Every film that has ever been nominated for an Academy Award in any category. Enjoy!
The Thomas Crown Affair
He was young, handsome, a millionaire - and he'd just pulled off the perfect crime! She was young, beautiful, a super sleuth - sent to investigate it!
The young businessman Thomas Crown is bored and decides to plan a robbery and assigns a professional agent with the right information to the job. However Crown is soon betrayed yet cannot blow his cover because he’s in love.
The opening twenty minutes of the film seem to promise a stylish, smartly constructed thriller, filled with suavely dressed guys in suits slickly out manoeuvring the law. Of course Steve McQueen is the smoothest looking of them all, the playboy ring leader who plans it all from his ivory tower and sits back to count the cool $2.5m once it is time to collect.
McQueen is cast as the perfect little Action Man figure, beautifully photographed and dressed in the latest summer/spring collection from 68. It's McQueen in a suit, McQueen in a jumper, in a sailing jacket, riding a glider, on a horse, shooting along the sandy beeches in his little red buggy. We all know the man looks…
Do you play?
One of those times where I'm ashamed to admit that I've watched the remake, possibly several times, before ever seeing the original. To be fair The Thomas Crown Affair is more cult then classic as it was only moderately successful with mixed critical reviews though.
It's easy to figure out where the mixed reviews come from as the film is clearly a case of style over substance, arguably a dated style, but damn it what style! From it's over use of split screens, to making me believe that Faye Dunaway is in fact the most attractive woman on the face of the planet in her introduction to somehow making a chess game seem like the…
I started The Thomas Crown Affair expecting very little. I didn't really know too much about it, except that it starred Steve McQueen (who I'd never seen in a film) and Faye Dunaway (who I enjoy). From the very first few moments of the film, all hopes of a good experience were dashed.
The film opens with the robbery of a Boston bank, orchestrated by millionaire Thomas Crown (Steve McQueen). This sequence is aided by a series of split screens which serve little but to make it all rather confusing.
He seems to get away with the crime, but Vicki Anderson (Faye Dunaway), the most stylish and attractive insurance investigator to have ever lived, is on to him.
So much talent in this production.
Steve McQueen, Faye Dunaway, Norman Jewison, Hal Ashby, and Haskell Wexler just to name a few.
This is a VERY late 60's / early 70's film, but not too much in a bad way. There are a few scenes with McQueen in a dune buggy that reminded me of THE MECHANIC (not in a good way), but the score is totally of its time. The fashion is immediately identifiable, the split screen is over used, but employed well. This movie is the remake do OCEANS 11, 25 years early.
McQueen is a millionaire bored playboy that is a thrill seeker. His latest project is being the mastermind behind a huge bank robbery. Faye Dunaway…
There's a real fun vibe about the opening of The Thomas Crown Affair; the multiple split screen, the well crafted heist (both visually and technically,) then bubbly personality of Dunaway, the taciturn cool of McQueen and then it just seems to flatline. The cat and mouse game between criminal mastermind and insurance investigator doubling as a war of the sexes and a not so subtle flirtation very quickly becomes a snoozefest despite the best efforts of the clothes horse/style icon/actor fresh from her Bonnie & Clyde outfit success, Faye Dunaway, and Steve Mcqueen, arguably the coolest man ever to come from the United States of America.
If ever there was a man who could challenge the cinematic cool of Belmondo and…
Very stylish caper with superficial but cunning Steve McQueen; inventive at the time for its use of split screen, now feels incredibly dated, especially laughable sexual innuendos and the use of ‘The Windmills of Your Mind’. All of that aside, it still is pretty entertaining if very implausible.
The plot of this film is so simple and obvious that, while it might need time to stew in order to really take effect, it would have been nice for them to give us something interesting to watch while those seeds ripened? I mean, I guess the central bit is meant to be Crown's psychology and his relationship with Vicky(?), but he's practically a mute and any emotional weight that might come from his actions have to be sort of inferred after the fact in a kind of theoretical way. It's remarkable such an unambitious, vapid film even got made. It's not flashy vapid (it's never very flashy or entertaining at all). It's just a simple, shallow execution of an extremely straightforward idea. There's something to be said for its elegance, but in practice it mostly feels lifeless.
What do you get for the man who has everything?
With a gun to his head, Norman Jewison could not have made The Thomas Crown Affair more "sixties".
The Thomas Crown Affair is one of those movies that seems to be heralded as a time-honored classic, so I was excited to give it a watch. This could be a classic case of me missing the point, but I'm not quite sure what is supposed to be standout about the film. The performances are good. The premise is fine. The heist at the beginning is simple, but solid. I'm assuming that the relationship between Steve McQueen's Crown and Faye Dunaway's Vicki Anderson is where most viewers feel the film's brilliance lies, but I just thought it was average. Should I be…
Did not see this until after the newer version. The films are different, but very enjoyable all the same.
Im Vordergrund steht die ungehörige Attraktivität der Hauptdarsteller, gepaart mit coolem End-Sixties-Style. Die Heist-Story an sich ist zwar nicht übel, muß sich jedoch dem Style und Look des Films unterordnen.
An above-average caper film made memorable (for good or ill, you make the call) by Norman Jewison's artsy touches.
I see the appeal of this film, I really do. Unfortunately, it just never capitalizes or delivers on what it sets out to do, nor does it live up to how great the first ~15 minutes are. For a film that's only an hour and forty-five minutes, it felt like an eternity.
A fun caper movie built around a couple of great performances from McQueen and Dunaway who genuinely seem to be having a lot of fun. Also worth watching for Jewison's striking use of split screens.
One of those harmless caper films where the only point is how good-looking the two leads are.
But with Faye Dunaway as one of those leads, somehow that's enough. Only a year after her luminous performance in "Bonnie and Clyde," she had already begun to lose that gauzy feminine glamour (or maybe she was just lit extremely well in that film) and acquire that sharper, diamond-jawed and intimidating haughtiness that would make her such a great ball-buster in later films (and which made her kind of scary as well), but she was still knock-out enough to make this film easy enough to sit through. And the ladies get Steve McQueen, not too hard on the eyes himself. I wasn't even…
This list is the Letterboxd version of The Oxford History of World Cinema.
The book celebrates and chronicles over one…