Considered here for its Migrating Forms premiere. Gina is a friend, as is true of a lot of people who helped make this film, so take with a grain of salt. But I love the way this film operates so differently from most films about filmmaking, which often see it as a torturous process by The True Artist. Movie making can be fun time, folks!
"Russell's most exciting moments are three-layered: a familiar narrative or comic convention is exaggerated into a transgressive act, then grounded with a flurry of humanizing psychological detail."
-Dan Sallitt, 2002.
American Hustle would easily fit into the same realm as Pain & Gain, The Bling Ring, and Spring Breakers in the excess/over-belief in the American Dream run of films that amounted to a lot of pointless trend pieces this year. Like these films, it is also fueled through the specific vision…
I could talk about how this film's structure finally achieves the blissful melancholy that has been at the heart of all of Wes Anderson's films. I could talk about the precision of his framing and tracking shots, and how often he finds visual comedy through a perfect edit, or the slight entrance of new material into the frame. I could talk about how depressing the film is, the hints of both a traumatizing past, and that in a way, Sam…