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When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire a rare VHS tape, they discover more found footage than they bargained for.
V/H/S blends one of the newer fads in horror - the shaky found footage movie - with one of the oldest - the portmanteau anthology. It is an interesting blend, on paper at least, allowing the hottest new indie directors to flex their creative muscles in shorter form films whilst tackling a range of horror sub-genres. Unfortunately the results are far less interesting than the film’s potential. Rather than utilising the strengths of the portmanteau structure - allowing for wildly different stories with great hooks and twists - it merely accentuates the problem with the current trend of found footage stories.
Although the film works its way through most sub-genres of horror (vampires, stalkers etc.) all the self-contained stories are…
This review may contain spoilers. I can handle the truth.
There is always one thing that makes or breaks a horror anthology for me, and for some people it's probably the most dismissive aspect but to me; the most important. I like to have a decent wraparound story, it doesn't matter if it's tongue-in-cheek and "hosted" with a ghoul presenting each story, a realtor showing houses, a witch in her kitchen or an ominous meeting in the heart of a cemetery, it's the bow on the package. V/H/S managed to present a couple decent segments (despite being found-footage) and had an interesting concept but I really hated the wraparound story. Besides being both confusing and unpleasant, it was unsatisfying. I would have rather seen the punks from the start have…
So basically every story in this anthology plays out in the exact same way:
-Introduction of characters
- A bit of walking around
- Some groovy camera angles to enhance the found footage feel
- The teeniest tiniest bit of suspense
- Some yummie and scrumptious gore
All in all there were two stories I really liked, the third one because it is rather insane and the fourth one because it is actually creepy and weird. The rest is instantly forgettabe.
Usually in anthologies there is a common theme or connecting thread. The only one I could find here is that apparently everyone involved bought crappy cameras and suffered from Parkinson's disease.
I could not believe just how boring this film is. It does not even attempt to be the least bit scary, just gory. I wouldn't even call this torture porn because at least Saw and Hostel attempted to scare you. And when are these found footage movies going to die out.
VHS is everything I hate about modern horror films. Character building is replaced by shallow jump-scares, tension is replaced by boredom, shaky-cam is used to up the fear when in reality it serves to obscure and distract the viewer from the action. I am certainly no horror expert, but at least films like Psycho 2 and Scream 4 attempt to tell a cohesive narrative. VHS thinks that it is enough to just to have a shock nonsensical ending to superficial bite-size anthology segments. Ambiguity and surrealism is not, by itself, enough to make for an interesting story. Unfortunately, VHS is a blood-soaked CGI gore-fest that you will forget immediately after viewing - well I did at least. I also find…
There is a fundamental untidiness which impedes V/H/S; heavily and irritatingly mitigating any piquancy. Granted, it's inherently destined to be disconnected but this shouldn't culminate in a film with erratic levels of finesse and intrigue. However it ultimately does; subsequently equaling a cumbersome product that fitfully capitalizes on its theoretically inspired concept.
Except for the inclusion of found-footage, V/H/S's conceit is unorthodox and therefore immediately deserves praise for not lining up behind many foregoing 'horror' flicks. Strenuously attempting to link an anthology of short horror films to one overarching narrative, the handling may be visibly contrived but still makes for a fascinating and fruitful premise.
To quickly summarise my thoughts on each individual short: the first story is okay, the…
Das erste mal seit langem, dass mir ein Foundfootage Film so viel Spaß gemacht hat. Die Idee und das Konzept des Films finde ich klasse. Und definitiv nichts für zart beseitete ;-)
Mención especial para "Amateur Night", el tour de force erótico-terrorífico de David Bruckner.
Bei dem Film handelt es sich um eine Sammlung mehrer Found-Footage-Kurzfilme. Es gibt ein, zwei gute Perlen, die durchaus Spannung vermitteln. Die anderen sind einfach nur blutig.
Die Wackelkamera ist hier noch einmal einen Tick extremer als allgemein üblich. Zusammen mit den Stör-Effekten kann einem durchaus ernsthaft übel werden.
Die meisten Charaktere und Dialoge sind unterirdisch bis nervig und somit für's Klo - wie andere Dinge auch. Zahnbürsten zum Beispiel, aber seht selbst.
Despite "The Sick Thing That Happened to Emily When She Was Younger" being such a stellar and spooky short story, it is smothered and hidden behind other segments that are less than average. While "Amateur Night" was certainly a runner up and added a decent twist to POV horror through the viewpoint of porno glasses, liking ⅓ of a movie only goes so far.
AND ON THE 8TH DAY GOD CREATED FOUND FOOTAGE
Fun horror found footage flick. Worth a viewing for horror fans.
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