Trust
2011 Directed by David Schwimmer
Synopsis
What took her family years to build, a stranger stole in an instant.
Safe and sound in their suburban home, Will and Lynn Cameron used to sleep well at night. When their fourteen-year-old daughter, Annie, made a new friend on-line – a sixteen-year-old boy named Charlie – Will and Lynn didn’t think much of it. But when Annie and Charlie make a plan to meet what happens in the next twenty-four hours changes the entire family forever. Charlie is really a forty-year-old serial pedophile and, once Annie’s rape comes to light, it becomes a touchstone event that reverberates through the entire family.
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What started out as a bigger budget made-for-TV style stranger danger film slowly morphed into something far more interesting. The opening uses nearly every movie internet and predator cliché going but whilst it seems like a failing at first when the story flips after the rape (I'm not spoiling anything, from the trailer and the opening few minutes of the film it is obvious where this online relationship is heading) the direction of the first half of the film feels more justified. However, it is post-rape that the film really takes off and goes in some interesting directions.
Firstly, the girl doesn't feel as if she has been raped and that she still loves the man who took advantage of…
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Uneasy! This film made me feel that way several times with it's portrayal of a sexual predator. It's one of those films where it's almost too real because we know that the situation that plays out in this film happens far to often in real life and it's pretty unsettling. I won't get into the plot for the sake of those who haven't seen it, but I will say that I thought of the TV show To Catch a Predator several times while watching this. If you have kids (especially young girls) it well definitely open your eyes, and make you think twice about what your kids are doing online. I have two boys a 2yr old and a 4…
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After Friends, what ever happened to David Schwimmer? He made the ultimate feel bad movie. Watch people make terrible decisions for 90 minutes. Whatever you do, don't watch this movie.
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I'm getting a little tired of waiting for Clive Owen to meet his potential. Ten years ago he was a new guy with the potential for awesome. Now he's just that guy who's still trying. I decided to give him another chance. Well, not really. I love Catherine Keener. So, Clive gets a chance to show off while I watch this Catherine Keener movie.
I probably still wouldn't have rented it if I'd known David Schwimmer directed it. That should have been a signal. I also feel like it's a bit behind the times with the whole "online chat predator" thing. Didn't anyone tell Ross that it's been done to death? Never well, but still.
I should say that this…
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This is a very thoughtful and important film. Trust is a movie that every parent and teenager should see. Well-written and well-acted. An excellent family drama with an interesting topic.
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This summer, I worked as a counselor at a camp. As with most jobs that involve contact and interaction with children, I was required to undergo a small bit of training in recognizing and dealing with situations involving sexual predators. It's one thing to read about the things these twisted people do; it's a whole other to see it in action, and the consequences of what happens. Enter the film Trust. In the film, a young teenage girl falls prey to an online sexual predator. The film then observes the family as they attempt to piece their lives back together following the tragedy, only to find that the parents are unprepared to handle it. Through David Schwimmer's calm, unflashy direction,…
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After Friends, what ever happened to David Schwimmer? He made the ultimate feel bad movie. Watch people make terrible decisions for 90 minutes. Whatever you do, don't watch this movie.
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Everyone sounds like they're dramatizing a pamphlet; I'm of the opinion, perhaps a minority one, that PSA material like this needs to be couched in genre parameters to work. (The film's unvarnished truths play far sillier than do the metaphors of star Clive Owen's other child-endangerment fable, Intruders.) Also, I think it was mistake to depict the teenage girl's seduction by a middle-aged online predator as procedurally as its aftermath--the film is sort of an inadvertent how-to guide for aspiring sex offenders.
(More points off for having the temerity to reuse a Hal Hartley title.)
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David Schwimmer helms this tale of a family thrown into crisis following the rape of their 14-year old daughter with simple touches, letting his gifted cast carry the material. Some of the directorial choices feel dated (IM chat, really?) but the turns by Clive Owen and newcomer Liana Liberato are electric. The final scene is also extraordinarily brave and eerie, extolling the hope of a happy ending with firm certainty. Powerful enough to circumvent its occasional lapses into TV level production value.
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Terrible, heavy-handed straight to dvd indie drama about as subtle as Reefer Madness, but not as enjoyable. Another dull performance from Owen and another screechy, irritating mom role for Keener. I am not sure if Schwimmer is a worse actor or director but I would be happy if he disappeared forever.
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After curious and vulnerable teenager Annie falls into a trap set by an online sexual predator, her family begins to disintegrate, uncertain how to cope with such a devastating tragedy. Utterly consumed by rage, her father sets out for vengeance. (Netflix)
For the vast majority of TRUST’s run-time, I couldn’t help but laugh. Sure, it was unsettling. The thought of a sexual predator targeting your child is one of the greatest nightmares any parent can imagine.
But holy Google, these parents have no f’n clue how to work the internet, do they?
Clive Owen’s character especially is clueless when it comes to computers, a fact made even more baffling by the reveal of him being a big-time Chicago ad exec…
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Impressively acted and directed and quite a downer.
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Aspires to be an impactful double-jointed after-school special, but is too clumsy to be truly reflexive, and can't even achieve the supposed utility of the actual movie-of-the-week format. Instead, Schwimmer pingpongs airy tin-eared Wiseauian melodrama against hammered rote condemnations. All the subtlety and texture of a Christian film, which Trust resembles aesthetically anyway.
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You're not so bad, Clive.
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I was going to give it 4 stars but the video during the credits got half a star bonus.