 'em, then I'd say, 'You break that.' Course they could real easy. Then I'd say, 'Tie them sticks in a bundle and try to break that.' Course they couldn't. Then I'd say, "That bundle... that's family."
David Lynch is famous for his mind-bending and surreal style and his special way of mixing reality and dream which eventually leads to nightmarish and perplexing experiences, but with this he shows that he has the ability to move out of his comfort zone and deliver something even more fascinating, and more amazingly he doesn't need anything special, just give him a stubborn old man…
Is it possible to give a film seven stars on here? Because it should be.
Fuck off, "Magnolia", this is my favorite movie now. Why? Because David Lynch. Because Richard Farnsworth. Because Angelo Badalamenti. Because Harry Dean Stanton. Because Sissy Spacek. Because dat soundtrack. Because dat emotion. Because dat "that's family" speech. Because dat fucking ending, holy shit.
THIS is how to make a movie, people. It's slow-moving but not boring. It's intensely emotional without being sappy or sentimental. It's well-directed, well-edited, and brilliantly acted. Richard Farnsworth deserves an enchanted longsword for the performance he gives here. My god. His face is like some sort of ever-changing, capricious elven forest. His face is like a "Magic: The Gathering" card.…
It is sometimes easy to forget what a versatile director Lynch really is as he lately only deals in vagueness and weirdness. The Straight Story is a gentle reminder of what Lynch is also capable of. Delving into a character and placing him into the real world through us, his viewers.
The title is far from a clever play on words but its ambiguity serves the film really well as this really is a simple story told in the straightest way imaginable by a director who can find the realness in a performance and a character, be they big or small. Just look at the faces of the people our hero encounters, they are real people, heck, look at our…
I've been going through some major life changes recently. I'm attending college, I'm becoming a full-fledged adult, and, for maybe the first time ever, I feel genuinely happy. I feel content and optimistic and hopeful about my life and the direction in which it's going. But there's one event that definitely takes the cake in terms of amazingness.
If any of you have been following me for long enough, you might remember an earlier review I did for this film. In it, I described how THE STRAIGHT STORY had become my inspiration for reconnecting with a friend who I treated like dogshit. Well, your long wait of bated breath is finally over, because I am here to tell you that…
I’ve always liked Richard Farnsworth; this is a nice little story, and a solid epitaph for the grey fox. Not a thrill ride – it moves about as fast as his riding mower –but definitely a charmer.
Never wanted to hug an old man so much in my life.
This is one of my favorite movies. It's one of the most American movies I know of. Beautifully shot and meaningfully acted. A really terrific script built from a bizarre real life story.
Lynch's only U certificate movie is a real heart warmer. I watched it with my Son this time, and for the most part he enjoyed it. Admittedly, it doesn't have much action to keep the average 7 year old completely hooked, but he followed the story and laughed out loud on various occasions. It was only near the end that he waned a bit.
It'll be a while until he watches any more Lynch; but he's made a good start.
What a fucking beautiful film. Absolute beauty
What the he*k David Lynch?
Probably the most relaxing film I've ever seen... The Straight Story pays tribute to one mans remarkable adventure of redemption... You'd have to hate life not to enjoy this!
Very understated work from David Lynch with even more powerfully understated performances. In a narrative sense not much happens in this movie based on a true story but for the character's so much does. Not being bound by his usual techniques and aesthetics Lynch creates something that's rather nice and pleasant though it's not as atmospherically engaging as his other works.
Se suele decir que "Una historia verdadera" (título espaniol olé olé) es una película de Lynch ideal para toda aquella gente a la que no le gusta Lynch; y es cierto, ahora veremos por qué. Sin embargo, yo voy un paso más allá y digo que es una película ideal para toda la gente a la que no le gusta pararse a pensar un poquito en la vida y darse cuenta de que a menudo es limitada e insulsa.
En pocas palabras, es una película preciosa, y lo es precisamente porque es sencilla y costumbrista. Es verdad, no huele al Lynch surrealista, muchas veces onírico y siempre esotérico al que estamos acostumbrados -y que a mí me encanta, ojo-, pero…
Every film that has ever been nominated for an Academy Award in any category. Enjoy!
Originally a list made prior to Cannes 2014.
This is every Palme d'Or nominee since the festival began in 1946.…