With GOLD, Arslan does for the Western what he did for noir with IM SCHATTEN. Not revisionist, as others have claimed, but a solid "road" movie with top-notch performances by all.

I've been tough on Buljaski in the past, but goddamn he pulls this off beautifully. Great ensemble piece. Mumblecore this aint.

Tati meets Bresson. A masterwork from a filmmaker still at school. The most "alive" piece of cinema I've seen in ages.

This is the psycho-sexual film I've waited my whole life for....