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Soderbergh is one who likes to purposely screw with his audiences, and in this, perhaps his final film, one must wonder whether he is screwing us by delivering a hideous schlockfest, or whether he screwed us by making us believe he was such a great filmmaker in the decade that preceded this hideous schlockfest.
Stupid. Narratively discordant. Entirely misogynistic. Not even remotely suggestive.