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  • Female Trouble 1974

    ★★★½ Watched 05 Sep, 2014

    Waters' films (particularly the early, micro-budget ones) often have the feel of home movies, albeit something like the Manson Family home movies. 'Female Trouble' is a fine example, gloriously grainy and low-rent, gleefully dispensing with the niceties of conventional narrative and the “well-made film”: the compositions are ugly, the edits are halfhearted, the camera movements are jerky, the focus is questionable, and the locations all seem to have a layer of grime over them. The “style” of these movies is utilitarian at best; they seem thrown together with Scotch Tape, spit, and desperation.

    READ MORE: flavorwire.com/476081/like-being-alive-at-my-own-funeral-john-waters-on-50-years-of-filmmaking

  • The Room 2003

    ½ Watched 12 Sep, 2014

    Boy, you guys weren't kidding about this one.

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  • Under the Skin 2013

    ★★★★ Watched 21 Mar, 2014

    A beautiful, bizarre, and occasionally troubling bit of abstract art-house sci-fi in the Beyond the Black Rainbow vein from director Jonathan Glazer (Sexy Beast, Birth). Scarlett Johansson (who appears in just about every frame) plays a well-disguised alien creature who picks up men and devours them; some have dismissed the picture as an indie riff on Species, but if the narrative is derivative and a tad monotonous, there’s something intoxicating about the fluidity of Glazer’s striking images and the mood he manages to sustain throughout the peculiar tale.

    Read more:
    flavorwire.com/449605/what-scarlett-johanssons-new-movie-under-the-skin-tells-us-about-her-gross-new-yorker-profile/

  • Boyhood 2014

    ★★★★½ Watched 20 Jan, 2014

    Richard Linklater and his cast shot this chronicle of a young man’s life in bits and pieces over 12 years, a narrative feat all but unparalleled in modern cinema. But the great pleasure of Boyhood is how its tremendous ambition is belied by the picture’s charming modesty; in its pacing and approach, it is very much in the shambling vein of the Before trilogy and Slacker. It also shares those films’ verbosity, its characters frequently engaging in searching conversations about…