I FUCKING LOVE COLOURING
The modern-day story focuses on two beautiful young vampires who are living the good nightlife in New York until love enters the picture and each has to make a choice that will jeopardize their immortality.
There was a time when filmmaker Amy Heckerling made smart relevant films for a teen audience but those days seem long gone. In many ways that is what her latest, Vamps, is about as a centuries old vampire struggles to adjust to modern life with the over reliance on technology and annoying text speak. Unfortunately, in commenting on the differences between the generations she failed to make a film that was remotely interesting or amusing.
Alicia Silverstone, working once again with Heckerling after Clueless, and Krysten Ritter star as vampires and BFF struggling to come to terms with contemporary life whilst both suffering with romantic problems. Silverstone starts spending time with a former boyfriend she hasn’t seen in forty years…
Everybody's right! It's fabulous!
What . The . Fuck
I watched this for free and someone owes me money.
Absolutely, spleen tearingly awful. Basically unwatchable.
Krysten Ritter and (a beautifully aged) Alicia Silverstone.
Quirky comedy about "nice" vampires. Charming but not very interesting or funny.
Underused cast. Although Sigourney Weaver at least know what kind of movie she's in.
Call it the squealy-girly, horror-spoof version of Tabu, conflating movie history with romantic yearning for a lost past; guess it takes a middle-aged director to hone in on the poignant aspects of a vampire existence. Don't really know what to make of it, because the lame jokes really thud, plotting is amateurish and it's shot through with clumsy nostalgia and technophobia - yet, in taking a genre degraded by over-exposure and Twilight-mania and using it to muse on mortality and Time passing (meanwhile adjusting its cliches to a chick-flick template), it does something quite beautiful (and funny). Who knew Alicia Silverstone still had the stuff, after all these years?
OK.. what did I think of this one? It is a very silly comedy/horror. Not that that is a bad thing. I did find myself enjoying this one... though there wasn't anything too special about it. I found it to be a fun and entertaining film... but pretty much no more then average. Not one I can see watching often but sure I will watch again.
Do you know those kinds of movies you only see when you want to turn of your brain? This is onde of those. ;)
It's hard to believe the genius behind two of my favourite films, Fast Times at Ridgemont High and Clueless, has produced dreck like this. At just 3 years old, this feels absurdly dated. Sigourney Weaver even chokes on the hammy dialogue, unable to deliver a line with any confidence. In all honesty, I came here for Dan Stevens but I'm sure he wishes this movie, like the vampires in it, never see the light of day.
It's so silly, but I love it. XD
The first act is mighty shaky, juggling lingo and iconography setup with sitcom-worthy groaners like “200 is the new 18” and “that took about a century off my life.” But once she settles in and establishes the characters, Heckerling works up some clever twists on the vampire mythos, gets some big laughs, and mines the subplot of Silverstone’s lost and rediscovered love (Richard Lewis, of all people) for some lovely and surprisingly poignant moments.
It's kinda irritating that the director of a film as good and memorable as Clueless couldn't attract more funding for this endearing little project, particularly since most of its flaws could probably have been solved with a larger budget. There's some rather naff-looking CGI throughout, most obviously in the tonally confused beheading scene) at the end, and I feel like some more time in the editing studio might have improved the film's rather haphazard pacing.
But aside from these faults and a few rather heavy-handed critiques of contemporary dependence on modern technology I found this to be a rather charming and refreshingly unambitious film. I liked the way Heckerling used the vampires' extended lifespans to comment on generational changes and…
Amy Heckerling's drops a fun little romp into horror comedy, my favorite genre. Alicia Silverstone, who is herself weirdly ageless, get to play a version of herself stuck at her peak (re: The 90's) while hiding the little secrets that make her great and admirable. Krysten Ritter gets to do a small mix of all the things she's best at (best friend, fashionable New Yorker, weird party girl), plus get's to romance a baby faced Dan Stevens. I don't need the Van Helsing sub-plot so much as I would love to explore the world of 'vegetarian' vampires more, but I enjoyed the conversation on the merits of never aging amongst humanity much more than Only Lover's Left Alive.
It's like a stand up comedian making jokes about vampires when you thought you were going to watch a movie.
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