Good example of what happens when a big studio tries to make a 'serious' film cashing on an exploitation trend, in this case the prosthetic werewolf effects of The Howling/American Werewolf. (see also The Prophecy).
Despite a relatively large budget and a good cast, it's a dull and very silly tale of a 17 year old boy who is the result of an earlier beastly rape by a half man/half cicada (a kind of locust) for reasons the film never…
Still the best in the series, it's tech has sadly dated it somewhat (though I always found the "emailing every Bible newsgroup" ridiculous) but it's action scenes still remain a benchmark almost 20 years on.
How refreshing to see a SFX-filled fight on top of a train, that looked brilliantly innovative in its day, but still holds up now. And no one except dePalma could create so much tension from a man dangling from a cable while a drop of sweat drips down his specs.
Another year, another actor playing James Bond. For the third film in a row, Eon presented us with a different face. Luckily this one stuck.
Roger Moore was a huge international star, thanks to his appearances on TV in Ivanhoe, The Saint and The Persuaders, and had been on Saltzman and Broccoli’s list for a while before the premature cancellation of The Persuaders allowed him to step into the famous tux for the first time.
LALD was, in some ways,…
It sounds so simple, but it is amazing what a good director (and good behind the scenes crew) can bring to a franchise.
Sam Mendes and, especially, Roger Deakins, bring new life into Bond, reinvigorating a series which seriously floundered with Quantum of Solace.
On first viewing, my thoughts were it was the most Fleming-inspired of the whole series. Fleming often put Bond through the ringer in quite painful ways (physically as well as mentally). Here Bond is seemingly killed…