All the films from all the editions, including those subsequently removed, presently totalling 1167. An easy way of seeing how…
Things to Come
The future is here!
Late 1960 and the world consists of feudal cities after decades of a global war and plague. 2035 and the world has been rebuilt with fantastic technology, but has progress gone too far and has man learned anything.
My immediate reaction to Things to Come is essentially the same as it was to Avatar - a big budget spectacle with a too-preachy message and a fairly dull story. While I did appreciate the anthological structure to Things to Come, the stories of each of the time periods (present-day war, dystopian fiefdom, and futuristic utopia) were littered with overly dramatic, overly talkie, and overly dry characters that I really couldn't care less about, let alone the sheer horror I felt imagining having these types of people running society. Without a lick of intentional humor and a surprising lack of overt optimism until the end of the last act, the film beats the horrors of war over your head while…
Epic in scope and impressive in design, but severely lacking in engaging characters. The structure is such that you never really get a chance to care about anything that is happening. You begin with a pastoral Christmas setting in "Everytown" with the rumblings of an impending war permeating the news and conversation. We spend a few minutes with some friends and family celebrating, but it is very brief and we are quickly thrust into quite an epic and visually amazing war.
From there we see a plague, then a resulting regrouping of Everytown under a half-wit oligarch, then his downfall, then we get Utopia. This all occurs by flashing forward chunks at a time and we only get a relatively…
It's fun to look back at the future.
Made in 1936, this movie spans a centuries time period. Starting at the cusp of another world war, the story advances a decade showing the devastation that the war has caused. Society is in ruins. Only small villages are left. Technology is stone aged at best. Then a wave of technical progress and evolution takes holds. 80 years later, the threat is that now progress with smother out what it means to be human.
The immediate visual reference for this film is Fritz Lange's METROPOLIS. But unlike that movie, this film lacks any real sense of humanity or the struggles of man.
The acting in this film is so stilted and Shakespearean…
In some respects, this is an Interesting foray into the barbed narcissism of mankind's megalomania. In others it's an exercise in production design.
The dialogue is an afterthought, and the acting is victimized by its own inability to elevate itself out of what seems like a community sponsored stage play where everyone is desperately trying to show their chops ("I AM SHOUTING!" "I AM FURTIVELY LISTENING" "I AM WEARING A CLOAK").
From an academia standpoint it's interesting, but it's also indulgent and boring as hell.
Sometimes, when I watch an old film like Things To Come, I wonder if I'm being really patronising with my thoughts towards some aspects of it. I even felt patronising calling it an "old film" just then.
By this I mean that I looked at so many things in Things To Come with such utter amazement, always partnering this amazement with thoughts like, "Cor, how could they do that back then? Surely that was impossible! They didn't even have computers back then!" I can't help it. Maybe the makers could have regarded this as a complement to their ingenuity, though, I don't know.
Of course, they got by, on this occasion, on using what they had available and astonishing levels…
Quaint vision of the future with some hammy acting, but powerful visuals. The movie is strongest in the beginning. Predating WWII by only a few years, the movie makes some startling predictions that came to pass. But as the movie reaches further into the future, it becomes increasingly silly. I mean from the vantage point of 2013, it's funny to see that the filmmakers imagined 2036 as an underground world full of futuristic sets and man skirts. A world where we haven't even been to space yet. A world where men rail against the evils of "progress" itself. The movie deals in vast, broad strokes where characters speak only in terms of lofty subjects: peace, progress, death. Little is personal in this movie, but how can it be when it bounces from generation to generation so fast? It's a fascinating movie, but not a very affecting one.
March Around The World 2015 Challenge film #28.
politics driven science fiction that hauntingly extrapolates the message conveyed by the signs of its time. it's a great metaphor that is still widely used today.
a corrupted society that transitions to various governance and power. it eventually attains with the will of the people layered with the marvelous set production and design of future earth blended with the existing technology.
funny the spices and splices of war radiates even with fantasy. as it also provide memorable anecdotes and unforgettable futuristic set pieces.
Why is everything in the future always white and metallic?
Pretty incredible effects for the time period. Interesting take on the future as well. Just a bit heavy handed for me, and when a film sacrifices character for conversation, I get a bit distant. This isn't always the case, but in Things to Come, it just didn't hit the spot for me fully. Still a pretty intriguing watch.
- H.G. Wells intended the picture to be opposite Fritz Lang's "Metropolis" in every way.
- Christmas/war --> the Wandering Sickness, the cinematic inspiration for zombies in the decades to come --> Chief zombie killer becomes Master of "independent sovereign state"; meets older Cabal in spacesuit and demands planes (Master wants to protect "dear land" and the invention of post-war aircraft would enable the protection of even more dear land - once it's been conquered, that is) --> the future created by engineers, a religion of science haunted by shadows of anti-progress barbarism --> though Wells portrays it triumphantly (that "gas of peace"), Cabal's son becomes a tyrant much like the Master before, framing the future of mankind by "conquest"…
Malalties errants a punt d'exterminar la civilització humana, un cabdill dirigint les restes d'una població tot mesurant la seva força pel volum d'una aviació enterrada, i el rescat de la humanitat gràcies al progrés i a una tecnocràcia sense fisures... i unes bombes de la pau que no són res més que somnífers a gran escala!
Things to Come explica i intenta preveure els mals d'una civilització obsessionada en la raó, potser no tant aferrada al progrés constant com en la mecanització i industrialització d'aquesta; la història és pràcticament la mateixa que la caiguda de Roma, fins i tot el vestuari ens remet a la cultura clàssica. Encara que amb matisos, la comparació serveix tant estètica com conceptualment, i no…
I think the overall message is the human spirit's will to move forward. Apart from that I recommend you only see this if you're in to old fashioned movies. It's a little long in some places.
Clunky dialogue but an interesting watch.
hard to get in to
no characters to connect
great productions, though
"Oh, God, is there ever to be any age of happiness? Is there never to be any rest?"
Prescient star gazing from 1936 - predicting war, the space age, and glass elevators. Yet like all sci fi, as much a comment on it's own time as a prediction for the future. Contrasts the march of progress with the pursuit of happiness amongst absolutely stunning sets. The questions it raises are still relevant today, with the ideas of infinite growth being questioned and a new age of space travel on the horizon.
Two word review: Prescient predictions
The entire Criterion collection organized by spine number.
I don't know why I did this.
Number I've Seen: 190/768 (25%)…
UPDATED: April 16, 2015
The Criterion Collection is a video distribution company that sells "important classic and contemporary films" in…