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The Beyond 1981
Fulci's masterpiece is a genuinely frightening, gory, and atmospheric take on the zombie genre with tones of the supernatural.
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Black Sunday 1961
Bava's classic gothic chiller about a witch returning from the grave to fulfill a centuries-old curse on the descendants of the brother who betrayed her.
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Lisa and the Devil 1976
I celebrated Halloween this year with a viewing of both the American cut and European original of Mario Bava's LISA AND THE DEVIL. The American cut (a.k.a. THE HOUSE OF EXORCISM) is an entirely different film with a possessed girl storyline added to a heavily edited version of the original. As is normally the case with these things, the original cut was superior -- an eery, gory, and atmospheric horror film that explored familiar gothic themes with vivid and original imagery. The American cut lacked the coherence of the original.
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Halloween II 2009
H2 is a disappointing follow-up to Zombie's take on the classic John Carpenter film. This one scores points for audacity because it plays around with the Myers mythology a bit, but it accomplishes little else.
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I Spit on Your Grave 2010
Sarah Butler delivers a fine performance as Jennifer Hills in this Hollywood take on Zarchi's infamous shocker. This feels more like a horror film than the original, which plays more like a stunt than anything else. The revenge scenes are a bit overwrought, but that does not take much away from the film.
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We Are the Night 2010
Slick, but ultimately bland, urban vampire tale featuring sexy female vampires traveling the world in search of blood and a good time.
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Night of Dark Shadows 1971
I enoyed this second attempt at bringing the soap series to the big screen more than the first one. It is a gothic chiller that fans of the show are bound to enjoy.
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House of Dark Shadows 1970
A hurried re-hashing of the original episodes following the arrival of Barnabas Collins at Collinwood.
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We Need to Talk About Kevin 2011
This review reportedly contains spoilers. I can handle the truth.
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The Countess 2011
Delpy is cold and beautiful as the titular countess Bathory, but some clunky dialogue and a plodding pace keep this one from a higher rating.