Velvet Goldmine
1998 Directed by Todd Haynes
Synopsis
In 1984, British newspaper reporter Arthur Stuart is investigating the career of 1970s glam rock star Brian Slade, who was heavily influenced in his early years by American rock singer Curt Wild, whose show was quite crazy for his time.
Cast
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I could frame the story of my whole adult life around how I didn't see Velvet Goldmine until today. Though Letterboxd isn't the right place for the unabridged version. The times it would have particularly have fitted in, when not seeing it was some Sliding Doors occurrence, were 2006, and the tail-end of 2011.
But most of all it should have been there some time between 1994 and 1997: before it was made, dammit.By the time I actually bought this DVD a few months ago, I knew it was now going to be both very difficult and solemnly amazing to watch. (I watched the extras first and even welled up a little during those.)
Almost everything I care about…
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Considering that I'm a big fan of both Todd Haynes's films AND of '70s punk and glam rock, it's a little embarrassing that I hadn't seen this one before now. But here we are! Let's make the best of it.
It's interesting to trace the line back from Haynes's brilliant Bob Dylan fantasia from 2007 I'M NOT THERE to VELVET GOLDMINE, which also approaches real-life musicians and the spells they cast over audiences and society in general in an oblique, dreamlike fashion. Just as multiple actors played different facets of Bob Dylan's persona in a film that never even mentioned the words "Bob Dylan," here Jonathan Rhys Meyers, Ewan McGregor, and Micko Westmoreland play alternate reality versions of David Bowie,…
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δώσε glitter στο λαό
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Loosely based on David Bowie, even if the film makers aren't allowed to admit it. The film captures the 70's glam rock era perfectly with great songs and fantastic visuals.
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First of all, I like David Bowie - and the story is kind of based on his life. Second of all, I like the cast: Jonathan Rhys Meyers AND Ewan McGregor - absolute perfect. Then, there is a lot of Glam Rock, which is not quite my favourite music, but it's entertaining. And the best: My absolute favourite band of all time placebo appears in it!
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Obi-Wan & Batman have some 'Chap-on-chap' sex on a rooftop!
What more do you need to know!?
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δώσε glitter στο λαό
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@Camdun_Roar: Like Citizen Kane for David Bowie (if the journalist idolized Kane, made out with him and if there was a spaceship) 6.5/10
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A thoroughly entertaining, but ultimately confused film which doesn't really seem to know where it wants to go or what it wants to achieve. I think the film wants to explore identity against the backdrop of glam rock in the seventies. And while it includes a number of of fantastic performances from the young cast at the time, the narrative just feels a little all over the place. Todd Haynes' 'Far From Heaven' is much more accomplished in the exploration of identity, so in that sense it's nice to see his progression as a filmmaker. Haynes' direction is still excellent, as is the costume design and all of the huge glitz and glam of the music scene - I just can't help but feel a slightly tighter structure, or a clearer objective, could've propelled this to something much greater.
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This movie exists? After hearing one of my roommates talk about this film for months, I finally saw it. Outstanding performances, crazy wardrobe. Really brilliant performances. It's a lot of fun.
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Everything about this film is disappointing.
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A fanfiction where a young David Bowie (Johnathan Rhys-Meyers) has lots of sex with Kurt Cobain (Ewan McGregor). And then the classic closeted homosexual, angst-ridden self-based character (Christian Bale) steals Kurt away and the have drunken buttsecks on top of a roof. Almost worth it because it's so ridiculous.
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First of all, I like David Bowie - and the story is kind of based on his life. Second of all, I like the cast: Jonathan Rhys Meyers AND Ewan McGregor - absolute perfect. Then, there is a lot of Glam Rock, which is not quite my favourite music, but it's entertaining. And the best: My absolute favourite band of all time placebo appears in it!
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Um brilhante retrato de um movimento cultural. A cadência do roteiro estabelece muito bem a decadência do movimento, enquanto a direção opta por retratar cada período com um tom diferente. Brilhante trabalho de fotografia, direção de arte e figurino, ao estabelecer bem a diferença entre o passado glorioso e o presente sombrio.
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Considering that I'm a big fan of both Todd Haynes's films AND of '70s punk and glam rock, it's a little embarrassing that I hadn't seen this one before now. But here we are! Let's make the best of it.
It's interesting to trace the line back from Haynes's brilliant Bob Dylan fantasia from 2007 I'M NOT THERE to VELVET GOLDMINE, which also approaches real-life musicians and the spells they cast over audiences and society in general in an oblique, dreamlike fashion. Just as multiple actors played different facets of Bob Dylan's persona in a film that never even mentioned the words "Bob Dylan," here Jonathan Rhys Meyers, Ewan McGregor, and Micko Westmoreland play alternate reality versions of David Bowie,…