Jeff Hannah’s review published on Letterboxd:
The visuals were stunning (as expected) but the score and sound design were truly great. I really appreciate Glazer's minimalist approach. He also tells the story without having to rely on endless exposition (which is an unfortunate trend in films today).
As impressive as the film is, I can't help feeling like there was something missing here. We gradually become sympathetic towards Johansson but she's such an empty vessel that it's hard to care too much about what happens to her. I did like the sinister biker though. His stiff demeanor and overwhelming purposefulness was the second-creepiest part of the film (there's one scene that is so strange and disturbing that it single-handedly justifies the film's existence).
Perhaps the weirdest thing in the film is that it begins as the story of a ruthless and powerful female predator and ends on a very different note. We find out that she's practically helpless and all that seduction and murder was done in the service of some greater (male) power. It's kind of disappointing.