Laughed a lot when they translated „Mahlzeit“ to “hello” - really misses a lot of deep meaning of the word.
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Aguirre, the Wrath of God 1972
Mesmerising art house at 90 minutes. What’s not to love? I’ve never been so interested watching horrible people in a terrible situation.
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Supermarket 1974
Don’t ever say crime doesn’t pay - I only wish I could afford an apartment with one room dedicated to crumbled up newspaper
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Berlin Alexanderplatz 1980
The ending, for all its historical pessimism, is one of the most hopeful humanist films I’ve seen. Franz, for all his faults, achieves self knowledge. Transformative. Best use of the Tristan and Isolde Liebestod I’ve seen in film.